The Leprechauns Are Upon Me | ||||
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Studio album by Dory Langdon (aka Dory Previn) | ||||
Released | 1958 | |||
Recorded | May 1957 | |||
Studio | Radio Recorders, Los Angeles | |||
Label | Verve | |||
Dory Previn chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Leprechauns Are Upon Me was the first album recorded by Dory Langdon, in 1958. Some years later she had a successful career as the singer-songwriter Dory Previn.
In 1957, Dory Langdon (née Dorothy Langan) was a lyricist and songwriter who had recently started work for MGM in Hollywood. There, she was paired with various writing collaborators, including André Previn. Although at that point she had had relatively little success in placing her songs in movies, Verve Records signed her up for an album as a singer, accompanied by Previn on piano and Kenny Burrell on guitar. The album, which was recorded in early 1958, [2] featured songs she had written with Previn and other composers. They were witty and romantic in style, typical of the period.
The following year Dory Langdon and André Previn married; they divorced in 1970. Dory Previn, as she was then known, went on to establish herself in a radically different and acclaimed style, as a confessional singer-songwriter with unorthodox subject matter including her dysfunctional childhood and her divorce. The Leprechauns Are Upon Me was reissued as Dory and André Previn in the early 1980s, in the wake of her success.
André George Previn was a German-American pianist, composer, and conductor. His career had three major genres: Hollywood films, jazz, and classical music. In each he achieved success, and the latter two were part of his life until the end. In movies, he arranged and composed music. In jazz, he was a celebrated trio pianist, a piano-accompanist to singers of standards, and pianist-interpreter of songs from the "Great American Songbook". In classical music, he also performed as a pianist but gained television fame as a conductor, and during his last thirty years created his legacy as a composer of art music.
Raymond Matthews Brown was an American jazz double bassist, known for his extensive work with Oscar Peterson and Ella Fitzgerald. He was also a founding member of the group that would later develop into the Modern Jazz Quartet.
Kenneth Earl Burrell is an American jazz guitarist known for his work on numerous top jazz labels: Prestige, Blue Note, Verve, CTI, Muse, and Concord. His collaborations with Jimmy Smith were notable, and produced the 1965 Billboard Top Twenty hit Verve album Organ Grinder Swing. He has cited jazz guitarists Charlie Christian, Oscar Moore, and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters.
Dorothy "Dory" Veronica Previn was an American lyricist, singer-songwriter and poet.
Lips: Music for Saying It is a 1999 live album by Jane Siberry.
Margrethe Blossom Dearie was an American jazz singer and pianist. She had a recognizably light and girlish voice. Dearie performed regular engagements in London and New York City over many years and collaborated with many musicians, including Johnny Mercer, Miles Davis, Jack Segal, Johnny Mandel, Duncan Lamont, Bob Dorough, Dave Frishberg, and Jay Berliner.
Keith Moore "Red" Mitchell was an American jazz double-bassist, composer, lyricist, and poet.
Duet is a collaborative album by Doris Day and the André Previn trio, with songs arranged by Previn. The album was issued by Columbia Records (8552) in both monaural and stereophonic versions on February 22, 1962. Doris Day selected the songs.
Paul Nelson Humphrey was an American jazz and R&B drummer.
On My Way to Where was the first solo LP by Dory Previn, released in 1970.
Dory Previn is a solo studio LP by Dory Previn, released in 1974. It was her first album for the Warner Brothers label, having left United Artists.
Frank Rehak was an American jazz trombonist. He began on piano and cello before switching to trombone. He worked with Gil Evans and Miles Davis. He also appeared with Davis on the broadcast "The Sounds of Miles Davis."
Waltz for Debby is a 1964 album in English and Swedish by the American jazz pianist Bill Evans and the Swedish singer Monica Zetterlund.
I've Got a Song for You is a 1966 album by Shirley Bassey. Bassey had left EMI's Columbia Label, and this was her first album for United Artists, a label she would remain with for approximately 14 years. This album and the following release And We Were Lovers were produced by Bassey's former husband, Kenneth Hume. The album entered the UK Albums Chart at #26, but only remained on the chart for one week, and failed to chart in the US, despite her having received outstanding reviews for live engagements in New York and Las Vegas that same year, and the fact that the album was recorded in New York. It was an inauspicious start for her at UA, as none of her albums would chart either in the UK or the US until 1970. In that year, 1970, Bassey would begin to produce more contemporary pop-oriented albums, but here in 1966, despite scoring her biggest hit with "Goldfinger" a year or so earlier, she was still firmly in the traditional pop genre.
I've Gotta Be Me is an album by American singer Tony Bennett, originally released in 1969 on Columbia as CS 9882.
Night Song is an album by guitarist Kenny Burrell recorded in 1968 and 1969 and released on the Verve Records label.
From Hello Dolly to Goodbye Charlie is a 1964 album by Bobby Darin. The album was arranged and conducted by Richard Wess.
Double Exposure is an album by American vocalist Chris Connor and Canadian jazz trumpeter/bandleader Maynard Ferguson featuring tracks recorded in late 1960 and early 1961 which was originally released on the Atlantic label.
What Headphones? is a 1993 album by André Previn.
The Subterraneans is a 1960 American drama film directed by Ranald MacDougall based on the 1958 novel of the same name by Jack Kerouac.