The Prospect Before Us | |
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Choreographer | Ninette de Valois |
Music | William Boyce, arranged by Constant Lambert |
Premiere | 4 July 1940 |
Original ballet company | Vic-Wells Ballet |
Design | Roger Furse |
Type | Comic ballet |
The Prospect Before Us is a one act comic ballet in seven scenes, choreographed for the Vic-Wells Ballet by Ninette de Valois to music by William Boyce arranged by Constant Lambert.
With its premiere in 1940, the first year of the war, de Valois set out to produce a light-hearted and jolly piece of escapism. Inspired by an eponymous 18th century engraving by Thomas Rowlandson, it has an intricate plot about the rivalry of two 18th century theatrical managers who fight over a troupe of dancers that includes Didelot, Noverre, and Vestris. The final scene with Robert Helpmann as Mr. O'Reilly doing a "drunk dance" is well known. [1]
Source: [2]
The Red Shoes is a 1948 British drama film written, produced and directed by Michael Powell and Emeric Pressburger. It follows Victoria Page, an aspiring ballerina who joins the world-renowned Ballet Lermontov, owned and operated by Boris Lermontov, who tests her dedication to the ballet by making her choose between her career and her romance with composer Julian Craster.
Dame Ninette de Valois was an Irish-born British dancer, teacher, choreographer, and director of classical ballet. Most notably, she danced professionally with Serge Diaghilev's Ballets Russes, later establishing the Royal Ballet, one of the foremost ballet companies of the 20th century and one of the leading ballet companies in the world. She also established the Royal Ballet School and the touring company which became the Birmingham Royal Ballet. She is widely regarded as one of the most influential figures in the history of ballet and as the "godmother" of English and Irish ballet.
Jean-Georges Noverre was a French dancer and ballet master, and is generally considered the creator of ballet d'action, a precursor of the narrative ballets of the 19th century. His birthday is now observed as International Dance Day.
Sir Robert Murray Helpmann was an Australian ballet dancer, actor, director, and choreographer. After early work in Australia he moved to Britain in 1932, where he joined the Vic-Wells Ballet under its creator, Ninette de Valois. He became one of the company's leading men, partnering Alicia Markova and later Margot Fonteyn. When Frederick Ashton, the company's chief choreographer, was called up for military service in the Second World War, Helpmann took over from him while continuing as a principal dancer.
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Job: A Masque for Dancing is a one-act ballet produced in 1931. The scenario is by Geoffrey Keynes, the choreography by Ninette de Valois, and the music by Ralph Vaughan Williams. The ballet is based on the Book of Job from the Hebrew Bible and was inspired by the illustrated edition by William Blake. The music was first given in concert in 1930 and the ballet had its stage premiere on 5 July 1931. It was the first ballet to be produced by an entirely British creative team. It was taken into the repertoire of the Vic-Wells Ballet and its successors, and has been intermittently revived.
Ballet d'action is a hybrid genre of expressive and symbolic ballet that emerged during the 18th century. One of its chief aims was to liberate the conveyance of a story via spoken or sung words, relying simply on quality of movement to communicate actions, motives, and emotions. The expression of dancers was highlighted in many of the influential works as a vital aspect of the ballet d'action. To become an embodiment of emotion or passion through free expression, movement, and realistic choreography was one chief aim of this dance. Thus, the mimetic aspect of dance was used to convey what the lack of dialogue could not. Certainly, there may have been codified gestures; however, a main tenant of the ballet d'action was to free dance from unrealistic symbolism, so this remains an elusive question. Often, props and costume object were involved in the performance to help clarify character interaction and passions. An example would be the scarf from La Fille mal gardée, which represents the love of the male character and which the female character accepts after a coy moment. Props were thus used in harmony with dancer movement and expression. Programs for plays were also a place to explain the onstage action; however, overt clarifications were sometimes criticized for sullying the art of the ballet d'action.
Don Quixote is a ballet in three acts, based on episodes taken from the famous novel Don Quixote de la Mancha by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by Moscow's Bolshoi Ballet on 26 December [O.S. 14 December] 1869. Petipa and Minkus revised the ballet into a more elaborate and expansive version in five acts and eleven scenes for the Mariinsky Ballet, first presented on 21 November [O.S. 9 November] 1871 at the Imperial Bolshoi Kamenny Theatre of St. Petersburg.
Giovanni Andrea Battista Gallini, later known as Sir John Andrew Gallini, was an Italian dancer, choreographer and impresario who was made a "Knight of the Order of the Golden Spur" by the Pope following a successful performance.
Leslie George Edwards was a British ballet dancer and ballet master. He was one of the final links with Ninette de Valois's original pre-war Vic-Wells Ballet. Apart from two years of military service during the Second World War, his entire 60-year career was effectively spent with what became the Royal Ballet organisation, until his final retirement from the stage in 1993.
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William Chappell was a British dancer, ballet designer and director. He is most noted for his designs for more than 40 ballets or revues, including many of the early works of Sir Frederick Ashton and Dame Ninette de Valois.
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The Camargo Society was a London society which created and produced ballet between 1930 and 1933, giving opportunity to British musicians, choreographers, designers and dancers. Its influence was disproportionate to its short life. Dame Ninette de Valois, founder of The Royal Ballet, saw it as "having done much for the cause of English ballet", and Encyclopædia Britannica Online credits it with "keeping ballet alive in England during the early 1930s". The society was named after the eighteenth-century French dancer Marie Anne de Cupis de Camargo.
Alexis Rassine was a South African ballet dancer who enjoyed his greatest success with the Sadler's Wells Ballet in England in the 1940s and early 1950s. He is remembered as a classical dancer who made "a major contribution to British ballet" during wartime and "helped to keep the flag flying when all about was chaos and disaster."
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