| The Napa Boys | |
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| Promotional poster | |
| Directed by | Nick Corirossi |
| Written by |
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| Produced by |
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| Starring |
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| Cinematography | Markus Mentzer |
| Edited by | Caleb Swyers |
Production company | Sunset Rose Pictures |
| Distributed by | Magnolia Pictures |
Release dates |
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Running time | 92 minutes |
| Country | United States |
| Language | English |
The Napa Boys is a 2025 American comedy film directed by Nick Corirossi and co-written by Corirossi and Armen Weitzman, who also star. The film premiered in the Midnight Madness section of the 2025 Toronto International Film Festival. [1] Magnolia Pictures later acquired U.S. distribution rights. [2]
Presented as The Napa Boys 4: The Sommelier's Amulet, the film follows a trio of wine-obsessed characters who go on an adventure through California's wine country. They start with a high-stakes wine competition, and a series of escalating absurd set-pieces. Critics noted the intentionally nonsensical narrative structure and the film's barrage of inside-joke-driven humour. [3]
Corirossi and Weitzman developed the film as a franchise spoof similar to Sideways with the gross-out sensibility of early-2000s ensemble comedies like American Pie or Wet Hot American Summer . [4] The filmmakers framed the movie as the "fourth entry" in a fictional franchise, complete with in-universe mythology and recurring characters. [5]
The film premiered on September 12, 2025, in the Toronto International Film Festival's Midnight Madness program. [6] Following early festival screenings, Magnolia Pictures acquired U.S. distribution rights, [7] It is scheduled to be released on February 27, 2026. [8]
On Rotten Tomatoes, the film holds a mixed rating, with critics divided between praising its boldness and criticizing its deliberately disorienting tone. [3] RogerEbert.com described the film as potentially challenging to viewers, as it throws them into the "deep end of a franchise that never existed until this installment." [1]
Variety highlighted the film's blend of wine-country parody and absurdist raunch comedy, calling it a fusion of Sideways and American Pie. [4]
The San Francisco Chronicle reported that some of the film's more extreme early gross-out sequences prompted walk-outs during its TIFF screening. [7]