The Prodigal Wife | |
---|---|
Directed by | Frank Reicher |
Written by | Eve Unsell |
Based on | "The Flaming Ramparts" by Edith Barnard Delano |
Produced by | Screencraft Pictures |
Starring | Mary Boland |
Cinematography | Ira B. Schwartz |
Production company | Screencraft Productions |
Distributed by | Pioneer Film; State's Rights basis |
Release date |
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Running time | 6 reels |
Country | United States |
Language | Silent (English intertitles) |
The Prodigal Wife is a lost [1] 1918 American silent drama film directed by Frank Reicher and starring Mary Boland. It is based on a short story by Edith Barnard Delano that appeared in Harper's Magazine .
The film may have been rereleased in 1919 as a 5-reeler. [2]
As described in a film magazine, [3] Dr. Frederick Farnham (Bloomer) and his wife Marion (Boland) live a precarious existence in a cheap boarding house. Unhappy because she believes she is neglected, Marna runs off with another boarder who says he has "struck it rich". Dr. Farnham returns home to tell his wife that their days of poverty are over as he has obtained a position on the staff of a hospital, but finds that he and his four-year-old daughter Marna have been deserted. He tells her that her mother is dead and was a wonderful person. Marion goes down and down and becomes a shell of her former self and believes her daughter is dead. Years later, driven to extreme poverty, the mother determines to seek her husband out to obtain some relief. The doctor is now well-to-do and Marna (Cotton) has grown to womanhood. Marion goes to the doctor's home and does not find him there, but discovers her daughter in the flesh before her. Adroitly she finds out that Marna worships her "dead" mother, and Marion leaves, determined to sin no more. Marna marries a writer, Dallas Harvey (Gordon), and Marion becomes the family nursemaid after Marna has a child. When temptation comes to Marna the same way it did to Marion years earlier, Marion divulges her story and saves her daughter from sin. Dr. Farnham overhears the counsel and forgives his wife and begs her to return to him, but she refuses, declaring that she intends to devote her life to saving others just as she saved her daughter.
For the Irish-born American nurse, see Mary G. Boland.
The Greatest Question is a 1919 American drama film directed by D. W. Griffith. Based upon a novel by William Hale, the film has a plot involving spiritualism.
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The Branding Iron is a 1920 American silent drama film directed by Reginald Barker and starring Barbara Castleton and James Kirkwood. It was produced by Barker and Samuel Goldwyn and distributed by Goldwyn Pictures. Castleton appeared nude in the film, which caused the particular scene to be cut in some parts of the country. Pennsylvania banned the film altogether due to the topic of infidelity.
Wings of Youth is a 1925 American silent drama film directed by Emmett J. Flynn and written by Bernard McConville. The film stars Ethel Clayton, Madge Bellamy, Charles Farrell, Freeman Wood, Robert Cain, and Katherine Perry. The film was released on May 21, 1925, by Fox Film Corporation.
Shattered Idols is a 1922 American drama film directed by Edward Sloman and written by William V. Mong. It is based on the 1912 novel The Daughter of Brahma by I. A. R. Wylie. The film stars Marguerite De La Motte, William V. Mong, James W. Morrison, Frankie Lee, Ethel Grey Terry, and Alfred Allen. The film was released on February 6, 1922, by Associated First National Pictures.
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