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Ellen Kean was an English actress. She was known as Ellen Tree until her marriage in 1842, after which she was known both privately and professionally as Mrs Charles Kean and always appeared in productions together with her husband.
Don Pedro is a tragic play by the British writer Richard Cumberland. It was first staged at the Theatre Royal, Haymarket in London on 23 July 1796. The original cast included James Aickin as Count Valdesoto, Charles Kemble as Henrique, John Palmer as Pedro De Rascifiria, John Bannister as Basco de Robeldondo, Richard Suett as Nicolas Sassenigo, Thomas Caulfield as Tayo, George Wathen as Roca, Robert Palmer as Cerbero and Elizabeth Kemble as Celestina, Sarah Harlowe as Mariguita, Maria Kemble as Cattania and Elizabeth Hopkins as Benedicta. The epilogue was written by George Colman the Younger.
The Box-Lobby Challenge is a comedy play by the British writer Richard Cumberland. It was first staged at the Haymarket Theatre in February 1794. It is a farcical comedy of manners set amongst the working class. The original cast included Thomas Caulfield as George Waterland, William Barrymore as Captain Waterland, James Aickin as Sir Toby Grampus, Richard Suett as Squire Robert, Robert Baddeley as Old Crochet, John Bannister as Jack Crotchet, George Bland as Fulsome Walter Maddocks as Jones, Robert Benson as Joe, Maria Gibbs as Lady Jane Danvers, Sarah Harlowe as Diana Grampus, Charlotte Goodall as Laetitia, Elizabeth Hopkins as Theodosia and Maria De Camp as Lindamira. The prologue was authored by Francis North.
The Carmelite is a 1784 tragedy by the British writer Richard Cumberland. It was first staged at the Drury Lane Theatre on 2 December 1784. The play's hero Saint-Valori disguises himself as a Carmelite. The original cast included Sarah Siddons as Matilda, William Smith as Saint Valori, John Palmer as Lord Hildebrand, John Philip Kemble as Montgomeri, James Aickin as Lord De Courci, John Hayman Packer as Gyfford, John Phillimore as Fitzallan and John Fawcett as Raymond. The play enjoyed some success, and was later staged at a theatre in Belfast where Wolfe Tone saw it in 1791.
Richelieu; Or the Conspiracy is an 1839 historical play by the British writer Edward Bulwer-Lytton. It portrays the life of the Seventeenth Century French statesman Cardinal Richelieu. It premiered at the Theatre Royal, Covent Garden on 7 March 1839. The original cast featured William Macready as Richelieu, Edward William Elton as Louis XIII, James Prescott Warde as Baradas, Frederick Vining as Sieur De Beringhen, Samuel Phelps as Joseph, George John Bennett as Huguet, Henry Howe as Francois and Helena Faucit as Julie De Mortemar.
Kensington Gardens is a 1719 comedy play by the Irish actor John Leigh. It is also known as Kensington Gardens, or, The Pretenders. It follows the attempts of several suitors to woo a wealthy rich widow, and the serious of complications that ensue.
The Coffee House is a 1738 comedy play by the British writer James Miller, written as an afterpiece. After being performed at Drury Lane, it was published later that year with some alterations to the play's original text.
The Different Widows is a 1703 comedy by the British writer Mary Pix.
King Edward The Third; With The Fall Of Mortimer, Earl Of March is a 1690 tragedy, generally attributed to the English writers John Bancroft and William Mountfort. It was first performed by the United Company at the Theatre Royal, Drury Lane in London. It portrays the early years of the reign of Edward III and his defeat and execution of Roger Mortimer, Earl of March.
Strafford is an 1837 tragedy by the British writer Robert Browning. It portrays the downfall and execution of Lord Strafford, the advisor to Charles I shortly before the English Civil War.
Alexander Dyce Davidson was born in Aberdeen in 1807, and spent his life there. He was a key player in the transformation of religious opinion in Aberdeen from ‘moderatism’ to ‘evangelicalism,’ which led to the exodus of the city ministers and congregations at the Disruption of 1843. Davidson led the most influential congregation of the city into the Free church. Davidson was also an author leaving lectures on the Book of Esther and well as many sermons.
Love is an 1839 play by the Irish writer James Sheridan Knowles. It premiered at the Theatre Royal, Covent Garden on 4 November 1839 with a cast that included Charles Selby as Prince Frederick, James Vining as Sir Rupert, Alfred Wigan as Sir Conrad, William Payne as Stephen, Ellen Tree as Countess, Emma Brougham as Empress and Lucia Elizabeth Vestris as Catherine. Knowles was paid six hundred pounds for the work by the management of Covent Garden. Mary Shelley praised the play for its "inspiring situations founded on sentiment and passion". It went on to enjoy success in the United States where it became part of the repertoire, being performed at the Broadway Theatre in New York many times in the 1850s. It was celebrated by abolitionists who cheered its anti-slavery theme of a serf falling in love with a countess despite her father's disapproval and the threat of execution.
