Dame Vanessa Redgrave is an English actress. Throughout her career spanning over six decades, Redgrave has garnered numerous accolades, including an Academy Award, a Tony Award, two Primetime Emmy Awards and an Olivier Award, making her one of the few performers to achieve the Triple Crown of Acting. She has also received various honorary awards, including the BAFTA Fellowship Award, the Golden Lion Honorary Award, and an induction into the American Theatre Hall of Fame.
A governess is a term for a woman employed as a private tutor, who teaches and trains a child or children in their home. A governess often lives in the same residence as the children she is teaching. In contrast to a nanny, the primary role of a governess is teaching, rather than meeting the physical needs of children; hence a governess is usually in charge of school-aged children, rather than babies.
John William Waterhouse was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His paintings are known for their depictions of women from both ancient Greek mythology and Arthurian legend. A high proportion depict a single young and beautiful woman in a historical costume and setting, though there are some ventures into Orientalist painting and genre painting, still mostly featuring women.
American Gothic is a 1930 painting by Grant Wood in the collection of the Art Institute of Chicago.
Augustus Leopold Egg RA was a British Victorian artist, and member of The Clique best known for his modern triptych Past and Present (1858), which depicts the breakup of a middle-class Victorian family.
Annie Louisa Swynnerton, ARA was a British painter best known for her portrait and symbolist works. She studied at Manchester School of Art and at the Académie Julian, before basing herself in the artistic community in Rome with her husband, the monumental sculptor Joseph Swynnerton. Swynnerton was influenced by George Frederic Watts and Sir Edward Burne-Jones. John Singer Sargent appreciated her work and helped her to become the first elected woman member at the Royal Academy of Arts in 1922. Swynnerton painted portraits of Henry James and Millicent Fawcett. Her main public collection of works are in Manchester Art Gallery, but individual works are also held in a few other English cities, as well as can also be seen in Glasgow, Dublin, Paris, and two in Melbourne, Australia. Annie was a close friend of leading suffragists of the day, notably the Pankhurst family.
John Reinhard Weguelin was an English painter and illustrator, active from 1877 to after 1910. He specialized in figurative paintings with lush backgrounds, typically landscapes or garden scenes. Weguelin emulated the neo-classical style of Edward Poynter and Lawrence Alma-Tadema, painting subjects inspired by classical antiquity and mythology. He depicted scenes of everyday life in ancient Greece and Rome, as well as mythological subjects, with an emphasis on pastoral scenes. Weguelin also drew on folklore for inspiration, and painted numerous images of nymphs and mermaids.
Henrietta Emma Ratcliffe Rae was a British painter of the late Victorian era, who specialised in classical, allegorical and literary subjects. Her best-known painting is The Lady with the Lamp (1891); depicting Florence Nightingale at Scutari.
Emily Mary Osborn (1828–1925), or Osborne, was an English painter of the Victorian era. She is known for her pictures of children and her genre paintings, especially on themes of women in distress.
Rebecca Solomon was a 19th-century English Pre-Raphaelite draftsman, illustrator, engraver, and painter of social injustices. She is the second of three children who all became artists, in a prominent Jewish family.
Margaret Sarah Carpenter was an English painter. Noted in her time, she mostly painted portraits in the manner of Sir Thomas Lawrence. She was a close friend of Richard Parkes Bonington.
The Combat: Woman Pleading for the Vanquished is a large oil painting on canvas by English artist William Etty, first exhibited in 1825 and now in the National Gallery of Scotland. Inspired by the Elgin Marbles and intended by the artist to provide a moral lesson on "the beauty of mercy", it shows a near-nude warrior whose sword has broken, forced to his knees in front of another near-nude soldier who prepares to inflict a killing blow. A woman, also near-nude, clutches the victorious warrior to beg him for mercy. Very unusually for a history painting of the period, The Combat does not depict a scene from history, literature or religion and is not based on an existing artwork, but is instead a scene from the artist's own imagination.
Fanny Eaton was a Jamaican-born artist's model and domestic worker. She is best known as a model for the Pre-Raphaelite Brotherhood and their circle in England between 1859 and 1867. Her public debut was in Simeon Solomon's painting The Mother of Moses, which was exhibited at the Royal Academy in 1860. She was also featured in works by Dante Gabriel Rossetti, John Everett Millais, Joanna Mary Boyce, Rebecca Solomon, and others.
Jane Maria Bowkett (1837–1891) was a British traditional Victorian genre painter who worked primarily in oils. Her work has been described as 'delightful, slightly naive pictures of women and children, either interiors, or often beach scenes'. She managed, however, to establish a successful career as a professional artist in a male dominated occupation. It has been suggested that in some paintings, she created scenes that were ambiguous by refusing to depict women as models of moral virtue, and depicting mothers and children as being content regardless of a male presence. It is also suggested that the painting Young Lady in a Conservatory makes social commentary on the moral restrictions placed upon women as the subject is seen in a small conservatory with minimal room to move.
Applicants for Admission to a Casual Ward is an 1874 oil painting by British painter Luke Fildes, a key work in nineteenth-century British social realism. The painting shows a street scene of impoverished and weary men, women and children waiting by the side of the road outside a police station, huddled against the cold evening, waiting to be given a ticket for temporary admission to a workhouse for the night. Many resisted taking up permanent residence at the workhouse, where men and women would be separated, and would be required to work to pay for their board and lodging; once they entered, many only left when they died. Instead, from 1864, if the police in London certified that a person was genuinely in need, they could stay for one night on a "casual" basis, and leave the next morning, but they would have to queue up again for temporary admission the next evening. Poverty and vagrancy were pressing issues in Victorian London, and the issuance of "casual" tickets doubled from around 200,000 in 1864 to over 400,000 in 1869.
The Sick Child or The Sick Girl is an oil on canvas genre painting by the Dutch artist Gabriël Metsu, created c. 1660. It has been held by the Rijksmuseum, in Amsterdam, since it was bought in 1928, acquired with assistance from the Vereniging Rembrandt at a sale of works from the collection of Oscar Huldschinsky in Berlin.
Portsmouth Dockyard is an 1877 oil painting by French artist James Tissot. It is a reworking of his 1876 painting On The Thames, which also depicts a man and two women in a boat. It measures 15.0 by 21.5 inches.
The Gallery of HMS 'Calcutta' (Portsmouth), also known as Officer and Ladies on Board HMS Calcutta, is an 1876 oil painting by the French artist James Tissot. It depicts two ladies in fashionable clothing and a young naval lieutenant, standing on the quarter gallery at the stern of the Royal Navy warship HMS Calcutta. The Tate Gallery in London holds the painting and measures 68.6 by 91.8 centimetres (27.0 in × 36.1 in).
Jessica Ellen Hayllar was a British artist and painter.
The Abandoned Doll is an oil-on-canvas painting executed in 1921 by French artist Suzanne Valadon. It has the dimensions of 135 by 95 cm. It is held at the National Museum of Women in the Arts, in Washington, D.C.
