The Man Beneath | |
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Directed by | William Worthington |
Based on | Only a Nigger by Edmund Mitchell |
Produced by | Sessue Hayakawa |
Starring | |
Cinematography | Frank D. Williams |
Production company | |
Distributed by | Exhibitors Mutual Robertson-Cole Distributing Corporation |
Release date |
|
Running time | 50 min. |
Country | United States |
Language | Silent (English intertitles) |
The Man Beneath is a 1919 American silent crime drama film directed by William Worthington and produced by Sessue Hayakawa's Haworth Pictures Corporation. [1] A complete copy of the film is in the collection of the EYE Film Institute Netherlands. [2] [3]
As described in a film magazine, [4] Kate Erskine (Eddy) and her sister Mary (Curley) love Dr. Chindi Ashutor (Hayakawa) and James Bassett (Gilbert), respectively, the latter having been college chums, one being a noted physician while the other pursuing no occupation as yet. Mary and Bassett become engaged while Dr. Ashutor goes to aid his countrymen in plague-stricken India. While he is away Bassett receives a summons from the Black Hand, an order he joined in his youth for adventure. Feeling his life in danger, he goes to Dr. Ashutor in India and with his aid almost succeeds in establishing his feigned death as a reality. However, the spies of the order follow them to Scotland and to the home of the Erskines. Here Dr. Ashutor is instrumental in finally ridding Bassett from the menace of the order. Mary and Bassett then marry, while the situation of Kate and Dr. Ashutor remains undecided.
Kintarō Hayakawa, known professionally as Sessue Hayakawa, was a Japanese actor and a matinée idol. He was a popular star in Hollywood during the silent film era of the 1910s and early 1920s. Hayakawa was the first actor of Asian descent to achieve stardom as a leading man in the United States and Europe. His "broodingly handsome" good looks and typecasting as a sexually dominant villain made him a heartthrob among American women during a time of racial discrimination, and he became one of the first male sex symbols of Hollywood.
Rebecca of Sunnybrook Farm is a 1917 American silent comedy-drama film directed by Marshall Neilan based upon the 1903 novel of the same name by Kate Douglas Wiggin. This version is notable for having been adapted by famed female screenwriter Frances Marion. The film was made by the "Mary Pickford Company" and was an acclaimed box office hit. When the play premiered on Broadway in the 1910 theater season the part of Rebecca was played by Edith Taliaferro.
Sessue Hayakawa was one of the first Asian actors and filmmakers to gain great fame and success in the United States. He starred in both English-language and Japanese-language films. His career peaked during the silent film period but continued on and eventually thrived in the talkie era, culminating with an Academy Award-nominated performance in The Bridge on the River Kwai in 1957.
The Girl Who Stayed at Home is a 1919 American silent drama film produced and directed by D. W. Griffith and released by Paramount Pictures. Prints of the film exist.
The Secret Game is a surviving 1917 American silent drama film produced by Jesse Lasky and released through Paramount Pictures. It was directed by William C. deMille and starred Sessue Hayakawa. It survives complete at the Library of Congress and was released on DVD.
The Swamp is a 1921 American silent drama film released by the Robertson-Cole Pictures Corporation and directed by Colin Campbell. The film was written and produced by Sessue Hayakawa, who also co-stars with Bessie Love. A print of this film is preserved at the Gosfilmofond archive in Moscow.
The Vermilion Pencil is a 1922 American silent drama film directed by Norman Dawn, and produced and distributed by Robertson–Cole. It is based on the eponymous 1908 novel by Homer Lea. The film stars Japanese actor Sessue Hayakawa in multiple roles, and white actors Ann May, Bessie Love, and Sidney Franklin, all in Asian roles. It is now a lost film.
Peppy Polly is a lost 1919 American silent drama film directed by Elmer Clifton and starring Dorothy Gish. D. W. Griffith produced, as he did for several of Gish's films.
The Call of the East is a 1917 American silent drama film directed by George Melford and written by Beulah Marie Dix. The film stars Sessue Hayakawa, Tsuru Aoki, Jack Holt, Margaret Loomis, James Cruze, and Ernest Joy. The film was released on October 15, 1917, by Paramount Pictures. It is not known whether the film currently survives, which suggests that it is a lost film.
The Courageous Coward is a 1919 American silent drama film directed by William Worthington and featuring Sessue Hayakawa and Tsuru Aoki in lead roles. It is presumed to be a lost film, with only reel 5 preserved at the EYE Film Institute Netherlands film archive.
The White Man's Law is a surviving 1918 American silent drama film directed by James Young and written by Marion Fairfax and John B. Browne. The film stars Sessue Hayakawa, Florence Vidor, Jack Holt, Herbert Standing, Mayme Kelso, and Forrest Seabury. The film was released on May 6, 1918, by Paramount Pictures.
His Birthright is a 1918 American drama film directed by William Worthington for Haworth Pictures Corporation. Sessue Hayakawa produced the film and played the lead role. The rest of the cast includes Marin Sais, Howard Davies, Mary Anderson, and Hayakawa's wife Tsuru Aoki.
The Gray Horizon is a 1919 American silent drama film directed by William Worthington. Sessue Hayakawa's Haworth Pictures Corporation produced the film and he himself played the lead role. Bertram Grassby, Tsuru Aoki, Eileen Percy, Mary Jane Irving, and Andrew Robson also featured in the film.
Haworth Pictures Corporation was a film studio established by Japanese actor Sessue Hayakawa in March 1918.
The Temple of Dusk is a lost 1918 American silent drama film directed by James Young. It was produced by Sessue Hayakawa's Haworth Pictures Corporation.
His Debt is a 1919 American silent drama film directed by William Worthington and produced by Haworth Pictures Corporation.
The Tong Man is a 1919 American thriller film directed by William Worthington and produced by Haworth Pictures Corporation.
An Arabian Knight is a 1920 American drama film directed by Charles Swickard and produced by Sessue Hayakawa's Haworth Pictures Corporation. Its survival status is classified as unknown, which suggests that it is a lost film.
The First Born is a 1921 American silent film romantic drama directed by Colin Campbell and produced by and starring Sessue Hayakawa. It was distributed by the Robertson-Cole Company.
The Scoffer is a surviving 1920 American silent drama film produced and directed by Allan Dwan and starring Mary Thurman. It was released through Associated First National Pictures.