Bring Your Smile Along is a 1955 American Technicolor comedy film by Blake Edwards. It was Edwards' directorial debut and the motion picture debut of Constance Towers. Edwards wrote the script for this Frankie Laine musical with his mentor, director Richard Quine. Songs Laine sang in the film included his 1951 hit "The Gandy Dancers' Ball."
Slave Ship is a 1937 American historical adventure film directed by Tay Garnett and starring Warner Baxter, Wallace Beery and Elizabeth Allan. The supporting cast features Mickey Rooney, George Sanders, Jane Darwell, and Joseph Schildkraut. It is one of very few films out of the forty-eight that Beery made during the sound era for which he did not receive top billing.
You're Only Young Once is a 1937 American comedy film directed by George B. Seitz. Following A Family Affair, it is the second film of the Andy Hardy series. Lewis Stone replaces Lionel Barrymore as Judge Hardy while Fay Holden replaced Spring Byington as his wife since both Barrymore and Byington were too expensive for the sequel's modest budget. Mickey Rooney would repeat his role as Andy while Cecilia Parker, as his sister, and Sara Haden, as Aunt Milly, would also reprise their roles from the original film. They were the only original actors transferred to the series.
Drive a Crooked Road is a 1954 American crime film noir directed by Richard Quine and starring Mickey Rooney and Dianne Foster. The drama's screenplay was adapted by Blake Edwards and Richard Quine from "The Wheel Man", a story by Canadian James Benson Nablo.
Baby Face Nelson is a 1957 American film noir crime film based on the real-life 1930s gangster, directed by Don Siegel, co-written by Daniel Mainwaring—who also wrote the screenplay for Siegel's 1956 sci-fi thriller Invasion of the Body Snatchers—and starring Mickey Rooney, Carolyn Jones, Cedric Hardwicke, Leo Gordon as Dillinger, Anthony Caruso, Jack Elam, John Hoyt and Elisha Cook Jr.
A Yank at Eton is an American comedy-drama film directed by Norman Taurog for Metro-Goldwyn-Mayer and starring Mickey Rooney, Ian Hunter, and Peter Lawford. Released in 1942, it is a kind of junior thematic sequel to MGM's British-made film A Yank at Oxford (1938). Edmund Gwenn, who played a school official in the earlier film, has a similar role in this one. A Yank at Eton was filmed entirely in the United States.
The Human Comedy is a 1943 American comedy-drama film directed by Clarence Brown. It began as a screenplay by William Saroyan, who was expected to direct. After Saroyan was removed from the project, he wrote the novel of the same name and published it just before the film was released. Howard Estabrook was brought in to reduce the run time to two hours. The picture stars Mickey Rooney with Frank Morgan; also appearing in the film are James Craig, Marsha Hunt, Fay Bainter, Ray Collins, Van Johnson, Donna Reed and Jackie "Butch" Jenkins. Barry Nelson, Robert Mitchum and Don DeFore appear together as boisterous soldiers in uncredited supporting roles.
Girl Crazy is a 1943 American musical film starring Judy Garland and Mickey Rooney. Produced by the Freed Unit of Metro-Goldwyn-Mayer, it is based on the stage musical Girl Crazy – which was written by Guy Bolton and Jack McGowan, with music and lyrics by George and Ira Gershwin. It was the last of Garland and Rooney's nine movies as co-stars, the pair appearing only once more together on film, as guest stars in 1948's Words and Music.
Broadway to Hollywood is a 1933 American pre-Code musical film directed by Willard Mack, produced by Harry Rapf, cinematography by Norbert Brodine and released by Metro-Goldwyn-Mayer. The film features many of MGM's stars of the time, including Frank Morgan, Alice Brady, May Robson, Madge Evans, Jimmy Durante, Mickey Rooney, and Jackie Cooper. Brothers Moe Howard and Curly Howard of The Three Stooges appear—without Ted Healy and without Larry Fine—almost unrecognizably, as Otto and Fritz, two clowns in makeup. It was the first film to feature Nelson Eddy.
Strike Up the Band is a 1940 American musical film produced by the Arthur Freed unit at Metro-Goldwyn-Mayer. The film was directed by Busby Berkeley and stars Mickey Rooney and Judy Garland, in the second of a series of musicals they co-starred in, after Babes in Arms, all directed by Berkeley. The story written for the 1927 stage musical Strike Up the Band, and its successful 1930 Broadway revision, bear no resemblance to this film, aside from the title song.
The Last Mile is a 1932 American pre-Code crime drama film directed by Samuel Bischoff and starring Preston Foster. The picture is based on John Wexley's 1930 Broadway play, The Last Mile. Actor Howard Phillips appeared in both the play and the film but in different roles. In 1959, the play was adapted a second time into a film of the same name starring Mickey Rooney.
The Last Mile is a Broadway play by John Wexley that ran for 289 performances from February 13, 1930, to October 1930 at the Sam H. Harris Theatre. It was produced by Herman Shumlin and staged by Chester Erskine. It is set in the death row wing of a prison. The lead role of John "Killer" Mears was first played by Spencer Tracy, and it was the role that brought him to the attention of Hollywood. It was later played for a time by Clark Gable on tour. The play was adapted into a 1932 film starring Preston Foster and into a 1959 film starring Mickey Rooney.
The Big Operator is a black and white 1959 American crime/drama film starring Mickey Rooney as a corrupt union boss, with Steve Cochran, Mel Torme and Mamie Van Doren as co-stars. The film is a remake of Joe Smith, American (1942) with labor union thugs replacing Axis spies.
The Crowd Roars is a 1938 American sports drama film directed by Richard Thorpe and starring Robert Taylor as a boxer who gets entangled in the seamier side of the sport. It was remade in 1947 as Killer McCoy, featuring Mickey Rooney in the title role. This film was not a remake of the 1932 film of the same name starring James Cagney. The supporting cast for the 1938 version features Edward Arnold, Frank Morgan, Lionel Stander, and Jane Wyman.
The Last Frontier is a 1926 American silent Western film directed by George B. Seitz and starring William Boyd, Marguerite De La Motte, and Jack Hoxie. The plot of this film was later reused in the 1948 Columbia Pictures serial Tex Granger.
Andy Hardy Gets Spring Fever is a 1939 American romantic comedy film directed by W. S. Van Dyke. The plot is about Andy Hardy having a crush on his high school drama teacher, Miss Rose Meredith. It is the seventh of sixteen Andy Hardy films starring Mickey Rooney.
Andy Hardy's Double Life is a 1942 comedy film directed by George B. Seitz. It was the thirteenth installment of MGM's enormously popular Andy Hardy film series starring Mickey Rooney as the title character.
Live, Love and Learn is a 1937 American romantic comedy film starring Robert Montgomery, Rosalind Russell, and Robert Benchley. The movie was directed by George Fitzmaurice.
Love Is a Headache is a 1938 American comedy film directed by Richard Thorpe and written by Marion Parsonnet, Harry Ruskin and William R. Lipman. The film stars Gladys George, Franchot Tone, Ted Healy, Mickey Rooney, Frank Jenks and Ralph Morgan. The film was released on January 14, 1938, by Metro-Goldwyn-Mayer.
My Pal, the King is a 1932 American Pre-Code Western film directed by Kurt Neumann, starring Tom Mix, and featuring Mickey Rooney and James Kirkwood. The screenplay concerns a rodeo cowboy who helps a child king.
