The Long Christmas Dinner is a play in one act written by American novelist and playwright Thornton Wilder in 1931. In its first published form, it was included in the volume The Long Christmas Dinner and Other Plays in One Act.
The Long Christmas Dinner is a play in one act written by American novelist and playwright Thornton Wilder in 1931. In its first published form, it was included in the volume The Long Christmas Dinner and Other Plays in One Act.
The characters, as they are listed in the script:
Setting: 90 years in the dining room of the Bayard House.
Length: ~35 minutes
Summary: A one-act drama about several generations of one family:
A play whose action [1] traverses ninety years and represents in accelerated motion ninety Christmas dinners in the Bayard home. The development of the countryside, the changes in customs and manners during this period of time as well as the growth of the Bayard family and their accumulation of property sums up vividly a wide aspect of American life. It is a serious play lightened with humor of character; it has a human, tender, moving quality both appealing and forceful.
It was first performed jointly by the Yale Dramatic Association and the Vassar Philaletheis Society.
Currently, Samuel French, Inc., owns the rights to The Long Christmas Dinner.
In 1963, an operatic adaptation, with music by Paul Hindemith to text by Wilder, entitled The Long Christmas Dinner , was premiered at the Juilliard School of Music.
The Long Christmas Dinner inspired a famous scene in Orson Welles's 1941 film Citizen Kane — the breakfast-table montage in which the nine-year deterioration of Kane's marriage is told through a conversation seen in five vignettes. Several breakfast scenes were to be filmed, but during shooting Welles had the idea of simply photographing it as a continuous scene without dissolves, with the camera whipping back and forth.
"[The idea] was stolen from The Long Christmas Dinner of Thornton Wilder!" Welles told filmmaker Peter Bogdanovich. "I did the breakfast scene thinking I'd invented it. It wasn't in the script originally. And when I was almost finished with it, I suddenly realized that I'd unconsciously stolen it from Thornton and I called him up and admitted to it." When Bogdanovich asked how Wilder reacted, Welles replied, "He was pleased." Welles and Wilder were good friends. [2]
Citizen Kane is a 1941 American drama film produced and directed by Orson Welles. He also co-wrote the screenplay with Herman J. Mankiewicz. The picture was Welles' first feature film. Considered by many critics and experts to be the greatest film ever made, Citizen Kane was voted number 1 in five consecutive British Film Institute Sight & Sound polls of critics, and it topped the American Film Institute's 100 Years ... 100 Movies list in 1998, as well as its 2007 update. Nominated for Academy Awards in nine categories, it won an Academy Award for Best Writing by Mankiewicz and Welles. Citizen Kane is praised for Gregg Toland's cinematography, Robert Wise's editing, Bernard Herrmann's music, and its narrative structure, all of which have been considered innovative and precedent-setting.
George Orson Welles was an American director, actor, screenwriter, and producer who is remembered for his innovative work in radio, theatre and film. He is considered to be among the greatest and most influential filmmakers of all time.
Peter Bogdanovich is an American director, writer, actor, producer, critic, and film historian. One of the "New Hollywood" directors, Bogdanovich started as a film journalist until he got hired to work on Roger Corman's The Wild Angels (1966). After that film's success, he directed his own film Targets (1968), a critical success. He later gained wider popularity for his critically acclaimed drama The Last Picture Show (1971), which earned eight Oscar nominations including Academy Award for Best Director.
Thornton Niven Wilder was an American playwright and novelist. He won three Pulitzer Prizes — for the novel The Bridge of San Luis Rey and for the plays Our Town and The Skin of Our Teeth — and a U.S. National Book Award for the novel The Eighth Day.
Herman Jacob Mankiewicz was an American screenwriter who, with Orson Welles, wrote the screenplay for Citizen Kane (1941). Earlier, he was a Berlin correspondent for Women’s Wear Daily, assistant theater editor at The New York Times, and the first regular drama critic at The New Yorker. Alexander Woollcott said that Herman Mankiewicz was the "funniest man in New York". Both Mankiewicz and Welles received Academy Awards for their screenplay.
The Campbell Playhouse (1938–1940) is a live CBS radio drama series directed by and starring Orson Welles. Produced by Welles and John Houseman, it was a sponsored continuation of The Mercury Theatre on the Air. The series offered hour-long adaptations of classic plays and novels, as well as adaptations of popular motion pictures.
The Mercury Theatre was an independent repertory theatre company founded in New York City in 1937 by Orson Welles and producer John Houseman. The company produced theatrical presentations, radio programs and motion pictures. The Mercury also released promptbooks and phonographic recordings of four Shakespeare works for use in schools.
