Osvaldo Valenti was an Italian film actor. Valenti starred in several successful Italian movies of the late 1930s and early 1940s, such as the famous The Iron Crown and The Jester's Supper. He appeared in more than 50 films between 1928 and 1945. He and his lover, Luisa Ferida, were executed by partisans in Milan, Italy, due to their links with Fascism. Their story was portrayed in the 2008 film Wild Blood.
Nerino "Nerio" Bernardi was an Italian stage and film actor. He appeared in nearly 200 films between 1918 and 1970.
Carlo Tamberlani was an Italian film actor. He appeared in 127 films between 1931 and 1976. His brother Nando Tamberlani was also an actor.
The Verzocchi collection or the Galleria Verzocchi - work in contemporary painting is a collection of over seventy 20th-century Italian paintings formed by the entrepreneur Giuseppe Verzocchi from 1949 to 1950. It contains only paintings of 90 by 70 cm and only on the themes of work and self-portraiture. Each painting is marked "V & D", the Verzocchi brand. It now forms part of the Pinacoteca civica di Forlì.
Loyalty of Love is a 1934 Italian historical drama film directed by Guido Brignone and starring Marta Abba, Nerio Bernardi and Luigi Cimara. It is based on the story of Teresa Confalonieri, a celebrated figure of the Italian reunification campaign. It was one of several films made during the 1930s that portrayed this era. It premiered at the Venice Film Festival in August 1934.
The art collections of Fondazione Cariplo are a gallery of artworks with a significant historical and artistic value owned by Fondazione Cariplo in Italy. It consists of 767 paintings, 116 sculptures, 51 objects and furnishings dating from the first century AD to the second half of the twentieth.
Totò e Peppino divisi a Berlino, internationally released as Toto and Peppino Divided in Berlin, is a 1962 Italian comedy film directed by Giorgio Bianchi.
The Innkeeper is a 1944 Italian historical comedy film directed by Luigi Chiarini and starring Luisa Ferida, Armando Falconi and Osvaldo Valenti. The film is an adaptation of Carlo Goldoni's 1753 play The Mistress of the Inn, one of a number of times the work has been turned into films. It belongs to the movies of the calligrafismo style.
The Tyrant of Padua is a 1946 Italian historical film directed by Max Neufeld and starring Clara Calamai, Carlo Lombardi and Elsa De Giorgi. It is an adaptation of the 1835 play Angelo, Tyrant of Padua by Victor Hugo. It is set in Padua in the 1540s.
The Fornaretto of Venice is a 1939 Italian historical drama film directed by Duilio Coletti and starring Roberto Villa, Elsa De Giorgi and Clara Calamai. It is an adaptation of the 1846 play of the same title by Francesco Dall'Ongaro, which has been adapted into films on several occasions. It was made at the Cinecittà Studios in Rome.
Captain Fracasse is a 1940 Italian historical adventure film directed by Duilio Coletti and starring Elsa De Giorgi, Giorgio Costantini and Osvaldo Valenti. It was made at the Cinecittà studios in Rome. The film is based on the 1863 novel of the same name by Théophile Gautier. Another adaptation Captain Fracasse was made three years later as a co-production between France and Italy.
Guest for One Night is a 1939 Italian film directed by Giuseppe Guarino and starring Gian Paolo Rosmino, Ugo Sasso, and Guglielmo Barnabò.
A Thousand Lire a Month is a 1939 Italian "white-telephones" comedy film directed by Max Neufeld and starring Alida Valli, Umberto Melnati and Osvaldo Valenti. It is a remake of the 1936 Hungarian film Havi 200 fix. The plot concerns an electronic engineer who goes to Budapest, accompanied by his girlfriend, to work on experiments for a new television system leading to countless mix-ups.
The Dance of Time or more literally The Dance of the Clock Hands is a 1936 Italian sports comedy film directed by Mario Baffico and starring Marcello Spada, Ugo Ceseri and Luigi Almirante. It was one of only three films which the leading lady Barbara Monis appeared in.
The Last Dance is a 1941 Italian "white-telephones" comedy film directed by Camillo Mastrocinque and starring Elsa Merlini, Amedeo Nazzari and Renato Cialente. It is considered to be in the tradition of White Telephone films, popular during the Fascist era. It is based on a play by the Hungarian writer Ferenc Herczeg and features Merlini in a dual role as mother and daughter.
