The Ring | |
---|---|
Directed by | Alfred Hitchcock |
Written by | Alfred Hitchcock, Eliot Stannard (uncredited) |
Produced by | John Maxwell |
Starring | |
Cinematography | Jack E. Cox |
Production company | |
Distributed by | Wardour Films |
Release date |
|
Running time | 108 minutes (2012 restoration) |
Country | United Kingdom |
Language | Silent film with English intertitles |
The Ring is a 1927 British silent romance film written and directed by Alfred Hitchcock and starring Carl Brisson, Lillian Hall-Davis and Ian Hunter.
A previously undefeated fairground boxer named "One Round" Jack Sander (Carl Brisson) is beaten in the ring by a mysterious challenger, who later is revealed to be Australian Heavyweight champion Bob Corby (Ian Hunter). Bob's manager is impressed with Jack's performance and offers him the chance to become Bob's full-time sparring partner, on the condition that he win a trial fight to be arranged at a later date.
Bob begins spending more time with Jack's girlfriend Mabel (Lillian Hall-Davis) and buys a bracelet for her to express his feelings. The two kiss but Mabel reluctantly puts a stop to it. The next day when Jack inquires about the bracelet, Mabel lies to Jack, telling him that Bob bought it for her because he didn't want to take the money.
Jack wins his trial fight and is made Bob's official sparring partner. Keeping his earlier promise to Mabel, he agrees to marry her the next day. Mabel goes through with the wedding, although somewhat reluctantly due to her new-found feelings for Bob. At the wedding reception Bob jokingly states that he wishes Mabel had been the prize at his and Jack's original fight. Jack boldly states that he would defend his wife in a fight against any man. A friendly exhibition match is arranged between the two fighters which Bob wins. After the fight Jack sees his bride flirting with Bob and suspects that they are having an affair. Jack declares his intent to fight Bob for the heavyweight championship, but is told he is not yet ranked high enough in the league to challenge Bob. Training intensively, Jack works his way up the rankings and eventually becomes the number one contender.
Jack arranges a party with his friends in his apartment as a way to surprise Mabel and let her know that he has won his latest fight and will now be fighting for Bob's title. Jack and his friends wait long into the night but Mabel does not show up. After Jack's friends leave, Jack stays up and waits for Mabel and eventually he sees her getting out of Bob's car. Jack angrily confronts Mabel about her liaisons with Bob and smashes a framed picture of him. Jack then goes to the club where Bob is and confronts him. Bob throws a punch but Jack knocks him out before he connects. Jack informs Bob that he is officially the number one contender and they will settle their differences in the ring.
On the day of the fight, the two fighters seem evenly matched until the final rounds where Bob starts to dominate Jack. Jack considers giving up until Mabel, seeing him in pain, runs over to his corner and declares that she wants to be with him, not Bob. Jack musters up his remaining energy and unleashes a flurry of punches in the final round, eventually knocking Bob out and winning the fight. Jack and Mabel embrace as Bob accepts defeat.
The film was made at Elstree Studios by the newly established British International Pictures, which emerged as one of the two British major studios during the late 1920s and began hiring leading directors from Britain and abroad. It was Hitchcock's first film for the company after joining from Gainsborough Pictures. It was also the first film to be released by the company. [1]
Hitchcock was 28 years old when he directed The Ring, and this was the young filmmaker's fourth film. Hitchcock regularly attended boxing matches in London where he lived, and he was struck by the fact that a good number of the spectators appeared to be from good backgrounds and dressed in white. He also noticed that fighters were sprinkled with champagne at the end of each round. These details persuaded Hitchcock to start work on The Ring.
After directing Downhill and Easy Virtue , two stage adaptations for the Gainsborough company, Hitchcock was frustrated and jumped at the chance to develop an idea of his own. The Ring is commonly described as Hitchcock's only original screenplay although it actually had input from at least Eliot Stannard, who wrote all of Hitchcock's other silent films. [2] Colleagues at the studio were impressed by the neatness of Hitchcock's script and his grasp of structure. What's more, writing for silent films came naturally to a director who already thought in visual terms. He was much less comfortable with dialogue, which goes some way to explain why he took no sole writing credit in any later films and worked extensively alongside other writers throughout his career.
