Red Orchids is a 1938 German crime film directed by Nunzio Malasomma, starring Olga Chekhova, Albrecht Schoenhals and Camilla Horn.
Tatjana is a 1923 German silent film directed by Robert Dinesen and starring Olga Chekhova, Paul Hartmann and Leopold von Ledebur.
His Late Excellency is a 1927 German silent comedy film directed by Adolf E. Licho and Wilhelm Thiele and starring Willy Fritsch, Olga Chekhova, and Ernst Gronau. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art directors Erich Czerwonski and Günther Hentschel.
The Sea is a 1927 German silent drama film directed by Peter Paul Felner and starring Heinrich George, Olga Chekhova, and Simone Vaudry. It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art director Robert Neppach.
Foolishness of His Love is a 1929 German silent film directed by Olga Chekhova and starring Michael Chekhov, Dolly Davis, and Alice Roberts.
The Champion of the World is a 1927 German silent film directed by Gennaro Righelli and starring Fred Solm, Xenia Desni and Olga Chekhova. The film's art direction was by Julius von Borsody. It premiered at the Marmorhaus in Berlin.
The Love of the Brothers Rott is a 1929 German silent film directed by Erich Waschneck and starring Olga Chekhova, Jean Dax and Paul Henckels. It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art director Andrej Andrejew.
My Friend the Thief is a 1951 West German comedy film directed by Helmut Weiss and starring Hans Söhnker, Vera Molnar and Hardy Krüger. It was shot at the Göttingen Studios and on location around Hanover. The film's sets were designed by the art director Walter Haag.
Regine is a 1935 German drama film directed by Erich Waschneck and starring Luise Ullrich, Anton Walbrook and Olga Chekhova. It was shot at the Grunewald Studios in Berlin. The film's sets were designed by Otto Erdmann and Hans Sohnle.
Trude is a 1926 German silent film directed by Conrad Wiene and starring Olga Chekhova, Max Landa and Paul Morgan.
A Girl from the Reeperbahn is a 1930 Czech-German musical film directed by Karl Anton and starring Olga Chekhova, Trude Berliner, and Hans Adalbert Schlettow.
The Man Who Wanted to Live Twice is a 1950 West German drama film directed by Viktor Tourjansky and starring Rudolf Forster, Olga Chekhova and Heidemarie Hatheyer. The future star Marianne Koch made her debut in this film, having been discovered by the director while working at the Bavaria Studios in Munich. The film's sets were designed by the art directors Franz Bi and Botho Hoefer. It was shot at the Bavaria Studios in Munich.
Jack and Jenny is a 1963 West German comedy film directed by Victor Vicas and starring Brett Halsey, Senta Berger and Michael Hinz.
Passion is a 1940 German drama film directed by Walter Janssen and starring Olga Chekhova, Hans Stüwe and Paul Otto.
Impostor is a 1921 German silent film directed by Werner Funck and starring Paul Hartmann and Olga Chekhova.
The Eternal Tone is a 1943 German drama film directed by Günther Rittau and starring Elfriede Datzig, Rudolf Prack and Olga Chekhova.
The Pagoda is a 1923 German silent film directed by Alfred Fekete and starring Olga Chekhova, Ernst Deutsch, and William Dieterle.
The Twins from Immenhof is a 1973 West German family drama film directed by Wolfgang Schleif and starring Heidi Brühl, Horst Janson and Olga Chekhova. Set in Schleswig-Holstein, the film is in the post-war Heimatfilm tradition.
Spring in Immenhof is a 1974 West German family film directed by Wolfgang Schleif and starring Heidi Brühl, Horst Janson and Olga Chekhova. It is the fifth and last of the series of Immenhof films, part of the heimatfilm tradition. It marked the final film appearance of the veteran actress Olga Chekhova.
Ways to a Good Marriage is a 1933 German drama film directed by Adolf Trotz and starring Olga Chekhova, Alfred Abel and Hilde Hildebrand. It was shot at the EFA Studios in Halensee in Berlin. The film's sets were designed by the art directors Heinz Fenchel and Botho Hoefer. The film was based on the ideas of the sexologist Theodore H. Van de Velde and was in the tradition of the enlightenment films of the Weimar Republic. Although his work had already been forbidden by the new Nazi regime, it was not formally banned until 1937 despite protests by Nazi students in Kiel who were successful in having the film pulled from cinemas there.
