TNT Jackson | |
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Directed by | Cirio Santiago |
Written by |
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Produced by | Cirio Santiago |
Starring | |
Cinematography | Philip Sacdalan |
Edited by |
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Music by | Tito Sotto |
Production companies |
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Distributed by | New World Pictures |
Release dates |
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Running time |
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Box office | US$1.3 million [1] [2] |
TNT Jackson, released in the Philippines as Dynamite Wong and T.N.T. Jackson, is a 1974 American blaxploitation film produced and directed by Cirio H. Santiago. [3] The script was originally written by actor Dick Miller, but Roger Corman had it rewritten. [1]
The film is about Diana Jackson (aka TNT), who learns her brother is missing. She suspects a powerful gangster and his friends are behind the disappearance. Determined to get at the truth, she goes to Hong Kong, and along with a friend named Joe, wages war on the criminal gang she's out to nail.
Roger William Corman was an American film director, producer and actor. Known under various monikers such as "The Pope of Pop Cinema", "The Spiritual Godfather of the New Hollywood", and "The King of Cult", he was known as a trailblazer in the world of independent film.
Death Race 2000 is a 1975 American dystopian science-fiction action film directed by Paul Bartel and produced by Roger Corman for New World Pictures. Set in a dystopian American society in the year 2000, the film centers on the murderous Transcontinental Road Race, in which participants score points by striking and killing pedestrians. David Carradine stars as "Frankenstein," the leading champion of the race, who is targeted by an underground rebel movement seeking to abolish the race. The cast also features Simone Griffeth, Sylvester Stallone, Mary Woronov, Martin Kove, and Don Steele.
I'm Gonna Git You Sucka is a 1988 American blaxploitation parody film written, directed by and starring Keenen Ivory Wayans in his directorial debut. Featured in the film are several noteworthy African-American actors who were part of the genre of blaxploitation: Jim Brown, Bernie Casey, Antonio Fargas and Isaac Hayes. It co-stars John Vernon, Kadeem Hardison, Ja'net Dubois, John Witherspoon, Damon Wayans, Clarence Williams III and Chris Rock, and acts as the film debuts of comedian Robin Harris and brothers Shawn and Marlon Wayans.
The Undead is a 1957 horror film directed by Roger Corman and starring Pamela Duncan, Allison Hayes, Richard Garland and Val Dufour. It also features Corman regulars Richard Devon, Dick Miller, Mel Welles and Bruno VeSota. The authors' original working title was The Trance of Diana Love. The film follows the story of a prostitute, Diana Love (Duncan), who is put into a hypnotic trance by psychic Quintus (Dufour), thus causing her to regress to a previous life. Hayes later starred in Attack of the 50 Foot Woman (1958). The film was released on February 14, 1957 by American International Pictures as a double feature with Voodoo Woman.
Willie Dynamite is a 1973 American blaxploitation film directed by Gilbert Moses and starring Roscoe Orman, Diana Sands, Thalmus Rasulala, Joyce Walker, and was released by Universal Pictures. The eponymous Willie Dynamite is a pimp in New York City, who strives to be number one in the city. As he is trying to do so, a social worker named Cora, is trying to change his ways - as well as those of the women who work for him - for the better. It was the first film produced by the Zanuck-Brown Company.
The Arena, also known as Naked Warriors, is a 1974 gladiator exploitation film directed by Steve Carver and starring Margaret Markov and Pam Grier. Joe D'Amato, the film's cinematographer, has stated that he took over direction of the fight scenes in the film.
Cirio Hermoso Santiago was a Filipino film producer, director and writer. He used the screen names Cirio Santiago, Cirio H. Santiago, Leonardo Hermoso, and Leonard Hermes.
Jean Bell is a former Playboy Playmate of the Month, and one of the first African American women to feature in this role. She later had a career as an actress in movies, most prominently in TNT Jackson, in which she played the title character, and supporting roles in Mean Streets and The Klansman, as well as occasional TV appearances.
The Wasp Woman is a 1959 American independent science-fiction horror film produced and directed by Roger Corman. Filmed in black-and-white, it stars Susan Cabot, Anthony Eisley, Michael Mark, and Barboura Morris. The film was originally released by Filmgroup as a double feature with Beast from Haunted Cave. To pad out the film's running time when it was released to television two years later, a new prologue was added by director Jack Hill.
The Wiz is a 1978 American musical fantasy adventure film directed by Sidney Lumet. Adapted from the 1974 Broadway musical of the same name, the film reimagines the classic children's novel, The Wonderful Wizard of Oz, by L. Frank Baum with an African-American cast. Dorothy, a 24-year old teacher from Harlem, finds herself magically transported to the urban fantasy Land of Oz. On her travels seeking help from the mysterious Wiz, Dorothy befriends a Scarecrow, a Tin Man, and a Cowardly Lion.
The Final Comedown is a 1972 blaxploitation drama film written, produced and directed by Oscar Williams and starring Billy Dee Williams and D'Urville Martin. The film is an examination of racism in the United States and depicts a shootout between a radical black nationalist group and the police, with the backstory leading up to the shootout told through flashbacks. The radical group is not identified by name in the film but closely resembles the Black Panther Party.
Tower of London is a 1962 historical drama and gothic horror film directed by Roger Corman and starring Vincent Price and Michael Pate. The film was produced by Edward Small Productions.
Diana Patricia Sands was an American actress, perhaps most known for her portrayal of Beneatha Younger, the sister of Sidney Poitier's character, Walter, in the original stage and film versions of Lorraine Hansberry's A Raisin in the Sun (1959).
Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s, when the combined momentum of the civil rights movement, the black power movement, and the Black Panthers spurred African-American artists to reclaim the power of depiction of their ethnicity, and institutions like UCLA to provide financial assistance for African-American students to study filmmaking. This combined with Hollywood adopting a less restrictive rating system in 1968. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills–Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypes often involved in crime. After the race films of the 1940s and 1960s, the genre emerged as one of the first in which black characters and communities were protagonists, rather than sidekicks, supportive characters, or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.
Night Call Nurses is a 1972 American sex comedy film directed by Jonathan Kaplan. It is the third in Roger Corman's "nurses" cycle of films, starting with The Student Nurses (1970).
The Student Teachers is a 1973 film directed by Jonathan Kaplan. It was inspired by the "nurse" cycle of pictures starting with The Student Nurses (1970). Roger Corman says it was one of the best of the cycle. It was made by the same team who had done Night Call Nurses.
Teenage Doll is a 1957 film noir directed by Roger Corman, starring June Kenney and John Brinkley. It was financed by Lawrence Woolner, who had previously made Swamp Women with Corman. One writer called it Corman's "most impressive teen flick".
The Young Racers is a 1963 sports drama film directed by Roger Corman and starring Mark Damon, William Campbell, Luana Anders and Patrick Magee. It is based on the Formula One races in Europe.
Pat Anderson is an American actress best known for her work in 1970s exploitation films. She played Elaine, an undercover CIA agent who assists the title character in T.N.T. Jackson (1974).
Machete Maidens Unleashed! is a 2010 Australian documentary film directed by Mark Hartley.