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Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.
Garage rock is a raw and energetic style of rock music that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. While the term has sometimes been used interchangeably with "psychedelic rock", acid rock also specifically refers to a more musically intense, rawer, or heavier subgenre or sibling of psychedelic rock. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars and often contains lyrics with drug references and long improvised jams.
American rock has its roots from 1940s and 1950s rock and roll, rhythm and blues, and country music, and also draws from folk music, jazz, blues, and classical music. American rock music was further influenced by the British Invasion of the American pop charts from 1964 and resulted in the development of psychedelic rock.
Rock music entered the Peruvian scene in the late 1950s, through listening to performers like Elvis Presley, Buddy Holly and Bill Haley, who popularized rockabilly in the United States. The first Peruvian rock bands appeared during this time. They included Los Millonarios del Jazz, Los Stars, Conjunto Astoria, Los Incas Modernos, and Los Zodiacs.
Ultimate Spinach was a short-lived American psychedelic rock band from Boston, Massachusetts which was formed in 1967. In terms of style and national recognition, the band was one of the most prominent musical acts to emerge from the "Bosstown Sound", which was a marketing campaign posing as a regional attempt to compete with the San Francisco Sound. During the group's existence, they released three albums, with their self-titled debut the most commercially successful.
The Middle East is an entertainment complex consisting of five adjacent dining and live music venues in the Central Square neighborhood of Cambridge, Massachusetts. Its three dedicated concert spaces, Upstairs, Downstairs, and Sonia, sit alongside ZuZu and The Corner, two restaurants that also host live music. Having featured a huge variety of musicians since 1987, the establishment was described in 2007 as "the nexus of metro Boston's rock-club scene for local and touring bands" by the Boston Phoenix.
Metcalf Center for Science and Engineering (SCI) is a building owned by Boston University named for Arthur G.B. Metcalf. Metcalf founded what would later become the university's College of Engineering and served as its chair. He also donated millions of dollars toward the construction of the building. SCI contains offices, classrooms, and laboratories primarily used by the Physics, Chemistry, and Biology Departments of the College of Arts and Sciences. Its facilities are also used for biomedical research. Boston University boasts that there is a waiting list for researchers wanting to conduct research in the building.
The Boston Tea Party was a concert venue located first at 53 Berkeley Street in the South End neighborhood of Boston, Massachusetts, and later relocated to 15 Lansdowne Street in the former site of competitor, the Ark, in Boston's Kenmore Square neighborhood, across the street from Fenway Park. It operated from 1967 to the end of 1970. Its closing was due in part to the increasing cost of hiring bands who were playing more and more at large outdoor festivals and arena rock concerts.
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Apple Pie Motherhood Band was an American psychedelic rock band formed in Boston, Massachusetts, in 1967. One of the several groups involved in the "Bosstown Sound", a commercial ploy designed to compete with the San Francisco Sound, the band developed a blend of psychedelia, blues rock, and hard rock, which was exemplified and expanded upon on their two albums. The group went through several line-up changes before disbanding in 1970.
The Lemon Fog were an American garage rock/psychedelic rock band from Houston, Texas who were active from 1965–1970. They were one of the earliest bands to emerge from the Houston psychedelic scene, and recorded several singles for Orbit Records. The group also recorded a handful of outtakes and demos which, along with their issued singles, have been released on the anthology The Psychedelic Sound Of Summer With The Lemon Fog.
The Index were an American garage rock/psychedelic rock band from Grosse Pointe, Michigan who were active from 1966-1969 and are known for a sound characterized by droning guitars, as heard on their two albums, both released in 1968. Though they remained largely unknown for a number of years, since the 1980s they have come to the attention of garage rock collectors and fans.
The Lost was an American garage rock and psychedelic band from Plainfield, Vermont who were active in the Boston rock scene 1960s. They were initially an interracial rock band, one of the few at the time, and, along with the Remains and the Rockin' Ramrods, later became one of the most popular live acts in Boston, landing a contract with Capitol Records. In spite of having a regional hit with their first record, they were unable to find greater commercial success and broke up in 1967. In the intervening years their work has come to the attention of garage rock collectors and enthusiasts with the release of the anthology, Early Recordings and Lost Tapes, on Arf! Arf! Records.
The Bosstown Sound was the catchphrase of a marketing campaign to promote psychedelic rock and psychedelic pop bands in Boston, Massachusetts, in the late 1960s. The concept was conceived by the record producer Alan Lorber as a marketing strategy intended to establish several underground musical artists native to the city on the national charts and compete with the popular San Francisco Sound. Lorber chose Boston for his plan because of the several bands developing in the city, the abundance of music venues, and the proximity of MGM Records, which had signed the core groups.
The Tangerine Zoo was an American psychedelic rock band formed in Swansea, Massachusetts, in 1966. Encompassed in Boston's psychedelic scene and considered a part of the Bosstown Sound, the band became popular regionally, and released two albums on Mainstream Records during their recording career. The Tangerine Zoo had an opportunity to achieve national recognition at the Woodstock Festival, but was forced to decline the invitation. Nonetheless, the group's material has been reinstated into the public conscious after 1960s psychedelic music collectors have discovered the Tangerine Zoo's work years after their disbandment.
Barbeque 67 was a music event held in the market town of Spalding, Lincolnshire, in the East Midlands of England. Despite the presence of many well-known artists among its lineup, the event remains largely unknown. It is considered by some to have been the first rock festival.
The Family Dog Denver was a concert dance hall located at 1601 West Evans Avenue in Denver, Colorado. Opened from September 1967 to July 1968, it is regarded as a seminal music venue that launched Denver on its trajectory to its current status as a major concert destination by introducing never-before-seen acts like The Doors, Van Morrison, Jimi Hendrix, Cream, Buffalo Springfield, Janis Joplin, Chuck Berry, and many others. Many acts, like The Doors and Van Morrison, for example, had yet to become famous when they played The Dog, evidenced by the poster artists having to stylize the names of their leading songs into the poster art for the shows. The Family Dog is also seen as a cultural turning point in Denver from the conservative, western-minded sensibility of the early and mid-20th century to the current, liberal-minded climate. The venue's history, surrounding drama and ultimate impact had been largely unknown and unrealized until it was unearthed and detailed for the first time in the 2021 documentary The Tale of the Dog, produced and directed by Dan Obarski & Scott Montgomery and distributed by Cinedigm. As there are no useful photos, no video and little written history remaining of the Family Dog Denver, the film's oral history format told in first person by the people who were there serves as a definitive reference for “The Dog.”
References
- 1 2 3 "The Psychedelic Supermarket Boston, MA". rockprosopography.com. Retrieved November 25, 2015.
- ↑ "Getting Cream at the Psychedelic Supermarket". mmone.org. Retrieved November 25, 2015.
- ↑ "The Psychedelic Supermarket". Angelfire . Retrieved November 25, 2015.
- ↑ Lovell, Peter. "The Psychedelic Supermarket". punkblowfish.com. Retrieved November 25, 2015.