Malcolm Keen was an English actor of stage, film and television. He was sometimes credited as Malcolm Keane.
William Davis Garwood, Jr. was an American stage and film actor and director of the early silent film era in the 1910s.
Edward LeSaint was an American stage and film actor and director whose career began in the silent era. He acted in over 300 films and directed more than 90. He was sometimes credited as Edward J. Le Saint. LeSaint typically portrayed characters in roles of authority, including over 30 roles, both credited and uncredited, as a judge.
Leonora von Ottinger was an American silent film and stage actress. She only starred in 16 films in total and concentrated on stage acting.
Frank John Urson was an American silent film director and cinematographer from Chicago, Illinois. Originally a photographer, he moved on to cinematography and film directing for the Thanhouser Company in New Rochelle, New York. He is also credited with acting in one film, Her Gallant Knights, which starred William Garwood in 1913. Urson directed Changing Husbands. He is perhaps best known for his 1927 film Chicago, produced by Cecil B. DeMille.
Lord John in New York is a 1915 American silent mystery film directed by Edward J. Le Saint based on a story by C.N. and A.M. Williamson. Starring William Garwood in the lead role, it was the first film in the five film series of Lord John's Journal. The film was considered lost, although the Library of Congress shows a copy held in the US Archive.
Lord John's Journal is a 5-episode series of American silent mystery films, directed by Edward J. Le Saint and based on a story by Harvey Gates. It stars William Garwood in the lead role.
Stella LeSaint was an American silent film actress.
The Grey Sisterhood is a 1916 American silent short mystery directed by Edward LeSaint. Starring William Garwood in the lead role, it was the second film in the five film series Lord John's Journal.
Laura Oakley was an American silent film actress.
Albert MacQuarrie was an American silent film actor.
Three Fingered Jenny is a 1916 American silent short mystery directed by Edward LeSaint written by Harvey Gates. Starring William Garwood in the lead role, it was the third film in the five film series of Lord John's Journal.
Broken Fetters is a 1916 American silent drama film written and directed by Rex Ingram. Violet Mersereau played the lead role. The film was shot in Fort Lee, New Jersey where Universal Studios and other early film studios in America's first motion picture industry were based at the beginning of the 20th century.
The Decoy is a 1916 American black and white silent short drama film directed by William Garwood, and starring William Garwood, Edward Brady, Lois Wilson, Wadsworth Harris, and Frank MacQuarrie. The film premiered October 19, 1916. The film is said to be a story of "revenge and intrigue" with its scenes set in Paris according to the Moving Picture Exhibitors' Association writing about the film in 1916.
Her Moment is a 1918 American silent drama film directed by Frank Beal and starring William Garwood and Anne Luther. It is not known whether the film currently survives.
Harvey Harris Gates was an American screenwriter of the silent era. He wrote for more than 200 films between 1913 and 1948. He was born in Hawaii and died in Los Angeles, California.
Carmen Phillips was an American actress of the silent era. She appeared in more than 60 films between 1914 and 1926, frequently as a "vamp".
The Plow Girl is a lost 1916 American drama silent film directed by Robert Z. Leonard and written by Edward Morris, Charles Sarver and Harvey F. Thew. The film stars Mae Murray, Elliott Dexter, Charles K. Gerrard, Edythe Chapman, Horace B. Carpenter and William Elmer. The film was released on November 13, 1916, by Paramount Pictures.
Jane Eyre is a 1910 American silent short classic drama produced by the Thanhouser Film Corporation. Adapted from Charlotte Brontë's 1847 novel, Jane Eyre, the film mirrors the events and plot of the original book. The writer of the scenario is unknown, but Lloyd Lonergan probably adapted the work. The film's director is often and erroneously claimed to be Theodore Marston, but Barry O'Neil or Lloyd B. Carleton are possible candidates. The cast of the film was credited, an act rare and unusual in the era.