The film was considered a major technical work by François Truffaut in the 1966 book Hitchcock/Truffaut , and by Thomas Chabrol and Eric Rohmer in their book about Hitchcock. It features use of the Schüfftan process to simulate a large audience in climactic scenes set in the Royal Albert Hall. Hitchcock returned to this technique years later in films like The Man Who Knew Too Much in its Royal Albert Hall sequence.
The film was a major success with critics; however, when it went on general release it was considered a box-office failure. [3]
A restoration of The Ring was completed in 2012 as part of the BFI's £2 million "Save the Hitchcock 9" project to restore all of the director's surviving silent films. [4]
The Ring has been heavily bootlegged on home video. [5] Despite this, various licensed, restored releases have appeared on DVD, Blu-ray, and video-on-demand services from Optimum in the UK as well as Lionsgate and Kino Lorber in the US, and many others. [2]
At the end of 2022, The Ring entered the public domain in the United States.
Sir Alfred Joseph Hitchcock was an English film director. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 feature films, many of which are still widely watched and studied today. Known as the "Master of Suspense", Hitchcock became as well known as any of his actors thanks to his many interviews, his cameo appearances in most of his films, and his hosting and producing the television anthology Alfred Hitchcock Presents (1955–65). His films garnered 46 Academy Award nominations, including six wins, although he never won the award for Best Director, despite five nominations.
The Lodger: A Story of the London Fog is a 1927 British silent thriller film directed by Alfred Hitchcock and starring Marie Ault, Arthur Chesney, June Tripp, Malcolm Keen and Ivor Novello. Hitchcock's third feature film, it was released on 14 February 1927 in London and on 10 June 1928 in New York City. The film is based on the 1913 novel The Lodger by Marie Belloc Lowndes and the play Who Is He? co-written by Belloc Lowndes. Its plot concerns the hunt for a Jack the Ripper-like serial killer in London.
The Manxman is a 1929 British silent romance film directed by Alfred Hitchcock and starring Anny Ondra, Carl Brisson and Malcolm Keen. The film is based on a popular 1894 romantic novel The Manxman by Hall Caine, which had previously been made into a film 13 years earlier. It was the last fully silent production that Hitchcock directed before he made the transition to sound film with his next film Blackmail (1929).
Secret Agent is a 1936 British espionage thriller film directed by Alfred Hitchcock, adapted from the play by Campbell Dixon, which in turn is loosely based on two stories in the 1927 collection Ashenden: Or the British Agent by W. Somerset Maugham. The film stars Madeleine Carroll, Peter Lorre, John Gielgud, and Robert Young. It also features uncredited appearances by Michael Redgrave, future star of Hitchcock's The Lady Vanishes (1938), Michel Saint-Denis as the Coachman, and Michael Rennie in his film debut.
The Mountain Eagle is a 1926 silent film, and Alfred Hitchcock's second as director, following The Pleasure Garden. The film, a romantic drama set in Kentucky, is about a widower who jealously competes with his crippled son and a man he loathes over the affections of a schoolteacher. The film was mostly produced at the Emelka Film studios in Munich, Germany in autumn of 1925, with exterior scenes shot in the village of Obergurgl in the State of Tyrol, Austria. Production was plagued with problems, including the destruction of a village roof and Hitchcock experiencing altitude sickness. Due to producing the film in Germany, Hitchcock had more directorial freedom than he would have had in England, and he was influenced by German cinematic style and technique.
The Pleasure Garden is a 1926 British–German silent drama film directed by Alfred Hitchcock in his feature film directorial debut. Based on the 1923 novel of the same name by Oliver Sandys, the film is about two chorus girls at the Pleasure Garden Theatre in London and their troubled relationships.
The Farmer's Wife is a 1928 British silent romantic comedy film directed by Alfred Hitchcock and starring Jameson Thomas, Lillian Hall-Davis and Gordon Harker.
