Author | Richard Condon |
---|---|
Language | English |
Publisher | Appleton-Century-Crofts |
Publication date | April 28, 1958 [1] |
Publication place | United States |
Media type |
The Oldest Confession is a 1958 novel, the first of twenty-five by the American political novelist and satirist Richard Condon. It was published by Appleton-Century-Crofts. The novel is a tragicomedy about the attempted theft of a masterpiece from a museum in Spain. It can be classified as a caper story or caper novel, a subset of crime novels. [2] The book deals with issues of money, greed, ethics and morality. [3] It was adapted into a film retitled The Happy Thieves . [4]
The title is inspired, as many of Condon's quotes, from The Keener's Manual , the fictional book he had also written.
The epitaph to this first novel, which appears on the title page of the first American hardback edition, reads in its entirety:
The Oldest Confession
Is one of Need,
Half the need Love,
The other half Greed [5]
Main Characters
"... Victoriano Munoz certainly deserved to die for what he had done in my first novel.... The admirable Duchess of Dos Cortes, who murdered him, was very religious, and I was her old deity, poor woman. She implored me for permission to kill him for his most heinous crimes against her, and I had to so rule." [7]
Other Characters:
The plot of The Oldest Confession follows Doña Blanca Conchita Hombria y Arias de Ochoa y Acebal, Marquesa de Vidal, Condesa de Ocho Pinas, Vizcondesa Ferri, Duquesa de Dos Cortes, a 29-year-old beauty who was married to an aged degenerate and becomes the wealthiest woman in Spain upon his death, and owner of the paintings inside her residence. The long-forgotten paintings are coveted by American criminal James Bourne, who regularly steals paintings across Spain from his hotel in Madrid. With every painting he replaces the original paintings with forgeries executed by Jean Marie Calvert, a Parisian artist who is the world's greatest copyist.
Painted in Paris, the reproductions are brought into Spain by Bourne's wife, an upper-class young American girl named Eve Lewis, who loves Bourne in spite of his criminality. Bourne is introduced, stealing three masterpiece paintings from his supposed friend, the Duchess of Dos Cortes, and arranges for his wife to smuggle them to Paris for a highly profitable sale. When she arrives in Paris, however, she discovers that the mailing tube in which the paintings were being carried is now empty. The book then focuses on the downward spiral of Bourne and his associates.
Bourne, though considering himself a master criminal, is tracked by others. Bourne is coerced by Dr Victor Muñoz into the seemingly impossible task of stealing one of the world most famous masterpieces, the Dos de Mayo (or Second of May or Charge of the Marmelukes) by Francisco de Goya, from its tightly guarded quarters in the national museum of Spain, the Prado.
Bourne, double crossed by Victor, is subsequently killed by the Duchess of Dos Cortes in revenge for the death of her lover, Jimenez. Jean and James are caught and arrested, both being sentenced to life for the theft.
In 1955, Condon, then 40 years old and a longtime New York publicist and Hollywood employee of various studios, was the publicity agent for The Pride and the Passion , a film starring Frank Sinatra and Sophia Loren being shot in Spain. As he writes in his memoir, And Then We Moved to Rossenarra , he was present at a scene being filmed in the ancient rectory of the Escorial, the massive palace and cathedral outside Madrid. The enormous lights needed to film the scene [8]
"revealed dozens upon dozens of great masterpieces of paintings that had not been seen for centuries, hung frame touching frame—the work of Goya, Velasquez, the great Dutch masters, and the most gifted masters of the Italian Renaissance.... The idea of masterpieces of Spanish painting hanging in stone castles all over Spain, high and invisible in the darkness, stayed with me and gradually formed itself into a novel called The Oldest Confession....
Back in New York, Condon began turning his initial concept into a screenplay—until his wife pointed out, that he was writing it in the past tense instead of the present, which is obligatory for screenplays, and that it should be turned into a novel. Condon followed her advice and the book was published to favorable reviews not long afterwards. [9]
Even before it was published in April 1958, twelve film companies had initiated talks about purchasing rights to it. In a brief mention in The New York Times about the forthcoming book, "Condon explained without divulging details of the plot, [the theme] 'Is one of need. Half the need, love. The other half, greed.'" [10] The movie version was released in 1962 as The Happy Thieves , starring Rex Harrison and Rita Hayworth, and was dismissed by The New York Times as a "limp herring" of "the devastating first novel". [11]
The duchess was ... a tribal yo-yo on a string eight hundred years long.... [12]
Bourne always sat uncommonly still ... a monument to his own nerves which bayed like bloodhounds at the moon of his ambition. [13]
... the giant gestures of throwing the ball from the long baskets as Van Gogh might have tried to throw off despair only to have it bound back at him from some crazy new angle. [14]
... the duchess [inherited] the ownership of approximately eighteen per cent of the population of Spain inclusive with farms, mines, factories, breweries, houses, forests, rocks, vineyards and holdings in eleven countries of the world including shares in a major league baseball club in North America, an ice cream company in Mexico, quite a few diamonds in South Africa, a Chinese restaurant on Rue François 1er in Paris, a television tube factory in Manila, and in geisha houses in Nagasaki and Kobe. [15]
"It is greed with a social sense removed because what is there to be taken must be taken by the criminal consistent with his inner resources, eliminating envy, a much smaller sin." [17]
The crowd rioted at the bull ring.... Two children and one woman were trampled to death; twenty-six persons were injured, nine seriously. Two men, seated sixty yards apart in separate sections of the plaza, had been pointed at as having thrown the knife but miraculously had been saved from the mob by courageous police. [18]
Gerald Walker, in the Sunday book review section of The New York Times of June 22, 1958, wrote a favorable review called "Urbane Insiders". It managed to completely avoid giving his readers much more than a cursory clue as to what the book was about. One of his paragraphs (omitted here) was devoted to another, earlier work by another author about art forgeries, but, aside from that hint, his review is little more than generalities. It was, nevertheless, a fine inaugural reception in a most important media outlet for a hitherto unknown 43-year-old author:
Unlike most other first novels, Richard Condon's is a fully controlled job of writing rather than an ardent grope. Written throughout with painstaking grace, not one scene or description is ever thrown away or treated in a commonplace manner. Everything is handled, and handled well, from the viewpoint of the cosmopolitan insider who knows everything there is to know about such urbane things as art critics, European customs inspectors, wire services, bullfights and fine food and drink.
