The Magic Key of RCA was an American variety radio show that featured an unusually large and broad range of entertainment stars and other noted personalities. It was on the NBC Blue Network from September 29, 1935, until September 18, 1939.
The Blue Network was the on-air name of the now defunct American radio network, which ran from 1927 to 1945. Beginning as one of the two radio networks owned by the National Broadcasting Company (NBC), the independent Blue Network was born of a divestiture in 1942, arising from anti-trust litigation, and is the direct predecessor of the American Broadcasting Company (ABC)—organized 1943–1945 as a separate independent radio network and later TV broadcaster.
It was hosted by announcers Milton Cross and Ben Grauer, with a house orchestra directed by Frank Black through 1938 and Nathaniel Shilkret in 1939. [1] [2] [3] [4] [5]
Milton John Cross was an American radio announcer famous for his work on the NBC and ABC radio networks.
Benjamin Franklin Grauer was a US radio and TV personality, following a career during the 1920s as a child actor in films and on Broadway. He began his career as a child in David Warfield's production of The Return of Peter Grimm. Among his early credits were roles in films directed by D.W. Griffith.
Nathaniel Shilkret was an American composer, conductor, clarinetist, pianist, business executive, and music director.
Sies [3] says that, “NBC used this quality program to demonstrate the cultural contribution radio could make,” and notes that performers included Ruth Etting, Fibber McGee and Molly, John B. Kennedy, Rudolf Ganz, Casper Beardon, Paul Robeson, Eddie Green, Jane Froman, Doris Weston, Frank Forrest, Paul Taylor Chorus, Margaret Brill, Rudy Vallée, Irving Berlin, Darryl Zanuck, Jan Peerce, Tommy Dorsey, Artie Shaw, Jack Harris, Ann Jameson, Sonja Henie, Tyrone Power, Walter Abel, Whitney Bern and George Shelley. Dunning [1] writes that there were appearances by Amos 'n' Andy, Lum and Abner, Paul Whiteman, Efrem Zimbalist, Ignacy Jan Paderewski, Eleanor Roosevelt, Vienna Boys' Choir, Benny Goodman, Gladys Swarthout, Ray Noble, Guy Lombardo, Richard Himber, Eugene Ormandy, Lauritz Melchior, Fred MacMurray, Walt Disney and the Pickens Sisters. Dunning comments on the wide variety on the show by noting that programming included short dramas, a male quartet from Stockholm, jazz from Chicago, an account of Benito Mussolini's campaign in Africa and a conversation with a crew of a submerged submarine.
Ruth Etting was an American singing star and actress of the 1920s and 1930s, who had over 60 hit recordings and worked in stage, radio, and film. Known as "America's sweetheart of song", her signature tunes were "Shine On, Harvest Moon", "Ten Cents a Dance" and "Love Me or Leave Me". Her other popular recordings included "Button Up Your Overcoat", "Mean to Me", "Exactly Like You" and "Shaking the Blues Away".
Fibber McGee and Molly was an American radio comedy series. A staple of the NBC Red Network for the show's entire run and one of the most popular and enduring radio series of its time, the prime time situation comedy ran as a standalone series from 1935 to 1956, then continued as a short-form series as part of the weekend Monitor from 1957 to 1959. The title characters were created and portrayed by Jim and Marian Jordan, a real-life husband and wife team that had been working in radio since the 1920s.
John Bright Kennedy was an American radio correspondent, journalist, and film narrator.
A typical show in 1939 would begin with an opening number by Shilkret, followed by a comedy skit by Stoopnagle and Budd. [4] [5]
Stoopnagle and Budd were a popular radio comedy team of the 1930s, who are sometimes cited as forerunners of the Bob and Ray style of radio comedy. Along with Raymond Knight, they were radio's first satirists.
The complete set of broadcasts is available for listening at the Library of Congress.
The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the de facto national library of the United States. It is the oldest federal cultural institution in the United States. The Library is housed in three buildings on Capitol Hill in Washington, D.C.; it also maintains the National Audio-Visual Conservation Center in Culpeper, Virginia. The Library's functions are overseen by the Librarian of Congress, and its buildings are maintained by the Architect of the Capitol. The Library of Congress has claims to be the largest library in the world. Its "collections are universal, not limited by subject, format, or national boundary, and include research materials from all parts of the world and in more than 450 languages."
Walter Johannes Damrosch was a German-born American conductor and composer. He is best remembered today as long-time director of the New York Symphony Orchestra and for conducting the world premiere performances of George Gershwin's Piano Concerto in F (1925) and An American in Paris (1928). Damrosch was also instrumental in the founding of Carnegie Hall.
Camel Caravan was a musical variety radio program, sponsored by Camel cigarettes, that aired on NBC Radio and CBS Radio from 1933 to 1954. Various vocalists, musicians and comedy acts were heard during the 21 years this show was on the air, including such talents as Benny Goodman, Georgia Gibbs, Anita O'Day and Vaughn Monroe.
"My Blue Heaven" is a popular song written by Walter Donaldson with lyrics by George A. Whiting. The song was used in the Ziegfeld Follies of 1927. It has become part of various fake book collections.
The Carnation Contented Hour was a long-running radio music series, sponsored by the Carnation Milk Company, which premiered April 26, 1931 on the regional NBC West Coast network. The full network series began January 4, 1932, on the Blue Network and was broadcast for two decades until its final broadcast on CBS December 30, 1951.
