Related Research Articles
On the Spot is a 1930 Chicago-set play by the British writer Edgar Wallace. Wallace was inspired by a visit to the United States and, in particular, the Saint Valentine's Day Massacre. Known as a prolific author, he reportedly dictated the manuscript for the play in just four days. It was his greatest theatrical success.
The Calendar is a 1929 play by the British writer Edgar Wallace. It is a crime thriller set in the world of horse racing world, the sport being among Wallace's interests. The protagonist is a financially struggling racehorse owner with a shady reputation. It premiered at the Palace Theatre in Manchester before transferring to Wyndham's Theatre in the West End.
The Old Man is a 1931 mystery play by the British writer Edgar Wallace. Its original production was staged at Wyndham's Theatre in London's West End for a ninety performance run. It is set entirely in the "Coat of Arms" tavern where a mysterious old man lurks in the background, reputedly an escapee from a lunatic asylum. The original cast included Alfred Drayton, Jack Melford, Harold Warrender and Finlay Currie.
The Terror is a 1927 mystery thriller play by the British writer Edgar Wallace. It is based on Wallace's 1926 novel The Black Abbot.
Dorothy Brandon was a British playwright active in the interwar years. Her greatest West End success was the 1923 medical drama The Outsider which was revived several times, and adapted into films on three occasions.
Number 17 is a 1925 thriller play by the British writer Joseph Jefferson Farjeon.
After Dark is a thriller play by the British writer Joseph Jefferson Farjeon.
Mumsie or Mumsée is a 1920 play by the Anglo-American writer Edward Knoblock.
Diversion is a 1927 play by the British writer John Van Druten. It was first staged in the United States at the Lyceum Theatre in Rochester before beginning a 68 run performance at the 49th Street Theatre in 1928. In London it ran for a combined 101 performances at the Arts Theatre and Little Theatre between 26 September and 22 December 1928. The cast included Maurice Evans, C.V. France, Cathleen Nesbitt and Mignon O'Doherty.
Marius is a 1929 play by the French writer Marcel Pagnol. It takes place in Marseilles, where a young man named Marius working in a café dreams of going to sea, his obsession eventually overcoming his developing romance with Fanny, a local girl.
After All is a 1929 play by the British writer John Van Druten. After a West End run at the Apollo Theatre it transferred to Broadway in 1931.
The Sport of Kings is a 1924 comedy play by the British writer Ian Hay. It ran for 319 performance at the Savoy Theatre in the West End between 8 September 1924 and 13 June 1925.
The Gay Adventure is a 1931 comedy play by the British-American writer Walter C. Hackett.
Our Betters is a comedy play by the British writer Somerset Maugham. Set in Mayfair and a country house in Suffolk, the plot revolves around the interaction between newly wealthy Americans and upper-class British society.
The Eleventh Commandment is a 1921 play by Brandon Fleming. It premiered at the Playhouse Theatre, Cardiff before transferring to the Royalty Theatre in London's West End where it ran for 32 performances between 16 January and 11 February 1922. The original West End cast included Henry Stoker, Edmund Breon, Dawson Millward and Viola Tree.
The Berg is a 1929 play by the British writer Ernest Raymond. It is based on the sinking of the RMS Titanic in 1912.
The Happy Husband is a comedy play by the British-based Australian author Harrison Owen. It premiered at the Theatre Royal, Portsmouth before transferring to the Criterion Theatre in London's West End where it ran for 109 performances between 15 June and 17 September 1927. The London cast included Madge Titheradge, Stella Arbenina, A.E. Matthews, Charles Laughton, Lawrence Grossmith, David Hawthorne, Carl Harbord in his West End debut, Marda Vanne and Ann Trevor. It was produced by Basil Dean. It was staged at the Empire Theatre on Broadway the following year, running for 72 performances.
Many Waters is a play by the Irish writer Monckton Hoffe. It was first performed in 1926 under the title The Unnamed Play lasting for one performance at the Stand Theatre in London. Revised and under its new title it enjoyed a much longer West End run at the Ambassadors Theatre, lasting for 313 performances between 18 July 1928 and 20 April 1929. The 1928 cast included Nicholas Hannen, Marda Vanne, Milton Rosmer, Reginald Denham, Aubrey Dexter and Robert Douglas in his West End debut. The title is from the expression "Many waters cannot quench love".
Michael and Mary is a play by the British author A.A. Milne. It was staged at the Charles Hopkins Theatre in New York City, running for 246 performances between December 1929 and July 1930. It had by then transferred to the St James's Theatre in London's West End where it ran for 159 performances between 1 February and 21 June 1930. The original West End cast included Herbert Marshall, Edna Best, Elizabeth Allan, Frank Lawton, D.A. Clarke-Smith, Reginald Bach, Oliver Wakefield, J. Fisher White, Torin Thatcher, Olwen Brookes and Margaret Scudamore.
The Limping Man is a 1930 mystery thriller play by the British author Will Scott. It premiered at the Pleasure Gardens Theatre in Folkstone before transferring to London's West End. It ran for 91 performances between 19 January and 18 April 1931, initially at the Royaly Theatre before switching to the Apollo Theatre and then to the Shaftesbury. The West End cast included Arthur Hardy, Ronald Simpson, Franklin Dyall, Eve Gray. It subsequently returned to the West End for a longer run from 1935 to 1936.
