Baby, Take a Bow | |
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Directed by | Harry Lachman |
Written by | John V. A. Weaver William Conselman Henry Johnson |
Screenplay by | Philip Klein Edward E. Paramore Jr. |
Based on | Square Crooks 1926 play by James P. Judge |
Produced by | John Stone |
Starring | Shirley Temple James Dunn Claire Trevor Alan Dinehart |
Cinematography | L. William O'Connell |
Edited by | Alfred DeGaetano Al De Gaetano |
Music by | Samuel Kaylin David Buttolph |
Distributed by | Fox Film |
Release date |
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Running time | 76 minutes |
Country | United States |
Language | English |
Baby, Take a Bow is a 1934 American comedy-drama film directed by Harry Lachman and is one of the earliest Hays code Hollywood films (its MPAA certificate marks it as the third ever code-approved film). [1] The screenplay by Philip Klein and Edward E. Paramore Jr. is based on the 1926 play Square Crooks by James P. Judge. Shirley Temple plays the child of an ex-convict (James Dunn) trying to make a better life for himself and his family. The film was a commercial success and is critically regarded as pleasant and sentimental. [2] A musical number features Dunn and Temple.
After serving time in Sing Sing, Eddie Ellison (James Dunn) marries his fiancée Kay (Claire Trevor) and eventually the two have a daughter they name Shirley (Shirley Temple). Eddie helps his friend, and former convict, Larry Scott (Ray Walker), who is engaged to Shirley's dance instructor Jane (Dorothy Libaire), get a job as a chauffeur for his employer, factory owner Stuart Carson (Richard Tucker).
Trigger Stone (Ralf Harolde), who also served time in Sing Sing, steals Mrs. Carson's (Olive Tell) pearl necklace and asks Eddie and Larry to sell it for him, but they refuse. Private investigator Welch (Alan Dinehart), the man responsible for Eddie's conviction, tells the head of the National Insurance Company he suspects the chauffeurs are guilty of the robbery and informs Mr. Carson about their prison records, prompting him to fire them.
Trying to escape from the police, Trigger gives the pearl necklace to Shirley, who believes it is a belated birthday present. As part of a game, she hides it in her father's pocket, and when he finds it while Welch is searching the apartment, he conceals it in the carpet sweeper, but unbeknownst to him, the neighbor's maid Anna (Lillian Stuart) borrows and empties it before returning it. Kay returns home, and when she hears the story, they try to open the sweeper. Welch returns and opens it himself, only to find it empty.
After Welch leaves, Eddie, Larry, Kay and Jane search the apartment building for the necklace. When Trigger threatens Eddie with a gun, Eddie subdues him and ties him up, then goes for the police. During his absence, Shirley discovers the necklace in the garbage can downstairs. She brings it to Eddie but instead finds Trigger, who convinces her to let him free. He takes her hostage and climbs to the roof, where he shoots Eddie. Although injured, Eddie manages to capture Trigger. Shirley takes the necklace from Trigger's pocket, and detective Flannigan (James Flavin) tells her she will be eligible for the $5,000 reward.
James P. Judge's play Square Crooks was filmed under that title in 1928 by Lewis Seiler. The working titles for the remake were Always Honest and Going Straight. Both The Hollywood Reporter and Variety reported the film was banned in Germany, although no reason was given by the German censors. [3]
The song "On Account-a I Love You" was written by Sam H. Stept and Bud Green [4] and sung by Temple and Dunn. [2] The dress that Temple wore on film while singing this song was part of a 2015 exhibition, Love, Shirley Temple. The exhibition, which toured among several US locations, also included other dresses Temple wore between 1928 and 1941 as well as other memorabilia from this time. [5] [6] Items from the exhibition were auctioned off in July 2015 and this dress sold for $52,000. [7] [8]
The film was one of Fox's biggest hits of the year. [9] [10]
Channel 4 called the film a "slender but cute tale" that is "slow for the most part, but a scene on a rooftop where the real baddie uses the tot as a human shield should amuse." [11]
TV Guide rated the film two out of four stars and commented, "Forget the plot and enjoy the child star in one of her most entertaining roles." [12]
In 2009, the film was available on videocassette and DVD in both the original black and white and in computer-colorized versions. Some editions had special features and theatrical trailers.
The following is an overview of 1934 in film, including significant events, a list of films released and notable births and deaths.
James Howard Dunn, billed as Jimmy Dunn in his early career, was an American stage, film, and television actor, and vaudeville performer. The son of a New York stockbroker, he initially worked in his father's firm but was more interested in theater. He landed jobs as an extra in short films produced by Paramount Pictures in its Long Island studio, and also performed with several stock theater companies, culminating with playing the male lead in the 1929 Broadway musical Sweet Adeline. This performance attracted the attention of film studio executives, and in 1931, Fox Film signed him to a Hollywood contract.
Shirley Temple Black was an American actress, singer, dancer, and diplomat who was Hollywood's number one box-office draw as a child actress from 1934 to 1938. Later, she was named United States ambassador to Ghana and Czechoslovakia, and also served as Chief of Protocol of the United States.
