The Punisher | ||||
---|---|---|---|---|
Film score by | ||||
Released | June 15, 2004 | |||
Genre | Orchestral Film score | |||
Length | 67:41 | |||
Label | La-La Land | |||
Producer | Michael Gerhard Carlo Siliotto | |||
Carlo Siliotto chronology | ||||
| ||||
Punisher film music chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
Filmtracks | [1] |
Film Score Monthly | [2] |
The Punisher or Original Score from the Motion Picture The Punisher is the official score for the film The Punisher and was released in 2004. It was entirely composed by Carlo Siliotto. The score has an Italian and western influence and theme. [3]
All tracks are written by Carlo Siliotto.
No. | Title | Length |
---|---|---|
1. | "The Punisher" | 0:56 |
2. | "Otto Krieg" | 3:14 |
3. | "Unusual Resurrection" | 1:40 |
4. | "Moving" | 3:09 |
5. | "I Can't Believe I'm Home" | 1:23 |
6. | "His Whole Family" | 1:27 |
7. | "The Massacre" | 5:45 |
8. | "Death and Resurrection of Frank Castle" | 1:47 |
9. | "God's Gonna Sit This One Out" | 3:57 |
10. | "Ice Lolly and Meat" | 1:28 |
11. | "You're Gonna Help Me" | 1:24 |
12. | "Entering the Fort" | 1:58 |
13. | "About Your Family / Setting a Trap" | 3:11 |
14. | "A Bomb for John Saint" | 1:08 |
15. | "Good Memories Can Save Your Life" | 1:13 |
16. | "The Thugs" | 1:30 |
17. | "The Torture" | 3:12 |
18. | "Elevator and Headache" | 1:07 |
19. | "A New Family / Joan's Suffering" | 3:34 |
20. | "Quentin's Glass Home" | 1:32 |
21. | "Killing a Best Friend" | 1:43 |
22. | "You Don't Understand... End of a Dark Lady" | 2:34 |
23. | "She Took the Train / Punishment" | 1:47 |
24. | "The Arrow" | 1:48 |
25. | "Both of Them" | 1:32 |
26. | "The Skull" | 2:34 |
27. | "Castle's Loneliness" | 1:35 |
28. | "Call Me 'The Punisher'" | 2:23 |
29. | "Jealous One" (Performed by J.C. Loader [4] ) | 3:52 |
30. | "La donna è mobile" (Performed by Peter Dvorský) | 2:06 |
Total length: | 67:41 |
The score was composed and conducted by composer Carlo Siliotto, who is Italian like most of the characters, including the main character Frank Castle. Wishing the music to be especially emotive, and being made aware of Siliotto's previous work, such as on the film Flight of the Innocent and the miniseries Julius Caesar by Siliottos agent, Tammy Krutchkoff trought Marvels music supervisor, Dave Jordan, director Jonathan Hensleigh approached them, saying that he wanted Siliotto for the job. When working on the film he viewed Frank Castle as a tragic character and stated:
This man, Frank Castle, is somebody who has a slaughtered family. He comes through that slaughter, and becomes a punisher. But he's a sad man - he drinks, and has bad memories always coming to him. There's a lot in the film, and at times it is like a modern version of a classic tragedy - like Othello . [5] [6]
Originally Siliotto thought that it was unusual for an action movie director to want to use an Italian musician for his project and stated that the entire work process was stress free due to Hensleigh being a fan of his work. [7] [8]
Before the film's release, two tracks were already available at the film's website. [9]
Mike Blanchard of Geekcastradio gave the score mixed review, stating that the music did not immediately grip him but that the main theme is very strong. [10]
Track 1: "The Punisher" is only 0:59 in length, but it gives you the main crux of Frank's character, and a really cool overall theme. This theme can be placed up there with many of the current superheroes themes in the Marvel Cinematic Universe in my opinion. For a anti-hero like The Punisher, I love how Carlo Siliotto has made a main theme that is darkly heroic. [11]
Mark Wallance of Film Score Monthly praised the score highly and expressed that it was the first time in a long time that he had seen a film that was worth watching just for the music. He added that he hoped that the films would inspire other films to put more effort into the score. Wallance also commended Siliotto for composing it in its entirety by himself. [12]
The score for The Punisher wasn't the usual paint by numbers that I've come to expect from such films. From the main titles through the violin solo that makes an unexpected appearance half way through the film, to name just a few moments that have stuck with me, it seems to me that a lot of thought went into the score. [13]
Jerrald King Goldsmith was an American composer and conductor known for his work in film and television scoring. He composed scores for five films in the Star Trek franchise and three in the Rambo franchise, as well as for Logan's Run, Planet of the Apes, Tora! Tora! Tora!, Patton, Chinatown, Alien, Poltergeist, Gremlins, Hoosiers, Total Recall, Air Force One, L.A. Confidential, Mulan, and The Mummy. He also composed the fanfares accompanying the production logos used by multiple major film studios, and music for the Disney attraction Soarin'.
Dune is an original soundtrack album for the 1984 film Dune. Most of the album was composed by the rock band Toto—their first and only film score—but one track was contributed by Brian Eno, Roger Eno and Daniel Lanois. The soundtrack album was first released in November 1984. An extended version with an altered track listing was released in 1997. Both versions are currently out of print on traditional media such as CD but with the increasing popularity of download and streaming services, have gained improved exposure through such channels as iTunes and Spotify.
Elliot Goldenthal is an American composer of contemporary classical music and film and theatrical scores. A student of Aaron Copland and John Corigliano, he is best known for his distinctive style and ability to blend various musical styles and techniques in original and inventive ways. He won the Academy Award for Best Original Score in 2002 for his score to the motion picture Frida, directed by his longtime partner Julie Taymor.