The Wife: A Tale of Mantua (also known as The Wife of Mantua is an 1833 historical play by the Irish writer James Sheridan Knowles. It premiered at the Theatre Royal, Covent Garden in London on 24 April 1833. The cast included Sheridan Knowles as Julian St. Pierre, Ellen Kean as Mariana, Charles Kean as Leonardo, James Prescott Warde as Ferrardo, George Bennett as Antonio, William Abbot as Lorenzo, Edwin Ransford as Hugo, Drinkwater Meadows as Bartolo and William Payne as Pietro. The epilogue was written by Charles Lamb. It is set in Mantua during the reign of the House of Gonzaga.
The Venetian Outlaw is an 1805 play by the British writer and actor Robert William Elliston. It premiered at the Theatre Royal, Drury Lane in London on 26 April 1805. The cast included James Grant Raymond as The Doge, William Barrymore as Count Orsono, Robert William Elliston as Vivaldi, William Powell as Alfieri, William Dowton as Calcagno, George Bartley as Carnevaro, George Cooke as Spalatro and Nannette Johnston as Rosara. The published play was dedicated by Elliston to George III. It was based on an 1801 French play L'Homme à Trois Visages by René-Charles Guilbert de Pixérécourt, which also inspired Rugantino by Matthew Lewis.
The Wife's Secret is an 1846 historical play by the British writer George William Lovell. The play takes place in Dorset during the rule of Oliver Cromwell after the English Civil War. It premiered at the Park Theatre in Manhattan on 12 October 1846 with Charles Kean in the lead. It made its London debut at the Theatre Royal, Haymarket on 17 January 1848. The Haymarket cast included Charles Kean as Sir Walter Aymott, Henry Howe as Lord Arden, Ellen Kean as Lady Eveline Amyott, Benjamin Nottingham Webster as Jabez Sneed and Mary Anne Keeley as Maud. The Times praised Ellen Kean's performance, noting "the wife, is played to perfection".
Gisippus is an 1842 tragedy by the Irish writer Gerald Griffin. It premiered at the Theatre Royal, Drury Lane in London on 23 February 1842. It was staged posthumously as Griffin had died from typhus in 1840, and was likely written before 1838. The original cast included William Macready as Gisippus, James Robertson Anderson as Titus Quintus Fulvius, Edward Elton as Pheax, George Bennett as Lycias, Charles Selby as Macro and Helena Faucit as Sophronia. Its opening resembles William Shakespeare's Julius Caesar, but with the setting switched from Rome to Athens. The play was a popular success. It went on to appear in New York at the Park Theatre in 1847 and Broadway Theatre in 1848.
Francis the First is an 1832 historical tragedy written by the British actress Fanny Kemble. It is based on the reign of Francis I of France in the sixteenth century. It premiered at the Theatre Royal, Covent Garden in London on 15 March 1832. The original cast included Kemble herself as Louisa of Savoy, Mason as Francis the First, Charles Kemble as Charles of Bourbon, Daniel Egerton as Chabannes, George Bennett as Laval, William Abbot as Clement Marot, Robert Keeley as Triboulet, John Duruset as Bonnivet, James Prescott Warde as Gonzales, Harriette Taylor as Margaret Valois and Ellen Kean as Francois de Foix. Kemble had originally conceived it as a historical novel before converting it into a stage play. Kemble was paid a large sum for the rights by publisher John Murray, and it enjoyed brief success on stage, although she herself was later critical of its "stilted declamation"
Don Pedro, King of Castile is an 1828 historical tragedy by the British writer Lord Porchester. It premiered at the Theatre Royal, Drury Lane in London on 10 March 1828. The cast included William Macready as Henry, John Cooper as Don Pedro, James William Wallack as Raban, George Yarnold as Constable of France, Sarah West as Maria De Padilla and Ellen Tree as Blanche of Bourbon. It is based on the rule of the fourteenth century King of Castile Peter the Cruel.
Mary Stuart is an 1840 historical tragedy by the Irish writer James Haynes. It is based on the assassination of David Rizzio, a courtier to Mary, Queen of Scots. The play was staged as part of an ambitious plan to relaunch the reputation of London's Theatre Royal, Drury Lane by the new manager William John Hammond, but faced issues of censorship from Charles Kemble and the Lord Chamberlain's office.
The Bank Note: Or Lessons for Ladies is a 1795 comedy play by the Irish writer and actor William Macready the Elder. It premiered at the Theatre Royal, Covent Garden in London on 1 May 1795. The original cast included Macready as Lieutenant Selby, Joseph George Holman as Sir Charles Leslie, James Middleton as Bloomfield, Thomas Hull as Father, John Fawcett as Ned Dash, John Quick as Hale, John Henry Johnstone as Killeavy, Edward Townsend as Tim, Isabella Mattocks as Mrs Bloomfield, Mary Ann Davenport as Lady Supple and Tryphosa Jane Wallis as Miss Russel. The Irish premiere took at the Crow Street Theatre in Dublin on 22 April 1796 Its plot draws inspiration from William Taverner's The Artful Husband as well as other earlier plays.