Dorothy Dell was an American film actress. She died in an auto accident at the age of 19.
Bright Eyes is a 1934 American comedy drama film directed by David Butler. The screenplay by William Conselman is based on a story by David Butler and Edwin J. Burke.
Shirley Temple (1928–2014) was an American child actress, dancer, and singer who began her film career in 1931, and continued successfully through 1949. When Educational Pictures director Charles Lamont scouted Meglan Dancing School for prospective talent, three-year-old student Temple hid behind the piano. Lamont spotted her and immediately decided she was the one he was looking for. Starting at $10 a day, she was eventually under contract for $50 per film. The production company generated its Baby Burlesks one-reeler film short satires of Hollywood films in 1931–1933, produced by Jack Hays and directed by Lamont. Temple made eight Baby Burlesks films, and 10 other short films, before being signed to star in feature-length motion pictures.
I'm No Angel is a 1933 pre-Code film directed by Wesley Ruggles, and starring Mae West and Cary Grant. West received sole story and screenplay credit. It is one of her films that was not subjected to heavy censorship.
Jay Gorney was an American theater and film song writer.
Rebecca of Sunnybrook Farm is a 1938 American musical comedy film directed by Allan Dwan, and written by Don Ettlinger, Karl Tunberg, Ben Markson and William M. Conselman, the third adaptation of Kate Douglas Wiggin's 1903 novel of the same name.
Stand Up and Cheer! is a 1934 American Pre-Code musical film directed by Hamilton MacFadden. The screenplay by Lew Brown and Ralph Spence was based upon a story idea by Will Rogers and Philip Klein. The film is about efforts undertaken during the Great Depression to boost the morale of the country. It is essentially a vehicle for a string of vaudeville acts and a few musical numbers. The film is best known for providing the first big breakthrough role for legendary child actress Shirley Temple. A little known bit player before the film, by the end of the year, she appeared in 10 movies, including 4 starring roles in major feature-length films.
Change of Heart is a 1934 American pre-Code drama film starring Janet Gaynor, Charles Farrell, James Dunn, and Ginger Rogers. The movie, about a quartet of college chums who all move to 1934 New York City, was written by James Gleason and Sonya Levien from Kathleen Norris's novel, Manhattan Love Song and directed by John G. Blystone.
Mason Alan Dinehart Sr. was an American actor, director, writer, and stage manager.
Ralf Harolde was an American character actor, who often played gangsters. Between 1920 and 1963, he appeared in 99 films, including Jimmy the Gent, Night Nurse, Baby Take a Bow, A Tale of Two Cities, Our Relations, and Murder, My Sweet.
Now and Forever is a 1934 American drama film directed by Henry Hathaway. The screenplay by Vincent Lawrence and Sylvia Thalberg was based on the story "Honor Bright" by Jack Kirkland and Melville Baker. The film stars Gary Cooper, Carole Lombard, and Shirley Temple in a story about a small-time swindler going straight for his child's sake. Temple sang "The World Owes Me a Living". The film was critically well received. Temple adored Cooper, who nicknamed her 'Wigglebritches'. This is the only film in which Lombard and Temple appeared together.
Trocadero is a 1944 American comedy film directed by William Nigh and starring Rosemary Lane, and Johnny Downs, Ralph Morgan, Dick Purcell, Sheldon Leonard, Cliff Nazarro, Marjorie Manners, and Erskine Johnson.
Those Redheads from Seattle is a 1953 American musical film, produced in 3-D and Technicolor, directed by Lewis R. Foster, starring Rhonda Fleming, Gene Barry, Teresa Brewer and Agnes Moorehead, and released by Paramount Pictures. It was the first 3-D musical.
One Mile from Heaven is a 1937 American drama film directed by Allan Dwan and written by Lou Breslow and John Patrick. The film stars Claire Trevor, Sally Blane, Douglas Fowley, Fredi Washington, Joan Carroll and Ralf Harolde. The film was released on August 18, 1937, by 20th Century Fox.
Jimmy and Sally is a 1933 American comedy-drama film directed by James Tinling and written by Paul Schofield and Marguerite Roberts with additional dialogue by William Conselman. Starring James Dunn, Claire Trevor, Harvey Stephens, Lya Lys, and Jed Prouty, the story concerns a self-centered publicist who relies on his secretary's creativity but takes her affection for him for granted. After a series of publicity blunders and being fired several times, he humbly acknowledges that he is the one responsible for letting their relationship collapse. Though she has accepted a marriage proposal from another publicist in his absence, the girl still loves him, and ultimately chooses him.
Square Crooks is a 1928 American silent comedy drama film directed by Lewis Seiler and starring Robert Armstrong, Johnny Mack Brown and Dorothy Dwan. It was remade as sound film Baby Take a Bow in 1934.
Million Dollar Baby is a 1934 American comedy film directed by Joseph Santley and starring Arline Judge, Ray Walker and Jimmy Fay.