The Monkey Jar

Last updated
The Monkey Jar
Written byRichard Martin Hirsch
CharactersMichael Dori
Kai Goldman
Robert Rees
Judith Heptner
Aaron Goldman
Nancy Goldman
Coral Bryson
Date premieredFebruary 2, 2008
Place premieredReuben Cordova Theatre
Beverly Hills, California
Original languageEnglish
GenreDrama
Setting Elementary School in Los Angeles, California

The Monkey Jar is a 2008 play written by California playwright Richard Martin Hirsch. The play opened in Beverly Hills on February 2, 2008, and closed on March 8, 2008, in the Reuben Cordova Theatre. The production was directed by Warren Davis and starred Henry Hayashi, Mark Berry, and Sekai Murashige, alternating with Josh Ogner. Set Design by Jeff G. Rack; Lighting Design by Meghan Hong; Costume Design by Holly Victoria; Sound Design by Jonathan Snipes. Produced by Theatre Forty and Storey Productions. [1]

Contents

Plot summary

Michael Dori, a Japanese American, teaches at Bienvenida Elementary School in Beverly Hills, priding himself on the fact that his students regularly score in the top five percent of state standardized tests. However, when he is confronted by a 10-year-old Japanese student with an apparent learning disability, Kai Goldman, the authoritarian teacher first tries to bond with the child through the commonality of their race, and then pushes the child too hard in class regarding multiplication tables, which seriously embarrasses the boy. The next day, the child brings a gun to school. [1] [2]

The reason the child brought the weapon is the central conflict of the play. The teacher, Mr. Dori, accuses the boy of trying to get retribution for the embarrassment he felt over the incident with the multiplication tables. The child insists he was bringing the gun to impress his teacher. The weapon is an old Civil War relic and incapable of actually being fired, a fact Kai insists he was intimately aware. [1] [2]

Left to sort out the issue is the school's African-American principal, Robert Rees, who has only held the position a few months, and Coral Bryson the specialist in charge of Kai's Individualized Education Program. Complicating the already tedious racial issue is Kai's adoptive parents, Aaron and Nancy Goldman, who are Jewish. [3]

The play, which is told from Coral's perspective, examines many school issues including race, parental involvement, and the differences in quality between public and private schools. [3]

Reaction and reviews

Dany Margolies of Backstage West called the play "a worthy and interesting World Premiere" in which director Warren Davis delivered "a unified world for the actors and creative staging across the theatre's wide space that enables the many scenes to flow." She goes on to laud the performances of Amy Tolsky, Mark Berry, and especially Addie Daddio.

Amy Nicholoson of LA Weekly named The Monkey Jar a "GO" (Critic's Pick) and went on to say: "Playwright Richard Martin Hirsch has set up a credible and inextricable trap..." "Warren Davis' production is engrossing, with the parents' scenes appropriately screwball; Act 2 rehashes the problem in ever louder voices before homing in on what could feel to some like a slightly unsatisfying solution. But among the script's strong achievements is the tightly wound Mr. Dori, an undeniably good — if authoritarian — teacher who's proud that his kids score in the state's top 5 percent, and bristles at the insinuation that spurring them to achieve doesn't prove that he cares."

Cynthia Citron of Curtain Up said: "With just a minimal amount of furniture and Meghan Hong's effective lighting design, the production bounces along with a fast-paced contemporaneousness. Director Warren Davis leads these seasoned professionals through the ramifications of a felony committed by a child and to the consequences for all involved. It's a gripping story told by a superb cast, and well worth a visit."

Daryl Miller of the Los Angeles Times called the script, "Well-intended...", stating: "The story is complicated by layer upon layer of social, economic and ethnic detail." "On Los Angeles' affluent Westside, frustration builds in an elementary school classroom when a 10-year-old with a mild learning disability is pushed hard by a teacher who, unaware of the boy's condition, wants every student to perform well. The youngster adopts sarcasm as psychological armor but, when pressured, becomes panicky and tearful -- qualities well conveyed at the reviewed performance by Sekai Murashige, who alternates with Josh Ogner. His teacher, as portrayed by Henry Hayashi, is energetic and inspiring, though he makes regrettable choices as he tries to break through to this student. In the tense situation that results, the school's new principal, played by Mark Berry, finds his ambitions -- as well as his compassionate best efforts for the kids -- in danger of being erased."

