The Lady of the Camellias | |
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Directed by | Gabriel Soria |
Written by | Robert Tasker |
Based on | The Lady of the Camellias by Alexandre Dumas |
Produced by | Jorge Vélez |
Starring | Lina Montes Emilio Tuero Fanny Schiller |
Cinematography | Agustín Martínez Solares |
Edited by | Charles L. Kimball |
Music by | Jorge Pérez |
Production company | Panamerican Films |
Distributed by | Azteca Films |
Release date |
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Running time | 115 minutes |
Country | Mexico |
Language | Spanish |
The Lady of the Camellias (Spanish: La dama de las camelias) is a 1944 Mexican historical drama film directed by Gabriel Soria and starring Lina Montes, Emilio Tuero and Fanny Schiller. [1] [2] The film's sets were designed by the art director Manuel Fontanals. It is an adaptation of the 1848 French novel The Lady of the Camellias by Alexandre Dumas.
In nineteenth century Paris Marguerite, a courtesan, falls in love with Armand a promising young man from a good family. His father begs her not to ruin his career and she reluctantly gives him up. When she falls desperately ill some time later she discovers that Armand still loves her.
The Lady of the Camellias, sometimes called Camille in English, is a novel by Alexandre Dumas fils. First published in 1848 and subsequently adapted by Dumas for the stage, the play premiered at the Théâtre du Vaudeville in Paris, France, on February 2, 1852. It was an instant success. Shortly thereafter, Italian composer Giuseppe Verdi set about putting the story to music in the 1853 opera La traviata, with female protagonist Marguerite Gautier renamed Violetta Valéry.
Camille is a 1921 American silent drama film starring Alla Nazimova as Marguerite and Rudolph Valentino as her lover, Armand. It is based on the play adaptation La Dame aux Camélias by Alexandre Dumas, fils, which was first published in French as a novel in 1848 and as a play in 1852. Camille is one of numerous screen adaptations of Dumas, fils' story. The film is set in 1920s Paris, whereas the original version takes place in Paris in the 1840s. It has lavish Art Deco sets; Rudolph Valentino later married the film's art director, Natacha Rambova.
Camille is a 1915 American silent film based on the story La Dame aux Camélias by Alexandre Dumas, fils, first published in French as a novel in 1848 and as a play in 1852. Adapted for the screen by Frances Marion, Camille was directed by Albert Capellani and starred Clara Kimball Young as Marguerite Gautier and Paul Capellani as her lover, Armand.
Camille is a 1917 American silent film based on the play adaptation of La Dame aux Camélias by Alexandre Dumas, fils, first published in French as a novel in 1848 and as a play in 1852. Adapted for the screen by Adrian Johnson, Camille was directed by J. Gordon Edwards and starred Theda Bara as Camille and Albert Roscoe as her lover, Armand.
Camille is a 1984 television film based on the 1848 novel and play La Dame aux Camélias by Alexandre Dumas, fils. It was adapted by Blanche Hanalis and directed by Desmond Davis. It stars Greta Scacchi, Colin Firth, John Gielgud, Billie Whitelaw, Patrick Ryecart, Denholm Elliott and Ben Kingsley.
Camille 2000 is a 1969 film based on the 1848 novel and 1852 play La Dame aux Camélias by Alexandre Dumas, fils. It was adapted by Michael DeForrest and directed by Radley Metzger. It stars Danièle Gaubert and Nino Castelnuovo with Eleonora Rossi Drago and Massimo Serato.
El Rosario de Amozoc is a 1938 Mexican film directed by José Bohr. It stars Lupita Tovar, Carlos Orellana, Emilio Tuero, Elena D'Orgaz, Daniel "Chino" Herrera and Ernesto Cortázar.
The Spot of the Family or The Family's Flaw is a 1953 comedy drama film directed by Fernando Méndez and starring Luis Aguilar, Antonio Badú, Sara García and Esther Fernández. It was shot at the Churubusco Studios in Mexico City. The film's sets were designed by the art director José Rodríguez Granada.
Cada quién su lucha is a 1966 Mexican comedy film directed by Gilberto Martínez Solares and starring the double act Viruta y Capulina, performed by Marco Antonio Campos and Gaspar Henaine, co-starring María Duval and Baby Bell.
He Who Died of Love is a 1945 Mexican fantasy comedy film directed by Miguel Morayta. It stars Julián Soler, Luis Aldás, and Hilde Krüger. The film's sets were designed by the art director Luis Moya.
The House of the Fox is a 1945 Mexican musical comedy film directed and produced by Juan José Ortega. It stars Virginia Fábregas, Isabela Corona, and Alberto Galán.
The Three Elenas is a 1954 Mexican drama film directed by Emilio Gómez Muriel and starring Amelia Bence, Manolo Fábregas, and Domingo Soler. The film's sets were designed by the art director Manuel Fontanals.
The Boxer is a 1958 Mexican sports drama film directed by Gilberto Gazcón and starring Joaquín Cordero, Ariadna Welter and Arturo Martinez.
Chucho el Roto is a 1960 Mexican historical adventure film directed by Manuel Muñoz and starring Carlos Baena, Adriana Roel and Óscar Pulido. It portrays the life of the nineteenth century bandit Chucho el Roto.
Black Skull is a 1960 Mexican western film directed by Joselito Rodríguez and starring Luis Aguilar, Dagoberto Rodríguez and Pascual García Peña.
Beatriz Saavedra is a Mexican actress, best known for appearing in films such as Monte de piedad (1951), Tres hombres en mi vida (1952), Tío de mi vida (1952), It Happened in Acapulco (1953), La ladrona (1954), Madame X (1955), Drop the Curtain (1955), La doncella de piedra (1956), and La culta dama (1957).
La otra mujer is a 1972 Mexican comedy drama film directed by Julián Soler and starring Mauricio Garcés, Saby Kamalich and María Duval. The film is a remake of the Mexican film Mi esposa y la otra (1952), which in turn is a remake of the Argentine film The Kids Grow Up (1942).
Angélica is a 1952 Mexican crime melodrama film directed by Alfredo B. Crevenna and starring Irasema Dilián, Carlos Navarro and Ramón Gay. It was shot at the Tepeyac Studios in Mexico City. The film's sets were designed by the art director Edward Fitzgerald.
Cruel Destiny is a 1944 Mexican musical drama film directed by Juan Orol and starring María Antonieta Pons, Juan José Martínez Casado and Florencio Castelló. The film's sets were designed by the art director Ramón Rodríguez Granada. It is part of the tradition of Rumberas films, popular during the Golden Age of Mexican Cinema.
Gabriel Soria (1908–1971) was a Mexican film director, screenwriter and producer. He was active during the Golden Age of Mexican Cinema. His film Come on Ponciano was screened at the 1938 Venice Film Festival where it was in contention for the Mussolini Cup.