The Merry Wives of Windsor (1950 film)

Last updated

The Merry Wives of Windsor
The Merry Wives of Windsor (1950 film).jpg
Directed by Georg Wildhagen
Written by Otto Nicolai (opera)
Salomon Hermann Mosenthal (opera)
William Shakespeare (play)
Georg Wildhagen
Wolff von Gordon
Starring Sonja Ziemann
Camilla Spira
Paul Esser
Ina Halley
Cinematography Eugen Klagemann
Karl Plintzner
Music byOtto Nicolai (opera)
Production
company
Distributed by Progress Film
Release date
22 October 1950
Running time
96 minutes
CountryEast Germany
Language German

The Merry Wives of Windsor (German : Die lustigen Weiber von Windsor) is a 1950 East German musical comedy film directed by Georg Wildhagen. It was based on William Shakespeare's play by the same name.

Contents

Plot

In Elizabethan England, Sir John Falstaff is embroiled in attempting to have a love affair with several women, which soon turns into a humorous adventure.

Cast

Production

The film is an adaptation of the 1849 opera The Merry Wives of Windsor composed by Otto Nicolai with a libretto by Salomon Hermann Mosenthal which was based on William Shakespeare's play of the same title. It was made by the state-owned DEFA studio on a large budget. [1]

Reception

The film was highly successful by East German standards, [2] and drew 6,090,329 viewers to the cinemas. [3] Ernst Richter noted that while "the socially critical tone was unmistakably present in the film", it was free of "heavy-handed communist propaganda." [4] Heinz Kersten characterized it as one of the last apolitical entertainment pictures produced by DEFA before the Socialist Unity Party of Germany tightened its control on the national film industry. [5] Albert Wilkening wrote it was "a significant step forward in making movies in the GDR... Wildhagen's directing was quite skillful." [6]

Related Research Articles

<span class="mw-page-title-main">John Falstaff</span> Character in three of Shakespeares plays

Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays Henry IV, Part 1 and Part 2, where he is a companion to Prince Hal, the future King Henry V of England. Falstaff is also featured as the buffoonish suitor of two married women in The Merry Wives of Windsor. Though primarily a comic figure, Falstaff embodies a depth common to Shakespeare's major characters. A fat, vain, and boastful knight, he spends most of his time drinking at the Boar's Head Inn with petty criminals, living on stolen or borrowed money. Falstaff leads the apparently wayward Prince Hal into trouble, and is ultimately repudiated after Hal becomes king.

<i>Falstaff</i> (opera) 1893 opera by Giuseppe Verdi

Falstaff is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play The Merry Wives of Windsor and scenes from Henry IV, Part 1 and Part 2, by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan.

<i>The Merry Wives of Windsor</i> Play by William Shakespeare

The Merry Wives of Windsor or Sir John Falstaff and the Merry Wives of Windsor is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a reference to the town of Windsor, also the location of Windsor Castle in Berkshire, England. Though nominally set in the reign of Henry IV or early in the reign of Henry V, the play makes no pretence to exist outside contemporary Elizabethan-era English middle-class life. It features the character Sir John Falstaff, the fat knight who had previously been featured in Henry IV, Part 1 and Part 2. It has been adapted for the opera at least ten times. The play is one of Shakespeare's lesser-regarded works among literary critics. Tradition has it that The Merry Wives of Windsor was written at the request of Queen Elizabeth I. After watching Henry IV Part I, she asked Shakespeare to write a play depicting Falstaff in love.

<span class="mw-page-title-main">Otto Nicolai</span> 19th-century German composer and conductor

Carl Otto Ehrenfried Nicolai was a German composer, conductor, and one of the founders of the Vienna Philharmonic. Nicolai is best known for his operatic version of Shakespeare's comedy The Merry Wives of Windsor as Die lustigen Weiber von Windsor. In addition to five operas, Nicolai composed lieder, works for orchestra, chorus, ensemble, and solo instruments.

<i>The Merry Wives of Windsor</i> (opera) Opera by Otto Nicolai

The Merry Wives of Windsor is an opera in three acts by Otto Nicolai to a German libretto by Salomon Hermann Mosenthal based on the play of the same name by William Shakespeare.

<span class="mw-page-title-main">Edith Mathis</span> Swiss soprano

Edith Mathis is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide. She is known for parts in Mozart operas, but also took part in premieres of operas such as Henze's Der junge Lord.

<span class="mw-page-title-main">Marie Gutheil-Schoder</span> German soprano

Marie Gutheil-Schoder was an important German soprano.

Norman Foster was an American operatic bass-baritone, a film and television actor and a television producer.

Claus Holm was a German film actor. He appeared in 50 films between 1943 and 1979. He was born in Bochum, Germany and died in Berlin, Germany.

Franziska Gottwald is a German mezzo-soprano singer in opera and concert.

Love's Confusion is an East German romantic comedy film directed by Slátan Dudow. It was released in 1959.

Georg Wildhagen was a German screenwriter and film director. According to conflicting sources he was born in either Hannover or in Hamburg.

<span class="mw-page-title-main">Ned Poins</span> Character in Henry IV, parts 1 and 2

Edward "Ned" Poins, generally referred to as "Poins", is a fictional character who appears in two plays by William Shakespeare, Henry IV, Part 1 and Henry IV, Part 2. He is also mentioned in The Merry Wives of Windsor. Poins is Prince Hal's closest friend during his wild youth. He devises various schemes to ridicule Falstaff, his rival for Hal's affections.

Wilhelm Strienz was a German bass operatic singer.

<i>Falstaff in Vienna</i> 1940 film

Falstaff in Vienna is a 1940 German musical comedy film directed by Leopold Hainisch and starring Hans Nielsen, Gusti Wolf and Paul Hörbiger. It portrays the life of the nineteenth century composer Otto Nicolai, known for works such as The Merry Wives of Windsor.

<i>The Merry Wives of Tyrol</i> 1964 film

The Merry Wives of Tyrol is a 1964 West German musical comedy film directed by Hans Billian and starring Hannelore Auer, Gus Backus and Rudolf Prack.

The Merry Wives of Windsor is a 1918 German silent comedy film directed by William Wauer. It is an adaptation of William Shakespeare's The Merry Wives of Windsor.

The Merry Wives of Windsor is a 1965 Austrian-British historical comedy film directed by Georg Tressler and starring Norman Foster, Colette Boky and Charles Igor Gorin.

<span class="mw-page-title-main">Margit Bokor</span> Hungarian opera singer (1903–1949)

Margit Bokor, born Margit Wahl, was a Hungarian operatic soprano. She created the role of Zdenka in Arabella by Richard Strauss at the Semperoper in 1933, but then had to leave Germany. She was a member of the Vienna State Opera from 1934 to 1938. She moved to Paris, then emigrated to the United States in 1939, continuing her career at opera houses of the Americas.

Rosl Zapf was an Austrian operatic mezzo-soprano. She was a member of the Oper Frankfurt from 1950 to 1976, where she appeared in leading roles such as Herodias in Salome. She took part in world premieres such as Luise Talma's Die Alkestiade and Uno sguardo dal ponte by Renzo Rossellini. She performed at leading opera houses internationally, including La Monnaie in Brussels, Teatro Nacional de São Carlos in Lisbon and the Paris Opéra.

References

  1. Davidson & Hake p.220
  2. Kersten. p. 29.
  3. List of the 50 highest-grossing DEFA films.
  4. Richter. p. 245.
  5. Kersten. p. 52.
  6. Wilkening. p. 165.

Bibliography