Author | Robert Lowell |
---|---|
Language | English |
Publisher | Harcourt Brace |
Publication date | 1951 |
Preceded by | Lord Weary's Castle |
Followed by | Life Studies |
The Mills of the Kavanaughs is the third book of poems written by the American poet Robert Lowell. Like Lowell's previous book, Lord Weary's Castle , the poetry in Kavanaughs was also ornate, formal, dense, and metered. All of the poems are dramatic monologues, and the literary scholar Helen Vendler noted that the poems in this volume "were clearly influenced by Frost's narrative poems as well as by Browning." [1]
The majority of the book consists of the epic title poem which tells the story of Anne Kavanaugh, a widow living in Maine in 1943, who "is sitting in her garden playing solitaire" and Lowell tells her story through a series of stream-of-consciousness flashbacks in which she recalls her troubled relationship with her now-deceased husband, Harry. [2]
The editors of Lowell's Collected Poems, Frank Bidart and David Gewanter, include a large footnote on the poem with an excerpt from Hugh Staples' book Robert Lowell: The First Twenty Years (1962) in which Staples provides the following summary of the poem's plot in flashback:
Anne [grew up as] a poor girl from a family of thirteen children, who [was] first adopted by the Kavanaughs and then [got] married to the youngest son, Harry. . .Joining the Navy prior to Pearl Harbor, her husband returns from the war on the verge of a nervous breakdown; he attempts and fails to suffocate his wife in bed one night because she speaks aloud, while asleep, to a man in a dream; Harry fears that she has committed adultery. Shortly thereafter, greatly distraught, he [dies]. [3]
Staples notes that "Ovid's mythological account of Persephone in Metamorphoses V . . .is brought into play [throughout the poem]. [3]
The poem was published in two additional versions that were quite different from the version in The Mills of the Kavanaughs. First, there was a magazine version of the poem that appeared in the Kenyon Review in 1951 prior to the publication of The Mills of the Kavanaughs. The editors of Lowell's Collected Poems note that the magazine version included references to the Virgin Mary and Saint Patrick that Lowell later removed. [3] Then, many years after the publication of the poem in The Mills of the Kavanaughs, the poem re-appeared in a new version when Lowell released his Selected Poems in 1976. In this volume, he included a significantly shorter version of the poem in which he pared the epic 38 stanza poem down to just five stanzas. [3]
Lillian Feder discusses how the myth of Persephone is an important part of the poem in Anne Kavanaugh's thinking. [4]
The other poems from the book, all significantly shorter than the title poem, include "Falling Asleep over the Aeneid," "Her Dead Brother," "Mother Marie Therese," "David and Bathsheba in the Public Garden," "The Fat Man in the Mirror" (which is based on a poem by the Austrian poet Franz Werfel), and "Thanksgiving's Over."
The last poem in the book, "Thanksgiving's Over," is similar to "The Mills of the Kavanaughs" in its basic premise. However, instead of a wife remembering her deceased husband, this time the roles are reversed and the widowed husband remembers his deceased wife (in this poem, the recollection occurs in a dream).
The poem "David and Bathsheba in the Public Garden" would later reappear in Lowell's book For the Union Dead in a revised form under the title "The Public Garden." During Lowell's 1963 public reading at the Guggenheim, he explained that many of his readers expressed confusion over the presence of the Biblical characters of David and Bathsheba being located in a modern park in Boston, and according to Lowell, the characters made the poem "impenetrable." So in order to make the poem more accessible, Lowell decided to completely remove David and Bathsheba from the revised, later version of the poem which was shorter and much more personal. [5]
In a review of the book in The New York Times, Charles Poore praised the book, writing, "The Mills of the Kavanaughs. . . is a fine new collection of poems in angular, stony meters, sometimes as obscure as one end of an overheard telephone conversation, always savagely brilliant in their hard impact on the mind." [6]
However, Randall Jarrell's review of the book in Partisan Review was much more measured in its assessment. Although Jarrell liked the handful of shorter poems in the collection, he was critical of the main characters in the epic, title poem, writing, "The people [in 'The Mills of the Kavanaughs'] too often seem to be acting in the manner of Robert Lowell, rather than plausibly as real people act . . .I doubt that many readers will think them real." [7]
In a review of Lowell's Collected Poems in 2003, A. O. Scott wrote that the book was "underrated" and that the dramatic monologues in The Mills of the Kavanaughs were "some of the best in the language since Browning." [8]
The Poetry Foundation website notes that The Mills of the Kavanaughs was "less successful" than Lowell's previous book, Lord Weary's Castle , which had won the Pulitzer Prize for Poetry. [9]
Robert Lee Frost was an American poet. His work was initially published in England before it was published in the United States. Known for his realistic depictions of rural life and his command of American colloquial speech, Frost frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes.
