The Outsider | |
---|---|
Directed by | Harry Lachman |
Written by | Harry Lachman Alma Reville |
Based on | The Outsider by Dorothy Brandon |
Produced by | Eric Hakim |
Starring | Joan Barry Harold Huth Norman McKinnel |
Cinematography | Günther Krampf |
Edited by | Winifred Cooper Geza Pollatschik |
Music by | W. L. Trytel |
Production companies | Eric Hakim Productions British International Pictures |
Distributed by | Metro-Goldwyn-Mayer |
Release date | 20 April 1931 |
Running time | 93 minutes |
Country | United Kingdom |
Language | English |
The Outsider is a 1931 British drama film directed by Harry Lachman and starring Joan Barry, Harold Huth and Norman McKinnel. [1] The screenplay concerns an unorthodox osteopath who cures one of his patients, the daughter of a fellow Doctor. It was made at Elstree Studios [2] and based on the 1923 play of the same title by Dorothy Brandon, previously made into an American silent film in 1926. The film's sets were designed by Wilfred Arnold.
Harold Huth's performance was voted the best in a British film in 1931. [3] The film was remade in 1939 as The Outsider with George Sanders and Mary Maguire in the leading roles.
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The Outsider is a 1939 British drama film directed by Paul L. Stein and starring George Sanders, Mary Maguire and Barbara Blair. The screenplay concerns an osteopath who cures one of his patients with whom he has fallen in love. It is a remake of the 1931 film The Outsider and was based on the 1923 play of the same name by Dorothy Brandon. The film was shot at Elstree Studios with sets designed by the art director Cedric Dawe.
The Outsider is a 1926 American 60-minute silent drama film directed by Rowland V. Lee and starring Jacqueline Logan, Lou Tellegen and Walter Pidgeon. It was based on the 1923 play The Outsider by Dorothy Brandon. The screenplay is set in London and concerns an unorthodox doctor who cures a patient with whom he is in love.
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The Outsider is a play by the British writer Dorothy Brandon. It portrays the struggle of an unorthodox medical practitioner to gain acceptance by the medical establishment. It was subsequently revised to show the unconventional triumphing over the conventional, whereas the play had originally had the opposite ending.