The Names of Love | |
---|---|
Directed by | Michel Leclerc |
Written by | Michel Leclerc Baya Kasmi |
Produced by | Antoine Rein Fabrice Goldstein Caroline Adrian |
Starring | Jacques Gamblin Sara Forestier |
Cinematography | Vincent Mathias |
Edited by | Nathalie Hubert |
Music by | Jérôme Bensoussan David Euverte |
Production companies | |
Distributed by | UGC Distribution |
Release date |
|
Running time | 100 minutes |
Country | France |
Language | French |
Budget | $2.5 million |
Box office | $6.1 million [1] |
The Names of Love (French : Le Nom des gens) is a 2010 French romantic comedy film directed by Michel Leclerc, written by Leclerc and Baya Kasmi, and produced by Antoine Rein, Fabrice Goldstein and Caroline Adrian.
The film recorded 764,821 admissions in Europe. [2] It was awarded two César Awards in 2011, including Best Actress for Sara Forestier and Best Original Screenplay. [3]
The film portrays the life of a Parisien scatter-brained and free-spirited, young left-wing activist who sleeps with her political opposites in order to convert them to her politics, until she meets her match. It includes references to the Holocaust, the Algerian War and child sexual abuse.
The former French Prime Minister Lionel Jospin makes a cameo appearance.
In the scene one in which Forestier wearing only boots walks through the Paris streets and Metro, most of the people she encounters were unaware that a movie was being shot. [4]
The Names of Love received generally positive reviews. Rotten Tomatoes gives the film an aggregate score of 72%, based on 53 reviews, with an average rating of 6.7/10. [5] The film also has a score of 62 out of 100 on Metacritic, based on 19 reviews. [6]
The Umbrellas of Cherbourg is a 1964 musical romantic drama film written and directed by Jacques Demy, with music by Michel Legrand. Catherine Deneuve and Nino Castelnuovo star as two young lovers in the French city of Cherbourg, separated by circumstance. The film's dialogue is entirely sung as recitative, including casual conversation, and is sung-through, or through-composed, like some operas and stage musicals. It has been seen as the second of an informal tetralogy of Demy films that share some of the same actors, characters, and overall atmosphere of romantic melancholy, coming after Lola (1961) and before The Young Girls of Rochefort (1967) and Model Shop (1969). The French-language film was a co-production between France and West Germany.
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