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Peter Lorre was a Hungarian and American actor, active first in Europe and later in the United States. He began his stage career in Vienna, in the Austro-Hungarian Empire, before moving to Germany where he worked first on the stage, then in film in Berlin in the late 1920s and early 1930s. Lorre caused an international sensation in the Weimar Republic–era film M (1931), directed by Fritz Lang, in which he portrayed a serial killer who preys on little girls. Known for his timidly devious characters, his appearance, and his accented voice, Lorre was frequently caricaturized during and after his lifetime and the cultural legacy of his persona remains in media today.
The Face Behind the Mask is a 1941 American film noir crime film directed by Robert Florey and starring Peter Lorre, Evelyn Keyes and Don Beddoe. The screenplay was adapted by Paul Jarrico, Arthur Levinson, and Allen Vincent from the play Interim, written by Thomas Edward O'Connell (1915–1961).
Sydney Hughes Greenstreet was a British and American actor. While he did not begin his career in films until the age of 61, he had a run of significant motion pictures in a Hollywood career lasting through the 1940s. He is best remembered for the three Warner Bros. films - The Maltese Falcon (1941), Casablanca (1942), and Passage to Marseille (1944) - with both Humphrey Bogart and Peter Lorre. He portrayed Nero Wolfe on radio during 1950 and 1951. He became an American citizen in 1925.
The Boogie Man Will Get You is a 1942 American comedy horror film directed by Lew Landers and starring Boris Karloff and Peter Lorre. It was the final film Karloff made under his contract with Columbia Pictures, and it was filmed in the wake of his success in the 1941 Broadway production Arsenic and Old Lace. As he had done several times previously, Karloff played the part of a "mad scientist", Professor Billings, who is using the basement of his inn to conduct experiments using electricity to create a race of superhumans. The inn is bought by a new owner, who is initially unaware of the work Billings is conducting.
The Lost One is a 1951 West German drama film directed by Peter Lorre and starring Lorre, Karl John and Renate Mannhardt. It is an art film in the film noir style, based on a true story. Lorre wrote, directed, and starred in this film, his only film as director or writer. The film's translated name has been used as the title of his biography.
Congo Crossing is a 1956 American Technicolor adventure film directed by Joseph Pevney and starring Virginia Mayo, George Nader and Peter Lorre. It was produced and distributed by Universal Pictures. Most of the exterior sequences were shot in the Los Angeles County Arboretum and Botanic Garden.
I'll Get You for This is a 1951 British thriller film by Joseph M. Newman starring George Raft, Coleen Gray, and Enzo Staiola. It was made from an adaptation by George Callahan and William Rose of James Hadley Chase's 1946 book of the same name. The setting was shifted from Las Vegas in the novel to an Italian gambling resort.
Harry Halm was a German film actor.
Reinhold Häussermann was a German-born Austrian stage and film actor. Haussermann appeared in twenty-one films during his career, largely in supporting roles in films such as Karl Leiter's The Missing Wife (1929). He was the father of the actor and director Ernst Haeussermann. His daughter in law was the actress Susi Nicoletti.
Rolf von Goth was a film actor from Windhoek in German Southwest Africa who settled and worked in Germany. After appearing in minor roles in several silent films such as Metropolis (1927) von Goth emerged as a prominent actor in the late 1920s. During the early 1930s he played a mixture of leading and supporting roles in films such as Once There Was a Waltz and A Shot at Dawn (1932) but his appearances began to decline during the Nazi era. By the outbreak of the Second World War he had almost entirely retired from film. von Goth switched to become a director of radio shows, becoming extremely successful in the format during the post-war years. He was married to the actress Karin Hardt.
A Shot at Dawn is a 1932 German crime film directed by Alfred Zeisler and starring Ery Bos, Genia Nikolaieva and Karl Ludwig Diehl. It was based on the play The Woman and the Emerald by Harry Jenkins and recounts a jewel theft. It was shot at the Babelsberg Studios in Potsdam with sets designed by the art directors Willi Herrmann and Herbert O. Phillips. A separate French-language version Coup de feu à l'aube was also produced.
Narcotics is a 1932 German drama film directed by Kurt Gerron and Roger Le Bon and starring Jean Murat, Danièle Parola and Jean Worms. It is the French-language version of the 1932 German film The White Demon.
What Women Dream is a 1933 German comedy crime film directed by Géza von Bolváry and starring Nora Gregor, Gustav Fröhlich, and Otto Wallburg. In 1934, it was remade as an American film One Exciting Adventure. The film's sets were designed by the art directors Emil Hasler and Willy Schiller.
Invisible Opponent is a 1933 German-Austrian drama film directed by Rudolph Cartier and starring Gerda Maurus, Paul Hartmann, and Oskar Homolka. The film's sets were designed by the art director Erwin Scharf. The plot revolves around an oil swindle in a South American country. The film was made at the Sievering Studios in Vienna. The critics were not generally impressed with the film, the Deutsche Allgemeine Zeitung described it as "unbelievable and unbelievably awful picture".
The Oil Sharks is a 1933 German drama film directed by Rudolph Cartier and Henri Decoin and starring Arlette Marchal, Vivian Grey and Gabriel Gabrio. It is the French-language version of Invisible Opponent, made with the same crew but a largely different cast and some alterations to the story line. The sets for both films were designed by the art director Erwin Scharf.
Iva Stewart (1914–1985) was an American model and film actress. She was Miss Maine, and competed in Miss America 1933.
Nancy Steele Is Missing! is a 1937 American drama film directed by George Marshall and Otto Preminger and starring Victor McLaglen, Walter Connolly and Peter Lorre. It was produced and distributed by Twentieth Century Fox. The film's sets were designed by the British art director Hans Peters. It has been described as a precursor to film noir.
Josef Dahmen was a German stage, film and television actor.
Sigurd Lohde (1899–1977) was a German film and television actor.
The Allure of Danger is a 1950 West German drama film directed by Eugen York and starring Angelika Hauff, Walter Richter and Berta Drews. It was screened at the 1950 Venice Film Festival.
References
- ↑ Youngkin pp. 37–38