Related Research Articles

Shitō-ryū Form of karate

Shitō-ryū (糸東流) is a form of karate that was founded in 1934 by Kenwa Mabuni. A synthesis of various different Okinawan schools of martial arts, the Shitō-ryū is primarily practiced in Osaka. Due to both controversies in Kenwa Mabuni's line of succession and Mabuni's extensive efforts to popularize the martial art form in Japan, there exist many successor karate schools that claim Shitō-ryū as an influence.

Judd Hirsch American actor

Judd Seymore Hirsch is an American actor known for playing Alex Rieger on the television comedy series Taxi (1978–1983), John Lacey on the NBC series Dear John (1988–1992), and Alan Eppes on the CBS series Numb3rs (2005–2010). He is also well known for his career in theatre and for his roles in films such as Ordinary People (1980), Running on Empty (1988), Independence Day (1996), A Beautiful Mind (2001) and Independence Day: Resurgence (2016).

The Putney School is an independent high school in Putney, Vermont. The school was founded in 1935 by Carmelita Hinton on the principles of the Progressive Education movement and the teachings of its principal exponent, John Dewey. It is a co-educational, college-preparatory boarding school, with a day-student component, 12 miles (19 km) outside Brattleboro, Vermont. Emily Jones is the current director. The school enrolls approximately 225 students on a 500 acres (2.0 km2) hilltop campus with classrooms, dormitories, and a dairy farm on which its students work before graduating.

Royal Central School of Speech and Drama

The Royal Central School of Speech and Drama was founded by Elsie Fogerty in 1906 to offer a new form of training in speech and drama for young actors and other students. It became a constituent of the University of London in 2005. It is a member of the Federation of Drama Schools.

<i>Doubt: A Parable</i>

Doubt, A Parable is a 2004 play by John Patrick Shanley. Originally staged off-Broadway at the Manhattan Theatre Club on November 23, 2004, the production transferred to the Walter Kerr Theatre on Broadway in March 2005 and closed on July 2, 2006, after 525 performances and 25 previews. The play won the 2005 Pulitzer Prize for Drama and Tony Award for Best Play. The play was turned into an Academy Award-nominated film starring Meryl Streep as Sister Aloysius and Philip Seymour Hoffman as Father Flynn.

Hitomi Nabatame is a Japanese actress, voice actress and singer who is affiliated with Ken Production. She also sings opening themes for Nogizaka Haruka no Himitsu under the name "Miran Himemiya and Chocolate Rockers".

Raylene American pornographic actress (born 1977)

Raylene is a retired American pornographic actress.

I'm Not Rappaport is a play by Herb Gardner, which originally ran on Broadway in 1985.

Hilary Knight is an American writer and artist. He is the illustrator of more than 50 books and the author of nine books. He is best known as the illustrator of Kay Thompson's Eloise (1955) and others in the Eloise series.

Tadahiko Hayashi was a Japanese photographer noted for a wide range of work including documentary and portraiture.

Live Oak High School (Morgan Hill, California) Public school in Morgan Hill, California, United States

Live Oak High School (LOHS) is a public high school in Morgan Hill, California. Designated as a California Gold Ribbon School in 2015, Live Oak is part of the Morgan Hill Unified School District.

Gigi Perreau American actress

Gigi Perreau is an American film and television actress.