Stella Dallas was an America radio soap opera that ran from October 25, 1937, to December 23, 1955. The New York Times described the title character as "the beautiful daughter of an impoverished farmhand who had married above her station in life." She was played for the entire run of the series by Anne Elstner (1902–1982). Her husband Stephen Dallas was portrayed at various times by Leo McCabe, Arthur Hughes and Frederick Tazere. Initially, Joy Hathaway played Stella's daughter Laurel with Vivian Smolen later taking over the role. Laurel's husband was Dick Grosvenor.
The Waldorf–Astoria Orchestra was an orchestra that played primarily at the Waldorf Astoria Hotel, both the old and new locations. In addition to providing dinner music at the famous hotel, the orchestra made over 300 recordings and many radio broadcasts. It was established in the 1890s, and was directed by Joseph Knecht, at least from 1908 to 1925, later by Jack Denny and others, and then Xavier Cugat from approximately 1933 to 1949.
The Capitol Theatre was a movie palace located at 1645 Broadway, just north of Times Square in New York City, across from the Winter Garden Theatre. Designed by the noted theater architect Thomas W. Lamb, the Capitol seated 4,000 and opened October 24, 1919. After 1924 the flagship theatre of the Loews Theatres chain, the Capitol was known as the premiere site of many Metro-Goldwyn-Mayer films. The Capitol was also noted for presenting live musical revues and many jazz and swing bands on its stage.
The Battle of the Sexes is a 1928 American comedy film directed by D. W. Griffith, starring Jean Hersholt, Phyllis Haver, Belle Bennett, Don Alvarado, and Sally O'Neil, and released by United Artists. The film was a remake by Griffith of an earlier film he directed in 1914, which starred Lillian Gish. Both films are based on the novel The Single Standard by Daniel Carson Goodman; the story was adapted for this production by Gerrit J. Lloyd.
"The Lonesome Road" is a 1927 song with music by Nathaniel Shilkret and lyrics by Gene Austin, alternately titled "Lonesome Road", "Look Down that Lonesome Road" and "Lonesome Road Blues." It was written in the style of an African-American folk song.
George Hamilton Green, Jr. was a xylophonist, composer, and cartoonist born in Omaha, Nebraska. He was born into a musical family, both his grandfather and his father being composers, arrangers, and conductors for bands in Omaha. From age four G.H. Green showed a prodigious talent as a pianist; he then took up the xylophone and by the age of eleven was being promoted as the “world’s greatest xylophonist” and was playing for crowds of 7,000-10,000. In 1915, when Green was 22 years old, a review in the United States Musician stated: "He has begun where every other xylophone player left off. His touch, his attack, his technique, and his powers of interpretation in the rendition of his solos being far different than other performers. To say his work is marvelous and wonderful would not fully express it." George Hamilton Green wrote several pieces for solo ragtime xylophone with accompaniment, as well as a xylophone method book which continues to be used by percussion pedagogues across the country. Some of his compositions for xylophone include: "Ragtime Robin", "Cross Corners", "Charleston Capers", "Rainbow Ripples", "Log Cabin Blues", "The Whistler", and "Jovial Jasper"
Genesis Suite is a 1945 work for narrator, chorus and orchestra. A musical interpretation of the first eleven chapters of the Book of Genesis, the suite was a collaborative work by seven composers, some of whom wrote film music in Hollywood. The project was conceived by Nathaniel Shilkret, a noted conductor and composer of music for recording, radio and film. Shilkret wrote one of the seven pieces and invited the remaining composers to submit contributions as work-for-hire. Two giants of western twentieth-century music, Arnold Schoenberg and Igor Stravinsky wrote, respectively, the first and last parts. The Biblical text used in the spoken word narrative is the American King James Version. It was intended to be a crossover from art music to popular music.
Concerto for Trombone is a 1942 instrumental crossover work in three movements, which trombonist Tommy Dorsey, one of the best known musical entertainment stars of his time, commissioned from Nathaniel Shilkret, a noted conductor and composer of music for recording, radio and film.
Palmolive Beauty Box Theater was an American radio program that featured an operetta or other musical each week from April 3, 1934, to October 6, 1937. It was sponsored by Palmolive soap and produced by Bill Bacher.
Dr. Sixgun is an American Western radio drama that aired on NBC September 2, 1954 – October 13, 1955.
Edward T. "Eddie" King was an early twentieth century percussionist, conductor, Artist and Repertoire (A&R) man, and manager for Zon-o-phone, the Victor Talking Machine Company, and Columbia Records.
Herman Samuel Fuchs was a violinist who provided music for the Frank Buck movie Jungle Cavalcade.
"When My Sugar Walks Down the Street " is a 1920s jazz standard, written by Gene Austin, Jimmy McHugh and Irving Mills in 1924.
Hollywood Playhouse, also known as Woodbury Hollywood Playhouse, is a radio anthology drama series that featured adaptations of plays and short stories. Created as a showcase for Tyrone Power, the series began October 3, 1937, on the Blue Network, with Darryl F. Zanuck introducing his 20th Century-Fox star. The half-hour program aired Sundays at 9 p.m. ET until September 1939, when it was moved to the NBC Red Network Wednesdays at 8 p.m. ET. Woodbury Soap and Jergens Lotion sponsored the show.
Behind the Mike was a Blue Network (NBC) radio series hosted by Graham McNamee, spotlighting behind-the-scenes stories in radio broadcasting. The sustaining show aired Sundays at 4:30 p.m. ET from September 15, 1940, to April 19, 1942.