The Muthers | |
---|---|
Directed by | Cirio H. Santiago |
Written by | Cyril St. James |
Produced by | Cirio H. Santiago |
Starring | Jeannie Bell Rosanne Katon Trina Parks Jayne Kennedy |
Cinematography | Ricardo Remias |
Edited by | Gervacio Santos |
Music by | Edd Villanueva |
Distributed by | Dimension Pictures |
Release date |
|
Running time | 83 minutes |
Country | Philippines |
Language | English |
The Muthers is a 1976 English-language Filipino blaxploitation women in prison film. [1] It starred Jeannie Bell, Rosanne Katon, Trina Parks, Jayne Kennedy, Tony Carreon and John Montgomery.
Quentin Tarantino later wrote, "So why is this cruddy little flick one of my favorite movies? It's the playful execution of a preposterous story that's the key to the film's charm." [2]
Kelly and Angie lead a gang of modern-day pirates in the South Seas, passing on the valuables taken from rich travelers and shippers to comparably poor villagers. A Justice Department official informs Kelly that her sister Sandra has been swept up in a trafficking operation and isolated in a prison camp run by crime boss Montiero, disguised as a legitimate coffee plantation, and offers her gang immunity from prosecution if they can infiltrate and convey the information that will help them shut it down. When the women penetrate the camp, they eventually recruit longtime prisoner Marcie, and Montiero's mistress Serena, to forment a rebellion and escape from the compound.
Natural Born Killers is a 1994 American romantic crime action film directed by Oliver Stone and starring Woody Harrelson, Juliette Lewis, Robert Downey Jr., Tommy Lee Jones, and Tom Sizemore. The film tells the story of two victims of traumatic childhoods who become lovers and mass murderers, and are irresponsibly glorified by the mass media.
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Black Mama White Mama, also known as Women in Chains, Hot, Hard and Mean and Chained Women, is a 1973 women in prison film directed by Eddie Romero and starring Pam Grier and Margaret Markov. The film has elements of blaxploitation.
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Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s, when the combined momentum of the civil rights movement, the Black power movement, and the Black Panthers spurred black artists to reclaim power over their image, and institutions like UCLA to provide financial assistance for students of color to study filmmaking. This combined with Hollywood adopting a less restrictive rating system in 1968. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills–Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypes often involved in crime. After the race films of the 1940s and 1960s, the genre emerged as one of the first in which black characters and communities were protagonists, rather than sidekicks, supportive characters, or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.
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