The London Journal; and Weekly Record of Literature, Science and Art (published from 1845 to 1928) was a British penny fiction weekly, one of the best-selling magazines of the nineteenth century.
It was established by George Stiff, published by George Vickers and initially written and edited by George W. M. Reynolds. After Reynolds left to found his own Reynolds's Miscellany in 1846, John Wilson Ross became editor.
In the mid-1850s the magazine's circulation was over 500,000.
Herbert Ingram, in secret partnership with Punch 's owners Bradbury and Evans, bought the magazine in 1857, and Punch's editor Mark Lemon was placed in editorial charge. Lemon's attempt to rebrand the magazine, serializing novels by Walter Scott, was a commercial failure. [1] George Stiff bought back the paper in 1859 (combining it with a title, The Guide, which he had started in the interim) and installed Percy B. St. John and then Pierce Egan as editor. After Stiff's bankruptcy in 1862, W. S. Johnson became proprietor.
By 1883 it had transformed itself from being a 'penny family weekly' into what was recognizably a 'woman’s magazine'. Herbert Allingham became editor in 1889, publishing his own story "A Devil of a Woman" in 1893. [2]
Contributors to the magazine included leading authors of the day, such as Mary Elizabeth Braddon ( Lady Audley's Secret and The Outcast), E. D. E. N. Southworth (The Gypsy’s Prophecy), and Pierce Egan (The Poor Girl). However, it was "Minnigrey" by the less well-known John Frederick Smith that made this weekly achieve hitherto unprecedented sales of 500,000 a week. [1]
Artists George Frederick Sargent, John Proctor and (even more significantly) John Gilbert contributed to engravings in The London Journal.
Henry Mayhew was a journalist, playwright, and advocate of reform. He was one of the co-founders of the satirical magazine Punch in 1841, and was the magazine's joint editor, with Mark Lemon, in its early days. He is also known for his work as a social researcher, publishing an extensive series of newspaper articles in the Morning Chronicle that was later compiled into the book series London Labour and the London Poor (1851), a groundbreaking and influential survey of the city's poor.
Punch, or The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration.
Pierce Egan (1772–1849) was a British journalist, sportswriter, and writer on popular culture. His popular book Life in London, published in 1821, was adapted into the stage play Tom and Jerry, or Life in London later that year, which became the first play to have a continuous run of 100 performances in London during its run at the Adelphi Theatre in the West End.
The Pall Mall Gazette was an evening newspaper founded in London on 7 February 1865 by George Murray Smith; its first editor was Frederick Greenwood. In 1921, The Globe merged into The Pall Mall Gazette, which itself was absorbed into The Evening Standard in 1923.
Mark Lemon was the founding editor of both Punch and The Field. He was also a writer of plays and verses.
The Chemical Society was a scientific society formed in 1841 by 77 scientists as a result of increased interest in scientific matters. Chemist Robert Warington was the driving force behind its creation.
The Illustrated London News appeared first on Saturday 14 May 1842, as the world's first illustrated weekly news magazine. Founded by Herbert Ingram, it appeared weekly until 1971, then less frequently thereafter, and ceased publication in 2003. The company continues today as Illustrated London News Ltd, a publishing, content, and digital agency in London, which holds the publication and business archives of the magazine.
Sir Francis Cowley Burnand, usually known as F. C. Burnand, was an English comic writer and prolific playwright, best known today as the librettist of Arthur Sullivan's opera Cox and Box.
George William MacArthur Reynolds was a British fiction writer and journalist.
George Stiff (1807–1873) was an English engraver and newspaper proprietor.
The Mysteries of London is a "penny blood" or city mysteries novel begun by George W. M. Reynolds in 1844. Recent scholarship has uncovered that it "was almost certainly the most widely read single work of fiction in mid-nineteenth century Britain, and attracted more readers than did the novels of Dickens, Bulwer-Lytton or Trollope." There are many plots in the story, but the overarching purpose is to reveal different facets of life in London, from its seedy underbelly to its over-indulgent and corrupt aristocrats. Reynolds wrote the first two series of this long-running narrative. Thomas Miller wrote the third series and Edward L. Blanchard wrote the fourth series of this immensely popular title.
Frederick Barnard was an English illustrator, caricaturist and genre painter. He is noted for his work on the novels of Charles Dickens published between 1871 and 1879 by Chapman and Hall.
Melbourne Punch was an Australian illustrated magazine founded by Edgar Ray and Frederick Sinnett, and published from August 1855 to December 1925. The magazine was modelled closely on Punch of London which was founded fifteen years earlier. A similar magazine, Adelaide Punch, was published in South Australia from 1878 to 1884.
Once A Week was a British weekly illustrated literary magazine published by Bradbury & Evans from 1859 to 1880. According to John Sutherland, "[h]istorically the magazine's main achievement was to provide an outlet for [an] innovative group of illustrators [in] the 1860s."
Young Folks was a weekly children's literary magazine published in the United Kingdom between 1871 and 1897. It was first published in Manchester, but moved to London in 1873. It is most notable for having first published a number of novels by Robert Louis Stevenson in serial form, including Treasure Island, Kidnapped, and The Black Arrow.
Herbert John Allingham was an English editor, journalist, serial pulp fiction writer, husband of writer Emmie Allingham and father of crime novelist Margery Allingham.
John Thomas Dicks (1818–1881) was a publisher in London in the 19th century. He issued popular, affordably priced fiction and drama, such as "shilling Shakespeares and wonderfully cheap reprints of Scott and other standard authors." Earlier in his career he worked with Peter Perring Thoms and George W. M. Reynolds. Employees included illustrator Frederick Gilbert. Readers included Thomas Burt and Havelock Ellis. Dicks retired in the 1870s, when his sons took over the firm which continued into the 1960s.
Frederick Mullett Evans (1803–1870) was an English printer and publisher. He is known for his work as a partner from 1830 in Bradbury & Evans, who printed the works of a number of major novelists, as well as leading periodicals.
Edwin John Brett (1828–1895) was a Victorian editor and publisher of boys' magazines, romantic fiction and "penny dreadfuls" who pioneered the weekly format of serialised and sensational fiction.
Works of George Frederick Sargent (although not those that appeared in The London Journal) can be found at http://collage.cityoflondon.gov.uk.