The Man in the Dark | |
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Directed by | Edmund Heuberger |
Written by | Edmund Heuberger |
Produced by | Gustav Althoff |
Starring | |
Cinematography | Emil Schünemann |
Production company | Albö-Film |
Distributed by | Albö-Film |
Release date |
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Country | Germany |
Languages |
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The Man in the Dark (German : Der Mann im Dunkel) is a 1930 German thriller film directed by Edmund Heuberger and starring Carl Auen, Edith Meinhard, and Siegfried Berisch. [1] It was made as the sequel to the 1929 film Lux, King of Criminals .
The film's sets were designed by the art director Gustav A. Knauer and Willy Schiller.
Mischievous Miss is a 1930 German silent comedy film directed by Erich Schönfelder and starring Julius Falkenstein, Dina Gralla and Albert Paulig. It was made at the Staaken Studios in Berlin, with some scenes shot on location in Portugal. The film's sets were designed by the art director Heinrich Richter. It premiered at Berlin's Marmorhaus cinema.
Der Herzensphotograph is a 1928 German silent film directed by Max Reichmann starring Harry Liedtke and Robert Garrison and also with La Jana and Betty Bird. The film's art direction was by Andrej Andrejew.
The False Prince is a 1927 German silent film directed by Heinz Paul and starring Harry Domela, Ekkehard Arendt and John Mylong. It was shot at the Johannisthal Studios in Berlin. The film's art direction was by Karl Machus. The film was based on Domela's book recounting his own adventures in post-First World War Germany when he briefly masqueraded as Prince.
Knockout is a 1935 German sports film directed by Carl Lamac and Hans H. Zerlett and starring Anny Ondra, Max Schmeling, and Hans Schönrath. After impressing a boxing trainer during a brawl over a woman, a young man is recruited and trained to be a boxer. He fights and defeats the British champion.
A Girl Goes Ashore is a 1938 German drama film directed by Werner Hochbaum and starring Elisabeth Flickenschildt, Günther Lüders and Heidi Kabel. It is set in the port city of Hamburg and was partly shot on location there.
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Because I Love You or The Dance Student is a 1928 German silent film directed by Johannes Guter and starring Fritz Alberti, Suzy Vernon, and Valerie Boothby.
The Veil Dancer is a 1929 French-German silent film directed by Charles Burguet and starring René Navarre, Hertha von Walther, and Hans Albers.
Master and Mistress is a 1928 German silent film directed by Alfred Theodor Mann and starring Hans Albers, Maly Delschaft and Carl de Vogt.
The Sea Cadet is a 1926 German silent drama film directed by Carl Boese and starring Walter Slezak, Gerd Briese and Fritz Alberti. It was shot at the Terra Studios in Berlin. The film's sets were designed by the art director Karl Görge.
Lux, King of Criminals is a 1929 German silent film directed by Edmund Heuberger and starring Carl Auen, Paul Michelo Kramer and Fred Immler.
The Customs Judge is a 1929 German silent film directed by Carl Heinz Wolff and starring Margarete Schlegel, Gerd Briese and Margarete Kupfer.
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Distinguishing Features is a German silent crime film directed by Edmund Heuberger. It was shot at the Staaken Studios in Berlin. The film's sets were designed by Gustav A. Knauer and Willy Schiller.
On the Banks of the River Weser is a 1927 German silent drama film directed by Siegfried Philippi and starring Carl Auen, Olga Engl, and Camilla Spira.
She and the Three is a 1922 German silent comedy film directed by E. A. Dupont and starring Henny Porten, Hermann Thimig, and Robert Scholz.
Next, Please! is a 1930 German comedy film directed by Erich Schönfelder and starring Charles Puffy, Adele Sandrock, and Albert Paulig.
Ash Wednesday is a 1925 German silent drama film directed by Wolfgang Neff and starring Bernd Aldor, Sybill Morel, and Claire Rommer.
Grandstand for General Staff is a 1932 German comedy film directed by Eugen Thiele and starring Iván Petrovich, Elga Brink, and Betty Bird.
Slaves of Love is a 1924 German silent drama film directed by Carl Boese and starring Ellen Kürti, Cläre Lotto, and Olga Engl.