 James Pryde, cover for The Poster, February 1899 | |
| Frequency | Monthly |
|---|---|
| First issue | June 1898 |
| Final issue | December 1900 |
| Country | United Kingdom |
| Based in | London |
The Poster: an illustrated monthly chronicle, or simply The Poster, was a monthly magazine published in London from June 1898 to December 1900, dedicated to the then relatively new art of the pictorial poster. It was the first periodical devoted to the poster to be published in Britain. [2] It was published by Ransom, Woestyn & Co. [3]
The Poster contained sections on posters, advertising, and a segment dedicated to collectors and collecting. Illustrations were featured in both black and white and color. [3] It focused on unique poster designs and their creators such as the Beggarstaffs and Toulouse-Lautrec. They were featured multiple times throughout The Poster's runtime along with interviews from designers such as John Hassall and W.S. Rogers. [4]
The Yellow Book was a British quarterly literary periodical that was published in London from 1894 to 1897. It was published at The Bodley Head Publishing House by Elkin Mathews and John Lane, and later by John Lane alone, and edited by the American Henry Harland. The periodical was priced at 5 shillings and lent its name to the "Yellow Nineties", referring to the decade of its operation.
Penny dreadfuls were cheap popular serial literature produced during the 19th century in the United Kingdom. The pejorative term is roughly interchangeable with penny horrible, penny awful, and penny blood. The term typically referred to a story published in weekly parts of 8 to 16 pages, each costing one penny. The subject matter of these stories was typically sensational, focusing on the exploits of detectives, criminals, or supernatural entities. First published in the 1830s, penny dreadfuls featured characters such as Sweeney Todd, Dick Turpin, Varney the Vampire, and Spring-heeled Jack.
The Penny Magazine was an illustrated British magazine aimed at the working class, published every Saturday from 31 March 1832 to 31 October 1845. Charles Knight created it for the Society for the Diffusion of Useful Knowledge in response to Chambers's Edinburgh Journal, which started two months earlier. Sold for only a penny and illustrated with wood-engravings, it was an expensive enterprise that could only be supported by very large circulation. Though initially very successful—with a circulation of 200,000 in the first year—it proved too dry and too Whiggish to appeal to the working-class audience it needed to be financially viable. Its competitor—which included a weekly short story—grew more slowly, but lasted much longer.
Victorian literature is English literature during the reign of Queen Victoria (1837–1901). The 19th century is considered by some to be the Golden Age of English Literature, especially for British novels. It was in the Victorian era that the novel became the leading literary genre in English. English writing from this era reflects the major transformations in most aspects of English life, from scientific, economic, and technological advances to changes in class structures and the role of religion in society. The number of new novels published each year increased from 100 at the start of the period to 1000 by the end of it. Famous novelists from this period include Charles Dickens, William Makepeace Thackeray, the three Brontë sisters, Elizabeth Gaskell, George Eliot, Thomas Hardy, and Rudyard Kipling.
The American Magazine was a periodical publication founded in June 1906, a continuation of failed publications purchased a few years earlier from publishing mogul Miriam Leslie. It succeeded Frank Leslie's Popular Monthly (1876–1904), Leslie's Monthly Magazine (1904–1905), Leslie's Magazine (1905) and the American Illustrated Magazine (1905–1906). The magazine was published through August 1956.
Ethel Reed was an American graphic artist. In the 1890s, her works received critical acclaim in America and Europe. In 2016, they were on exhibit in the Metropolitan Museum of Art and Museum of Modern Art in New York, the National Museum of American History in Washington, D.C., the Fine Arts Museums of San Francisco, the Frederick R. Weisman Art Museum of the University of Minnesota in Minneapolis, and the Nelson-Atkins Museum of Art in Kansas City.
Ella D'Arcy was a short fiction writer in the late 19th and early 20th century.
The Studio: An Illustrated Magazine of Fine and Applied Art was an illustrated fine arts and decorative arts magazine published in London from 1893 until 1964. The founder and first editor was Charles Holme. The magazine exerted a major influence on the development of the Art Nouveau and Arts and Crafts movements. It was absorbed into Studio International magazine in 1964.
Black and White: A Weekly Illustrated Record and Review was a British Victorian-era illustrated weekly periodical founded in 1891 by Charles Norris Williamson. In 1912, it was incorporated with The Sphere.
London Society was a Victorian era illustrated monthly periodical, subtitled "an illustrated magazine of light and amusing literature for the hours of relaxation". It was published between 1862 and 1898 by W. Clowes and Sons, London, England. The magazine published miscellaneous articles, short fiction, and serialized novels. The Stanford Companion to Victorian Fiction called it "an inferior imitator of Smith's Cornhill".
Matthew Somerville Morgan was an English‐American artist known mainly for his political cartoons in various publications. He also did theater posters for major American acts in both the United States and Great Britain.
The Lady's Realm was a British women's magazine published from 1896 until 1914, possibly until 1915. It primarily targeted upper-class readers as well as an aspirational middle-class audience, featuring photographs, poems, fiction, and columns by popular authors such as Marie Corelli, Frances Hodgson Burnett, Jack London, and H. G. Wells. The London Season was regularly covered, with visuals of significant society figures and débutantes appearing. Fashion trends in Paris and London were frequently discussed as well, particularly by its fashion editor Marian Pritchard.
Le Sourire was a French monthly magazine existed between August 1899 and April 1900.
The Adelaide Times was an early newspaper founded by James Allen and printed in Adelaide, the capital of the then colony of South Australia. It was published between 2 October 1848 and 8 May 1858, and evolved through a series of names and publication frequencies, and closed due to uncertainty surrounding Allen's bankruptcy.
Samuel Calvert was a British draughtsman, printer and artist active in Australia, noted for his wood-engravings, published in contemporary periodicals. He was the third son of the renowned engraver and painter, Edward Calvert. During his period in Australia, Samuel Calvert produced hundreds of engraved illustrations for a variety of publications on a wide range of subjects. Calvert also designed postage stamps for the Victorian government. He was one of the founding members of the Victorian Academy of Art, formed in 1870, and showed watercolours and oil paintings at their subsequent exhibitions. Calvert left a legacy of finely-produced wood engravings depicting landscape, contemporary events and portraits.
The Reader was a British weekly published from 1863 to 1867. Intended as a review journal, for both science and literature, it has been called "probably the last attempt, in Victorian England, to keep together liberal scientists, theologians, and men of letters."
Charles Walter Forward was an English animal rights and vegetarianism activist and historian of vegetarianism.
Poetry published in newspapers, known as newspaper poetry or sometimes magazine verse, was a common feature of 19th- and early 20th-century Anglo-American literary culture.
Gerald Sedgewick Wilkinson, was a British illustrator, art historian, naturalist, photographer, artist and book-designer, known for his books on J. M. W. Turner's sketches and on British trees and woodlands. Though there had been many sections on the genus Ulmus in books and journals, Wilkinson's monograph, Epitaph for the Elm (1978), written for the general reader and illustrated in colour, was the first such book to be published in the UK.
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