And yet the one thing the author is unable to convey is any feeling of depth, of real mortality unfolding before the reader. The deterioration of James Bournes, Ivy League master criminal, is singularly unmoving even as one stunningly dramatic scene or ingenious plot-turn follows another....If, the next time out, he can manage to open up and write more personally without marring his exceedingly refined sense of literary form, then we shall really be seeing a book. As things are now, no apologies are necessary to anyone for this is quite an impressive debut. [22]
Charles Poore, however, writing two months earlier in the daily Times, contented himself with a long synopsis of the story, finding "... a murderous sort of zaniness to Mr. Condon's plot" and remarking that "With a technique that requires all surprises and revelations to be undermined by fresh surprises and revelations, Mr. Condon spins everyone deeper and deeper into the plot." [23]
Time, the leading mid-brow American weekly for most of the 20th century, did not review The Oldest Confession. Over the next 30 years, however, they mentioned it at least six times, always favorably, and frequently as containing superior qualities that Condon's later novels generally failed to meet:
Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns.
John Roderigo Dos Passos was an American novelist, most notable for his U.S.A. trilogy.
Richard Thomas Condon was an American political novelist. Though his works were satire, they were generally transformed into thrillers or semi-thrillers in other media, such as cinema. All 26 books were written in distinctive Condon style, which combined a fast pace, outrage, and frequent humor while focusing almost obsessively on monetary greed and political corruption. Condon himself once said: "Every book I've ever written has been about abuse of power. I feel very strongly about that. I'd like people to know how deeply their politicians wrong them." Condon's books were occasionally bestsellers, and a number of his books were made into films; he is primarily remembered for his 1959 The Manchurian Candidate and, many years later, a series of four novels about a family of New York gangsters named Prizzi.
George Axelrod was an American screenwriter, producer, playwright and film director, best known for his play The Seven Year Itch (1952), which was adapted into a film of the same name starring Marilyn Monroe. Axelrod was nominated for an Academy Award for his 1961 adaptation of Truman Capote's Breakfast at Tiffany's and also adapted Richard Condon's The Manchurian Candidate (1962).
The Naked Maja or The Nude Maja is an oil-on-canvas painting made around 1797–1800 by the Spanish artist Francisco de Goya, and is now in the Museo del Prado in Madrid. It portrays a nude woman reclining on a bed of pillows, and was probably commissioned by Manuel de Godoy, to hang in his private collection in a separate cabinet reserved for nude paintings. Goya created a pendant of the same woman identically posed, but clothed, known today as La maja vestida, also in the Prado, and usually hung next to La maja desnuda. The subject is identified as a maja or fashionable lower-class Madrid woman, based on her costume in La maja vestida.
Rossenarra House is a country house situated in Rossenarra, Demesne, formerly Castlehale and Snugsborough, near Kilmoganny in County Kilkenny, Ireland. It is claimed in local lore to have been designed by the architect James Hoban, who was also responsible for designing the White House in Washington, D.C.
The Manchurian Candidate is a novel by Richard Condon, first published in 1959. It is a political thriller about the son of a prominent U.S. political family who is brainwashed into being an unwitting assassin for a Communist conspiracy. The novel has twice been adapted into a feature film with the same title: the first was released in 1962 and the second in 2004.
The Keener's Manual is an imaginary book created by the 20th-century American political novelist Richard Condon. From it Condon used quotations or epigraphs, generally in verse, to either illustrate the theme of his novels, or, in a large number of cases, as the source of the title, in particular six of his first seven books: The Oldest Confession, Some Angry Angel, A Talent for Loving, An Infinity of Mirrors, and Any God Will Do. Only his second, and most famous novel, The Manchurian Candidate, derived its title elsewhere. A number of his later books also reference it for epigraphs, without, however, using any of its verse as a source for titles.
