The Man from Kangaroo | |
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Directed by | Wilfred Lucas |
Written by | Bess Meredyth |
Produced by | |
Starring | |
Cinematography | Robert V. Doerrer |
Edited by | John K. Wells |
Production company | Carroll-Baker Australian Productions |
Release dates |
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Running time | 72 minutes |
Country | Australia |
Languages |
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The Man from Kangaroo is a 1920 Australian silent film starring renowned Australian sportsman Snowy Baker. It was the first of several films he made with the husband and wife team of director Wilfred Lucas and writer Bess Meredyth, both of whom had been imported from Hollywood by E. J. Carroll. [1] [2] [3]
John Harland is a former boxer turned reverend posted to the town of Kangaroo in Australia. He falls in love with Muriel, an orphaned heiress, and discovers that her guardian Martin Giles is embezzling her inheritance. Harland earns the ire of parishioners by teaching young boys to box, and Giles manipulates local opinion to have the bishop remove him.
Harland rescues a gentleman from a mugging in Sydney who suggests that he go to Kalmaroo where a criminal gang has driven the church out of the area. Harland preaches, and unexpectedly sees Muriel in the congregation; her property is near Kalmaroo.
But her overseer is Red Jack Braggan who leads the gang which violently breaks up Harland's mission – much to the distress of Muriel who regards Harland as too timid – and is in cahoots with Giles. Harland goes to work as a station hand at a property neighbouring Muriel's.
Giles arranges for Red Jack to kidnap Muriel so that he might marry the girl and thus prevent her giving evidence against him. Harland rescues Muriel: they leap from the stage coach as it thunders across Hampden Bridge into the Kangaroo River.
Actor | Role |
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Snowy Baker | John Harland |
Charles Villiers | Martin Giles |
Brownie Vernon | Muriel Hammond |
Wilfred Lucas | Red Jack Braggan |
Walter Vincent | Ezra Peters |
Malcolm MacKellar | forman |
Stuart Macrae [4] | |
Baker visited Hollywood in 1918 to shoot additional scenes for his second feature, The Lure of the Bush , and to study production methods. [5]
With E. J. Carroll he arranged to bring back a team of Americans to assist them making movies in Australia, including director Wilfred Lucas, his wife, screenwriter Bess Meredyth, actor Brownie Vernon, assistant director John K. Wells and cinematographer John Doerrer. This was announced in August 1919. The Sunday Times said "The policy of the promoters is to present purely Australian films, clean, wholesome stories, depicting our station and bush life, and, as far as possible, to form entire casts from Australians." [6]
Lucas and the others arrived in Australia on 2 September 1919. Lucas announced his first film would be about bush life and would be shot on a station. [7]
Meredyth spent a few months in the Mitchell Library in Sydney looking for topics to make movies about. It was later stated at the Royal Commission on the Moving Picture Industry in Australia that Meredyth felt "the only truly national subject about which producers could make a picture [in Australia] was horse racing. Australians, she said, had not yet developed any distinctive individuality of national character or tradition." This is what prompted the Carrolls to make all their films with Lucas and Baker about bush and station life. [8]
Carroll-Baker Productions was formed in 1919 with a capital of £25,000 between E. J. Carroll, his brother Dan, Snowy Baker and the Southern Cross Feature Film Company. Said Dan Carroll at the time:
It Is not our intention to make any one subject which will not be of such a standard that it cannot be market ed in every English-speaking country in the world. With this ambition in view we are proud enough to think that we are being of national service to our own beloved Australia. [9]
They bought a house, "Palmerston" in the Sydney suburb at Waverley and converted it into a studio. [10] They ultimately made only two more films, The Shadow of Lightning Ridge (1920) and The Jackeroo of Coolabong (1920).
The film was shot on location in Kangaroo Valley and Gunnedah, with interiors at the Theatre Royal in Sydney during September and October 1919. [11] [12]
The film was a success at the box office. [13]
The Sun said "Mr. Baker is never more natural, and consequently never seen to better advantage than when he is boxing, whether in fun or in grim earnest, riding a buckjumper, steeplechasing across country, imitating tho porpoise in a swimming pool, or making somersault dives from a great height.... As an actor, pure and simple, he has considerable head way yet to make." [14]
Table Talk thought "The picture is just a trifle too long drawn out, and consequently the interest is inclined to lag a little in parts. Tills is where a little judicious editing would work an improvement." [15]
The magazine The Lone Hand dated 24 February 1920 said the film was: [1]
. . . exceedingly good. Naturally the picture abounds in faults... One of the most obvious of these faults is the tendency, whether directly or indirectly, to boost the star, “Snowy” Baker, not as a moving picture actor, but as an athlete, a pugilist, and in fact in every form of physical culture of which he is capable... Nor does “Snowy” exactly fit into the role of a parson with his massive athlete's shoulders and his square, heavy jaw. It is when he throws aside his “cloth” and adopts the role of bushman that he shines, and then indeed, does he perform some amazing stunts of which even the redoubtable “Doug.” would be proud...The story, from a dramatic point of view, lacks interest, it being obvious that the plot has been woven with a view to giving the star full rein to exhibit his equestrian abilities, and this rather destroys the possibilities for the romantic element, so satisfying to the public taste.