Blackmail is a 1929 British thriller directed by Alfred Hitchcock and starring Anny Ondra, John Longden, and Cyril Ritchard. Based on the 1928 play of the same name by Charles Bennett, the film is about a London woman who is blackmailed after killing a man who tries to rape her.
Waltzes from Vienna is a 1934 British biographical film directed by Alfred Hitchcock, sometimes known as Strauss' Great Waltz. It was part of the cycle of operetta films made in Britain during the 1930s.
Downhill is a 1927 British silent drama film directed by Alfred Hitchcock, starring Ivor Novello, Robin Irvine and Isabel Jeans, and based on the play Down Hill by Novello and Constance Collier. The film was produced by Gainsborough Pictures at their Islington studios. Downhill was Hitchcock's fourth film as director, but the fifth to be released. Its American alternative title was When Boys Leave Home.
Murder! is a 1930 British thriller film co-written and directed by Alfred Hitchcock and starring Herbert Marshall, Norah Baring and Edward Chapman. Written by Hitchcock, his wife Alma Reville and Walter C. Mycroft, it is based on the 1928 novel Enter Sir John by Clemence Dane and Helen Simpson. It was Hitchcock's third all-talkie film, after Blackmail (1929) and Juno and the Paycock (1930).
Easy Virtue is a 1928 British silent romance film directed by Alfred Hitchcock and starring Isabel Jeans, Franklin Dyall and Ian Hunter.
Champagne is a 1928 British silent comedy film directed by Alfred Hitchcock and starring Betty Balfour, Gordon Harker and Jean Bradin. The screenplay was based on an original story by writer and critic Walter C. Mycroft. The plot concerns a young woman forced to take a job after her father loses his fortune.
The Man Who Knew Too Much is a 1934 British spy thriller film directed by Alfred Hitchcock, featuring Leslie Banks and Peter Lorre, and released by Gaumont British. It was one of the most successful and critically acclaimed films of Hitchcock's British period.
Jamaica Inn is a 1939 British adventure thriller film directed by Alfred Hitchcock and adapted from Daphne du Maurier's 1936 novel of the same name. It is the first of three of du Maurier's works that Hitchcock adapted. It stars Charles Laughton and Maureen O'Hara in her first major screen role. It is the last film Hitchcock made in the United Kingdom before he moved to the United States.
The 39 Steps is a 1935 British spy thriller film directed by Alfred Hitchcock, starring Robert Donat and Madeleine Carroll. It is loosely based on the 1915 novel The Thirty-Nine Steps by John Buchan. It concerns a Canadian civilian in London, Richard Hannay, who becomes caught up in preventing an organisation of spies called "The 39 Steps" from stealing British military secrets. Mistakenly accused of the murder of a counter-espionage agent, Hannay goes on the run to Scotland and becomes tangled up with an attractive woman, Pamela, while hoping to stop the spy ring and clear his name.
The Lady Vanishes is a 1938 British mystery thriller film directed by Alfred Hitchcock, starring Margaret Lockwood and Michael Redgrave. Written by Sidney Gilliat and Frank Launder, based on the 1936 novel The Wheel Spins by Ethel Lina White, the film is about an English tourist travelling by train in continental Europe who discovers that her elderly travelling companion seems to have disappeared from the train. After her fellow passengers deny ever having seen the elderly lady, the young woman is helped by a young musicologist, the two proceeding to search the train for clues to the old lady's disappearance.
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The Passionate Adventure is a 1924 British silent drama film directed by Graham Cutts and starring Clive Brook and Alice Joyce. The film was adapted from a novel by Frank Stayton by Alfred Hitchcock and Michael Morton, with Hitchcock also credited as assistant director to Cutts.
The Farmer's Wife is a romantic comedy play by the British writer Eden Phillpotts, based on the scenario of his novel Widecombe Fair (1913). It was first staged in Birmingham in 1916. Its London premiere was at the Royal Court Theatre in 1924. By 1926 when Laurence Olivier went on tour in the lead role, the play had already been performed 1,300 times.