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A clerihew is a whimsical, four-line biographical poem of a type invented by Edmund Clerihew Bentley. The first line is the name of the poem's subject, usually a famous person, and the remainder puts the subject in an absurd light or reveals something unknown or spurious about the subject. The rhyme scheme is AABB, and the rhymes are often forced. The line length and metre are irregular. Bentley invented the clerihew in school and then popularized it in books. One of his best known is this (1905):
Wystan Hugh Auden was a British-American poet. Auden's poetry was noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content. Some of his best known poems are about love, such as "Funeral Blues"; on political and social themes, such as "September 1, 1939" and "The Shield of Achilles"; on cultural and psychological themes, such as The Age of Anxiety; and on religious themes such as "For the Time Being" and "Horae Canonicae".
Christopher William Bradshaw Isherwood was an Anglo-American novelist, playwright, screenwriter, autobiographer, and diarist. His best-known works include Goodbye to Berlin (1939), a semi-autobiographical novel which inspired the musical Cabaret (1966); A Single Man (1964), adapted as a film by Tom Ford in 2009; and Christopher and His Kind (1976), a memoir which "carried him into the heart of the Gay Liberation movement".
John Lawrence Ashbery was an American poet and art critic.
Rudolf John Frederick Lehmann was an English poet and man of letters. He founded the periodicals New Writing and The London Magazine, and the publishing house of John Lehmann Limited.
Frederick Louis MacNeice was an Irish poet and playwright, and a member of the Auden Group, which also included W. H. Auden, Stephen Spender and Cecil Day-Lewis. MacNeice's body of work was widely appreciated by the public during his lifetime, due in part to his relaxed but socially and emotionally aware style. Never as overtly or simplistically political as some of his contemporaries, he expressed a humane opposition to totalitarianism as well as an acute awareness of his roots.
Donald Jess Bachardy is an American portrait artist. He resides in Santa Monica, California. Bachardy was the partner of Christopher Isherwood for over 30 years.
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Howard Moss was an American poet, dramatist and critic. He was poetry editor of The New Yorker magazine from 1948 until his death and he won the National Book Award in 1972 for Selected Poems.
Greek love is a term originally used by classicists to describe the primarily homoerotic customs, practices, and attitudes of the ancient Greeks. It was frequently used as a euphemism for both homosexuality and pederasty. The phrase is a product of the enormous impact of the reception of classical Greek culture on historical attitudes toward sexuality, and its influence on art and various intellectual movements.
'Greece' as the historical memory of a treasured past was romanticised and idealised as a time and a culture when love between males was not only tolerated but actually encouraged, and expressed as the high ideal of same-sex camaraderie. ... If tolerance and approval of male homosexuality had happened once—and in a culture so much admired and imitated by the eighteenth and nineteenth centuries—might it not be possible to replicate in modernity the antique homeland of the non-heteronormative?
"September 1, 1939" is a poem by W. H. Auden written shortly after the German invasion of Poland, which would mark the start of World War II. It was first published in The New Republic issue of 18 October 1939, and in book form in Auden's collection Another Time (1940).
"Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten. The second version was first published in 1938 and was titled "Funeral Blues" in Auden's 1940 Another Time. The poem experienced renewed popularity after being read in the film Four Weddings and a Funeral (1994), which also led to increased attention on Auden's other work. It has since been cited as one of the most popular modern poems in the United Kingdom.
Harold Norse was an American writer who created a body of work using the American idiom of everyday language and images. One of the expatriate artists of the Beat generation, Norse was widely published and anthologized.
The Auden Group or the Auden Generation is a group of British and Irish writers active in the 1930s that included W. H. Auden, Louis MacNeice, Cecil Day-Lewis, Stephen Spender, Christopher Isherwood, and sometimes Edward Upward and Rex Warner. They were sometimes called simply the Thirties poets.
— W. H. Auden, from "September 1, 1939"
"In Praise of Limestone" is a poem written by W. H. Auden in Italy in May 1948. Central to his canon and one of Auden's finest poems, it has been the subject of diverse scholarly interpretations. Auden's limestone landscape has been interpreted as an allegory of Mediterranean civilization and of the human body. The poem, sui generis, is not easily classified. As a topographical poem, it describes a landscape and infuses it with meaning. It has been called the "first … postmodern pastoral." In a letter, Auden wrote of limestone and the poem's theme that "that rock creates the only human landscape."
Sir Stephen Harold Spender was an English poet, novelist and essayist whose work concentrated on themes of social injustice and the class struggle. He was appointed U.S. Poet Laureate Consultant in Poetry to the Library of Congress in 1965.
This is a bibliography of books, plays, films, and libretti written, edited, or translated by the Anglo-American poet W. H. Auden (1907–1973). See the main entry for a list of biographical and critical studies and external links.
Homoerotic poetry is a genre of poetry implicitly dealing with same-sex romantic or sexual interaction. The male-male erotic tradition encompasses poems by major poets such as Pindar, Theognis of Megara, Anacreon, Catullus, Virgil, Martial, Abu Nuwas, Michelangelo, Walt Whitman, Federico García Lorca, W. H. Auden, Fernando Pessoa and Allen Ginsberg. In the female-female tradition, authors may include those such as Sappho, "Michael Field", "Marie-Madeleine" and Maureen Duffy. Other poets wrote poems and letters with homoerotic overtones toward individuals, such as Emily Dickinson to her sister-in-law Susan Huntington Gilbert.
"Poetry and the Microphone" is an essay by English writer George Orwell. It refers to his work at the BBC’s Eastern Service broadcasting half-hour-long literary programmes to India in the format of an imaginary monthly literary magazine. Written in 1943, it was not published until 1945, in New Saxon Pamphlet. Orwell had by then left the BBC.
References
- ↑ Mendelson, Edward (2017). Early Auden, Later Auden: A Critical Biography. Princeton University Press. p. 608. ISBN 9781400882946.
- ↑ Daily Telegraph Magazine issue 201, page 22; August 9, 1968
- The Animals: Love Letters Between Christopher Isherwood and Don Bachardy, Christopher Isherwood, Don Bachardy, p. 116, 211
- Articulate Flesh: Male Homo-Eroticism and Modern Poetry, Gregory Woods, p. 168
- Encyclopedia of the New York School Poets, Terence Diggory, p. 373
- Fug You: An Informal History of the Peace Eye Bookstore, the Fuck You Press, Ed Sanders, p. 131
- The Cambridge Companion to W. H. Auden, edited by Stan Smith, p. 22
- W. H. Auden in Context, edited by Tony Sharpe p. 122
- All Poets Welcome: The Lower East Side Poetry Scene in the 1960s, Daniel Kane, p. 70
- Encyclopedia of Erotic Literature, edited by Gaëtan Brulotte, John Phillips, p. 92