The Cat's Meow is a 2001 historical drama film directed by Peter Bogdanovich, and starring Kirsten Dunst, Eddie Izzard, Edward Herrmann, Cary Elwes, Joanna Lumley and Jennifer Tilly. The screenplay by Steven Peros is based on his 1997 play of the same title, which was inspired by the mysterious death of film mogul Thomas H. Ince that occurred on William Randolph Hearst's yacht during a weekend cruise celebrating Ince's birthday in November 1924. Among those in attendance were Hearst's longtime companion and film actress Marion Davies, fellow actor Charlie Chaplin, writer Elinor Glyn, columnist Louella Parsons, and actress Margaret Livingston. The film provides a speculative assessment on the unclear manner of Ince's death.
Falstaff , is a 1965 period comedy-drama film directed by and starring Orson Welles. The Spanish-Swiss co-production was released in the United States as Chimes at Midnight and in most of Europe as Falstaff. The film's plot centres on William Shakespeare's recurring character Sir John Falstaff and the father-son relationship he has with Prince Hal, who must choose between loyalty to his father, King Henry IV, or Falstaff.
Charles Davies Lederer was an American screenwriter and film director. He was born into a prominent theatrical family in New York, and after his parents divorced, was raised in California by his aunt, Marion Davies, actress and mistress to newspaper publisher William Randolph Hearst. A child prodigy, he entered the University of California, Berkeley at age 13, but dropped out after a few years to work as a journalist with Hearst's newspapers.
The Other Side of the Wind is a 2018 film directed, co-written, co-produced and co-edited by Orson Welles, released in 2018 after more than forty years in development. The film stars John Huston, Bob Random, Peter Bogdanovich, Susan Strasberg and Oja Kodar. Shooting began in 1970 for what Welles intended to be his Hollywood comeback, and resumed on-and-off until 1976. Welles continued to intermittently work on the project into the 1980s, but it became embroiled in legal, financial, and political complications which prevented it from being completed.
The Long Christmas Dinner is an opera in one act by Paul Hindemith, with an English libretto by Thornton Wilder based on his 1931 play of the same name.
Pacific Resident Theatre (PRT) is a 501(c)(3) non-profit theatre company located at 703 Venice Boulevard in Venice, California. It was founded as an actors cooperative in Venice's arts district in 1985 and is dedicated to producing both classic and little known plays, as well as works by new authors. The company has received over 90 awards including awards from the L.A. Drama Critics Circle, Drama-Logue, the NAACP, the LA Weekly and Garland.
This is a bibliography of books by or about the director and actor Orson Welles.
Othello was a 1951 production of William Shakespeare's play of the same name, which was produced, directed by and starring Orson Welles in his first appearance on the London stage.
The Citizen Kane trailer is a four-minute, self-contained, "making of" promotional featurette by Orson Welles and the Mercury Theatre, released in 1940 to promote the film Citizen Kane. Unlike other standard theatrical trailers of the era, it did not feature a single second of footage of the actual film itself, but was a wholly original pseudo-documentary piece. It is considered by numerous film scholars such as Simon Callow, Joseph McBride and Jonathan Rosenbaum to be a standalone short film, rather than a conventional "trailer", and to represent an important stage in the development of Welles's directorial style.
The Bad Man is a 1920 three-act comedy by American playwright Porter Emerson Browne. The Broadway production at the Comedy Theatre ran for 342 performances beginning August 30, 1920. It was included in Burns Mantle's The Best Plays of 1920–1921.
"Raising Kane" is a 1971 book-length essay by American film critic Pauline Kael, in which she revived controversy over the authorship of the screenplay for the 1941 film Citizen Kane. Kael celebrated screenwriter Herman J. Mankiewicz, first-credited co-author of the screenplay, and denigrated the contributions of Orson Welles, who co-wrote, produced and directed the film, and performed the lead role. The 50,000-word essay was written for The Citizen Kane Book (1971), as an extended introduction to the shooting script by Mankiewicz and Welles. It first appeared in February 1971 in two consecutive issues of The New Yorker magazine. In the ensuing controversy Welles was defended by colleagues, critics, biographers and scholars, but his reputation was damaged by its charges. The essay were later questioned after Welles's contributions to the screenplay were documented.
The sources for Citizen Kane, the 1941 American motion picture that marked the feature film debut of Orson Welles, have been the subject of speculation and controversy since the project's inception. With a story spanning 60 years, the quasi-biographical film examines the life and legacy of Charles Foster Kane, played by Welles, a fictional character based in part upon the American newspaper magnate William Randolph Hearst and Chicago tycoons Samuel Insull and Harold McCormick. A rich incorporation of the experiences and knowledge of its authors, the film earned an Academy Award for Best Writing for Herman J. Mankiewicz and Welles.
The authorship of the screenplay for Citizen Kane, the 1941 American motion picture that marked the feature film debut of Orson Welles, has been one of the film's long-standing controversies. With a story spanning 60 years, the quasi-biographical film examines the life and legacy of Charles Foster Kane, played by Welles, a fictional character based in part upon the American newspaper magnate William Randolph Hearst and Chicago tycoons Samuel Insull and Harold McCormick. A rich incorporation of the experiences and knowledge of its authors, the film earned an Academy Award for Best Writing for Herman J. Mankiewicz and Welles.