Bess Meredyth was a screenwriter and silent film actress. The wife of film director Michael Curtiz, Meredyth wrote The Affairs of Cellini (1934) and adapted The Unsuspected (1947). She was one of the 36 founders of the Academy of Motion Picture Arts and Sciences.
Reginald Leslie "Snowy" Baker was an Australian athlete, sports promoter, and actor. Born in Surry Hills, an inner-city suburb of Sydney, New South Wales, Baker excelled at a number of sports, winning New South Wales swimming and boxing championships while still a teenager. Playing rugby union for Eastern Suburbs, he played several games for New South Wales against Queensland, and in 1904 represented Australia in two Test matches against Great Britain. At the 1908 London Olympics, Baker represented Australasia in swimming and diving, as well as taking part in the middleweight boxing event, in which he won a silver medal. He also excelled in horsemanship, water polo, running, rowing and cricket. However, "His stature as an athlete depends largely upon the enormous range rather than the outstanding excellence of his activities; it was as an entrepreneur-showman, publicist and businessman that he seems in retrospect to have been most important."
The Man from Snowy River is a 1920 film made in Australia. The film was silent and filmed in black and white, and was based on the Banjo Paterson poem of the same name.
Agnes Vernon was an American film actress of the silent era. While still in her teens, she experienced a meteoric ascent from obscurity to box-office sensation. After turning twenty-three and a movie career fading away, she abandoned the silver screen forever. Vernon performed in over 90 films between 1913 and 1922. She completed most of her roles under contract with Universal Pictures.
Bernice Vere was an English-born stage, playwright, director, and film actress. She emigrated to Australia when she turned 12. She started performing on stage in Australia until the movie-producing team of E.J. Carroll and Snowy Baker discovered her. They cast her in the silent feature The Shadow of Lightning Ridge, where she acted alongside American actress Agnes Vernon.
The Blue Mountains Mystery is a lost 1921 Australian silent film directed by Raymond Longford and co-directed by Lottie Lyell.
Frank Beaumont "Beau" Smith, was an Australian film director, producer and exhibitor, best known for making low-budget comedies.
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The Enemy Within is a 1918 Australian silent film starring renowned Australian sportsman Snowy Baker in his first screen role.
The Lure of the Bush is a 1918 Australian silent film starring renowned Australian sportsman Snowy Baker. It is considered a lost film.
The Jackeroo of Coolabong is a 1920 Australian silent film starring renowned Australian sportsman Snowy Baker. It was the last of three films he made with the husband and wife team of director Wilfred Lucas and writer Bess Meredyth, both of whom had been imported from Hollywood.
The Shadow of Lightning Ridge is a 1920 Australian silent film starring renowned Australian sportsman Snowy Baker. It has been called the most "Western"-like of the films Baker made in Australia.
Walter Franklyn Barrett, better known as Franklyn Barrett, was an Australian film director and cinematographer. He worked for a number of years for West's Pictures. It was later written of the filmmaker that "Barrett's visual ingenuity was to be the highlight of all his work, but... his direction of actors was less assured".
The Breaking of the Drought is a 1920 Australian silent film from director Franklyn Barrett based on the popular play by Bland Holt and Arthur Shirley. According to Graham Phillips, this film is one of the most damaged films in Australia's film archive, although few sequences have severe damage in the film.
Charles Villiers was an Australian actor and occasional director who appeared in many silent films. According to a contemporary report, "there is probably no actor in Australia that has done more consistent picture work than Mr. Villiers, both as heavy lead, and director." He was particularly well known for playing villains.
The Life Story of John Lee, or the Man They Could Not Hang is a 1912 Australian silent film based on a stage play about the true life story of John Babbacombe Lee.
Edward John Carroll, better known as E. J. Carroll, was an Australian theatre and film entrepreneur. He produced several films of Snowy Baker and Raymond Longford and helped establish Birch, Carroll and Coyle. Difficulties in securing international distribution for his films turned him away from production towards exhibition.
Southern Cross Feature Film Company was a short lived film production company that made some of Australia's most famous silent films, mostly directed by Raymond Longford. One of the key figures behind it was Sir David Gordon.
John K. Wells was an American actor, director, producer, and writer of the Silent film era. Wells was a 29-year old actor who earned his first credited role in the 1915 Universal short film — The Queen of Hearts.
When the Carroll's interests decided in 1919 to enter motion-picture making in Australia they brought to Sydney, as scenario writer,' Miss Meredyth