<i>Doubt</i> (2008 film) 2008 American film by John Patrick Shanley

Doubt is a 2008 American drama film written and directed by John Patrick Shanley, based on his Pulitzer Prize-winning and Tony Award-winning 2004 stage play Doubt: A Parable. Produced by Scott Rudin, the film takes place in a Roman Catholic elementary school named for St. Nicholas led by Sister Aloysius. Sister James tells Aloysius that Father Flynn might be paying too much attention to the school's only black student, Donald Miller, thus leading to Aloysius investigating Flynn's behaviour. The film also features Viola Davis as Donald Miller's mother, Mrs. Miller.

George Edward "Butch" Ballard was an American jazz drummer who played with Louis Armstrong, Count Basie, and Duke Ellington.

<i>Adding Machine</i> (musical)

Adding Machine is a musical adaptation of Elmer Rice's 1923 play The Adding Machine, with music by Joshua Schmidt, and book and lyrics by Jason Loewith and Joshua Schmidt. The show opened in 2007 in Illinois before moving off-Broadway in 2008. The show was nominated for numerous Lucille Lortel and Drama Desk awards.

Strawberry Shortcake Cartoon character

Strawberry Shortcake is a cartoon character originally used in greeting cards published by American Greetings, but who was later expanded to include dolls, posters, and other products. The Strawberry Shortcake properties also include a toy line of the character's friends and pets. In addition, the franchise has spawned television specials, animated television series, and films. The franchise is currently owned by the Canadian children's television company WildBrain and American brand management company, Iconix Brand Group through the holding company Shortcake IP Holdings LLC.

In mathematics education, there was a debate on the issue of whether the operation of multiplication should be taught as being a form of repeated addition. Participants in the debate brought up multiple perspectives, including axioms of arithmetic, pedagogy, learning and instructional design, history of mathematics, philosophy of mathematics, and computer-based mathematics.

<i>Yo-kai Watch: Enma Daiō to Itsutsu no Monogatari da Nyan!</i> 2015 Japanese anime film directed by Shinji Ushiro Shigeharu Takahashi

Yo-kai Watch: Enma Daiō to Itsutsu no Monogatari da Nyan! is a 2015 Japanese animated fantasy adventure film directed by Shigeharu Takahashi and Shinji Ushiro. It is the second film in the Yo-kai Watch film series, following the 2014 film Yo-kai Watch: The Movie. It was released on December 19, 2015. It was followed by Yo-kai Watch: Soratobu Kujira to Double no Sekai no Daibōken da Nyan!, which released on December 17, 2016.

<i>The Forty-Year-Old Version</i> 2020 film by Radha Blank

The Forty-Year-Old Version is a 2020 American comedy film written, directed, and produced by Radha Blank, in her feature directorial debut. It stars Blank, Peter Kim, Oswin Benjamin, and Reed Birney.

<i>Schoolhouse Rock Live!</i> musical

Schoolhouse Rock Live! is a musical with music and lyrics by various artists and a book by George Keating, Scott Ferguson, and Kyle Hall. It is based on the animated musical educational series of short videos titled Schoolhouse Rock! created by David McCall. The plot follows a teacher, Tom, who is nervous for his first day of teaching. When he turns on Schoolhouse Rock!, the characters come alive and help him prepare for his lesson. It features popular songs including "I'm Just a Bill," "Lolly, Lolly, Lolly," "Do The Circulation," "Rufus Xavier Sarsaparilla," "Conjunction Junction," and "Great American Melting Pot." It premiered at Chicago's Cabaret Voltaire in 1993 directed by Scott Ferguson in a partnership with Theatrebam Chicago. It moved off-Broadway in 1995. Since then, it has been performed by various schools and community theaters.

References

  1. 1 2 3 Cynthia Citron (2008-02-03). "A CurtainUp Los Angeles Review: The Monkey Jar". Curtain Up.
  2. 1 2 Amy Nicholson (2008-01-10). "The Monkey Jar". L.A. Weekly. Archived from the original on 2011-06-04.
  3. 1 2 Stanley, Steven (2008-02-02). "The Monkey Jar". Stage Scene LA. Archived from the original on 16 July 2011. Retrieved 2016-10-03.