The Happy Thieves is a 1961 American crime/comedy-drama film starring Rex Harrison and Rita Hayworth, and directed by George Marshall. The film is based on the novel The Oldest Confession by Richard Condon. The film was poorly received, with star Harrison later describing it as "absolute rubbish".
Mile High was the eighth book by the American satirist and political novelist Richard Condon, first published by Dial Press in 1969. Internationally famous at the time of its publication, primarily because of his 1959 Manchurian Candidate, Condon had begun to lose the respect of critics with the publication of his last few books and the one-time, so-called Condon Cult was mostly a thing of the past. Like his fifth book, An Infinity of Mirrors, Mile High is a consciously ambitious work, primarily concerned with the establishment of Prohibition in the United States, and Condon researched it thoroughly. The first two-thirds of the book, in fact, reads as much like a lively history of New York City gangsterism from the mid-18th century through 1930 as it does a novel.
Some Angry Angel: A Mid-Century Faerie Tale was Richard Condon's third novel and gave impetus to the growing, though relatively short-lived "Condon cult" of that era. Published in 1960, it is written with all the panache, stylistic tricks, and mannerisms that characterize Condon's works. It was not, however, one of his more typical political thrillers, such as its immediate predecessor, the far better-known The Manchurian Candidate. While Condon is remembered today for a number of more action-oriented books such as Candidate, Winter Kills, and the Prizzi series, Some Angry Angel is largely forgotten.
An Infinity of Mirrors was the fifth and most ambitious book by the American satirist and political novelist Richard Condon. First published by Random House in 1964, it is set in France and Germany of the 1930s and 1940s, as seen through the eyes of a beautiful, rich Parisian Jew and her beloved husband, an old-fashioned Prussian army general. What unfolds is an almost unrelievedly bleak depiction of the rise of the Nazis and the Third Reich.
Any God Will Do is the sixth book by the American satirist and political novelist Richard Condon, first published by Random House in 1966. After the almost unmitigated grimness of his previous book, An Infinity of Mirrors, it was a return to his more usual light-heartedness as displayed in works such A Talent for Loving. Although its theme is madness, unusually for Condon it has little of the almost gratuitous scenes of violence and sudden deaths that punctuate most of his books. The only notable instance is that of a haughty French sommelier who shoots himself at an aristocratic dinner party when he discovers that an American guest is indeed correct in asserting a great white Burgundy can accompany young spring lamb.
The Ecstasy Business was the seventh book by the American satirist and political novelist Richard Condon, first published by The Dial Press in 1967. Told in the third person, it is the broadly comic story of Tynan Bryson, "the greatest film star of his generation", and his torturous relationship with the director Albert McCobb, a blatant caricature of Alfred Hitchcock, and with his tempestuous ex-wife, an Italian film star to whom he has been married three times.
And Then We Moved to Rossenarra: or, The Art of Emigrating is a memoir by American political novelist Richard Condon, published by Dial Press in 1973. A native of New York City whose early career had mostly been that of a press agent for various Hollywood studios, Condon took up writing relatively late in life but then became both prolific and famous; today, he is most remembered for his 1959 political thriller The Manchurian Candidate and for his four later novels about a family of New York gangsters named Prizzi.
The Duchess of Alba and "la Beata" is a oil-on-canvas painting by the Spanish artist Francisco Goya, from 1795.
Prizzi's Honor is a satirical crime novel by Richard Condon published in 1982. It is the first of four novels featuring the Prizzis, a powerful family of Mafiosi in New York City. In all four novels the protagonist is a top member of the family named Charlie Partanna. It was adapted into a successful film of the same name. Prizzi's Honor was followed in 1986 by Prizzi's Family, which is a prequel story. Chronologically, the events in Prizzi's Honor are followed by the story of Prizzi's Money, which was the fourth and final Prizzi novel published, and also Condon's last work.
Prizzi's Family is a satirical, semi-humorous crime novel by Richard Condon published in 1986. It is the second of four novels featuring the Prizzis, a powerful family of Mafiosi in New York City. In all four novels the main protagonist is a top member of the family named Charley Partanna. It is a prequel to the very successful Prizzi's Honor of 1982, which was also adapted into an award-winning film.
Prizzi's Glory is a satirical, semi-humorous crime novel by Richard Condon published in 1988. It is the third of four novels featuring the Prizzis, a powerful family of Mafiosi in New York City. In all four novels the main protagonist is a top member of the family named Charlie Partanna. The book's events begin in 1986 and continue through the Presidential election of 1992.
Prizzi's Money is a satirical, semi-humorous crime novel by Richard Condon published in 1994. It is the last of four novels featuring the Prizzis, a powerful family of Mafiosi in New York City. It was also the last of 28 books that Condon wrote over a 36-year career. In all four Prizzi novels the main protagonist is a top member of the family named Charley Partanna. In this book, however, which takes place about six or seven years after the events of the first novel, Prizzi's Honor, and at least a decade before those of the third book, Prizzi's Glory, Charley's role is less important than in the three others; although he makes brief appearances in the first half of the book, it is not until the second half that he becomes one of the primary characters.