Wallace Stevens was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and spent most of his life working as an executive for an insurance company in Hartford, Connecticut. He won the Pulitzer Prize for Poetry for his Collected Poems in 1955.
Elizabeth Bishop was an American poet and short-story writer. She was Consultant in Poetry to the Library of Congress from 1949 to 1950, the Pulitzer Prize winner for Poetry in 1956, the National Book Award winner in 1970, and the recipient of the Neustadt International Prize for Literature in 1976. Dwight Garner argued in 2018 that she was perhaps "the most purely gifted poet of the 20th century".
James Ingram Merrill was an American poet. He was awarded the Pulitzer Prize for poetry in 1977 for Divine Comedies. His poetry falls into two distinct bodies of work: the polished and formalist lyric poetry of his early career, and the epic narrative of occult communication with spirits and angels, titled The Changing Light at Sandover, which dominated his later career. Although most of his published work was poetry, he also wrote essays, fiction, and plays.
Robert Traill Spence Lowell IV was an American poet. He was born into a Boston Brahmin family that could trace its origins back to the Mayflower. His family, past and present, were important subjects in his poetry. Growing up in Boston also informed his poems, which were frequently set in Boston and the New England region. The literary scholar Paula Hayes believes that Lowell mythologized New England, particularly in his early work.
Randall Jarrelljə-REL was an American poet, literary critic, children's author, essayist, and novelist. He was the 11th Consultant in Poetry to the Library of Congress—a position that now bears the title Poet Laureate of the United States.
Frank Bidart is an American academic and poet, and a winner of the Pulitzer Prize for Poetry.
John Allyn McAlpin Berryman was an American poet and scholar. He was a major figure in American poetry in the second half of the 20th century and is considered a key figure in the "confessional" school of poetry. His best-known work is The Dream Songs.
Helen Hennessy Vendler is an American literary critic and is Porter University Professor Emerita at Harvard University.
Life Studies is the fourth book of poems by Robert Lowell. Most critics consider it one of Lowell's most important books, and the Academy of American Poets named it one of their Groundbreaking Books. Helen Vendler called Life Studies Lowell's "most original book." It won the National Book Award for Poetry in 1960.
Lord Weary's Castle, Robert Lowell's second book of poetry, won the Pulitzer Prize for Poetry in 1947 when Lowell was only thirty. Robert Giroux, who was the publisher of Lowell's wife at the time, Jean Stafford, also became Lowell's publisher after he saw the manuscript for Lord Weary's Castle and was very impressed; he later stated that Lord Weary's Castle was the most successful book of poems that he ever published.
The Quaker Graveyard in Nantucket is an influential poem by Robert Lowell. It was first published in 1946 in his collection Lord Weary's Castle.
Eleanor Ross Taylor was an American poet who published six collections of verse from 1960 to 2009. Her work received little recognition until 1998, but thereafter received several major poetry prizes. Describing her most recent poetry collection, Kevin Prufer writes, "I cannot imagine the serious reader — poet or not — who could leave Captive Voices unmoved by the work of this supremely gifted poet who skips so nimbly around our sadnesses and fears, never directly addressing them, suggesting, instead, their complex resistance to summary."
"Beyond the Alps" is a poem by Robert Lowell.
Stephanie Burt is a literary critic and poet who is Donald P. and Katherine B. Loker Professor of English at Harvard University. The New York Times has called her "one of the most influential poetry critics of [her] generation". Burt grew up around Washington, D.C. She has published various collections of poetry and a large amount of literary criticism and research. Her work has appeared in The New Yorker,The New York Times Book Review, The London Review of Books, and other publications.
For the Union Dead is a book of poems by Robert Lowell that was published by Farrar, Straus & Giroux in 1964. It was Lowell's sixth book.
David Gewanter is an American poet.
Land of Unlikeness, Robert Lowell's first book of poetry, was published in 1944 in a limited edition of two hundred and fifty copies by Harry Duncan at the Cummington Press. The poems were all metered, often rhymed, and very much informed by Lowell's recent conversion to Catholicism.
The Dream Songs is a compilation of two books of poetry, 77 Dream Songs (1964) and His Toy, His Dream, His Rest (1968), by the American poet John Berryman. According to Berryman's "Note" to The Dream Songs, "This volume combines 77 Dream Songs and His Toy, His Dream, His Rest, comprising Books I through VII of a poem whose working title, since 1955, has been The Dream Songs." In total, the work consists of 385 individual poems.