Punisher: War Zone is a 2008 action thriller film based on the Marvel Comics character the Punisher, directed by Lexi Alexander. The film is a reboot that follows the war waged by vigilante Frank Castle on crime and corruption, in particular on the disfigured mob boss known as Billy "Jigsaw" Russotti, rather than a sequel to 2004's The Punisher. It is the third feature film adaptation of The Punisher, the second reboot thereof and the first of two films to be produced under the Marvel Knights production banner, which focuses on films for mature audiences. Punisher: War Zone was released in North America by Lionsgate on December 5, 2008, and it was released in the United Kingdom by Sony Pictures Releasing on February 6, 2009 to negative reviews and grossed $10 million worldwide, making it a commercial failure. Its related soundtrack hit the #23 slot on Billboard's Top Independent Albums chart.
The Punisher is a 2004 American vigilante action film based on the Marvel Comics character of the same name, directed by Jonathan Hensleigh, written by Hensleigh and Michael France, and starring Thomas Jane as the antihero Frank Castle and John Travolta as Howard Saint, a crime boss who orders the death of Castle's entire family.
The Godfather is the soundtrack from the film of the same name, released in 1972 by Paramount Records, and in 1991 on compact disc by MCA. Unless noted, the cues were composed by Nino Rota and conducted by Carlo Savina. The song "I Have but One Heart" is sung by Al Martino, who performed it in the film as character Johnny Fontane.
Mission: Impossible III: Music by Michael Giacchino is a soundtrack album for the 2006 film Mission: Impossible III, composed by Michael Giacchino. Unlike the previous two films in the series, there was no album released containing the film's contemporary music.
Alexander is the original film score of the film Alexander (2004), scored by Greek electronic composer Vangelis. It received the Public Choice Award at the 2005 World Soundtrack Academy.
Batman Begins: Music from the Motion Picture is the soundtrack album to Christopher Nolan's 2005 film Batman Begins. It was released on June 15, 2005. The soundtrack drew from the film score, composed by Hans Zimmer and James Newton Howard, as well as contributions by Ramin Djawadi, Lorne Balfe and Mel Wesson.
Mission: Impossible 2 – Music from the Motion Picture Score is an original score album by Hans Zimmer for the 2000 film Mission: Impossible 2. Lisa Gerrard provided contralto vocal cues for certain tracks in her second collaboration with Hans Zimmer in the same year along with Gladiator.
The Dark Knight: Original Motion Picture Soundtrack is the soundtrack album to the 2008 film of the same name, which is a sequel to Christopher Nolan's 2005 film Batman Begins. The soundtrack was released on July 15, 2008, in three editions: CD, limited edition CD digipak, and digital download. The 2-CD Special Edition was released on December 9, along with the DVD. A limited edition 180-gram vinyl LP was released on August 12. The soundtrack was composed by Batman Begins collaborators Hans Zimmer and James Newton Howard and recorded in April.
The Incredible Hulk: Original Motion Picture Score is the soundtrack for The Incredible Hulk, composed by Craig Armstrong.
The fictional character Frank Castle / Punisher, a comic book vigilante antihero created by Gerry Conway, John Romita Sr. and Ross Andru and featured in Marvel Comics publications, has appeared as a main character in multiple theatrical and straight-to-video films, many of them unrelated to each other. The first live-action film in 1989, was released theatrically worldwide then straight-to-video in the United States, starring Dolph Lundgren, while the second film was released in theaters in 2004, starring Thomas Jane. After an unsuccessful script of Punisher 2, the film series was then rebooted again in 2008 with the film Punisher: War Zone, starring Ray Stevenson.
Van Helsing: Original Motion Picture Soundtrack was composed by Alan Silvestri and released on May 4, 2004, by Decca Records. The score accompanies the 2004 film, as its name implies.
The Incredibles is the soundtrack album to the 2004 Disney-Pixar film of the same name composed by Michael Giacchino. The Incredibles is the first Pixar film to be scored by Giacchino. Director Brad Bird was looking for a specific sound as inspired by the film's design — the future as seen from the 1960s. John Barry was the first choice to do the film's score with a trailer of the film given a rerecording of Barry's theme to On Her Majesty's Secret Service. However, Barry did not wish to duplicate the sound of some of his earlier soundtracks; the assignment was instead given to Giacchino.
Punisher: War Zone – Original Motion Picture Score is the official score to the 2008 film Punisher: War Zone. It was composed entirely by Michael Wandmacher and released by Lionsgate Records.
Zack Snyder's Justice League is the soundtrack to the film of the same name, itself a director's cut of the 2017 theatrical film which had its own soundtrack. Tom Holkenborg, also known as Junkie XL, composed the film's score; he had previously worked on a score for the theatrical version of Justice League, before being replaced by Danny Elfman following original director Zack Snyder's departure and Joss Whedon's arrival. Upon Snyder getting the chance to finish and release his version of the film, Holkenberg was brought back and decided to rescore the film from scratch. The album was released via WaterTower Music on March 18, 2021, the same day as the film's release, and was later released as a limited-edition 7-disc vinyl set on April 14. The film's score is notable as the longest in film history at nearly four hours long.
The Wolverine is the soundtrack album to the 2013 superhero film of the same name, directed by James Mangold. Featuring the Marvel Comics character Wolverine, the film is the sixth installment in the X-Men film series, the second installment in the trilogy of Wolverine films after X-Men Origins: Wolverine (2009), and a spin-off/sequel to X-Men: The Last Stand (2006). The film's musical score is composed by Marco Beltrami, who previously scored Mangold's 3:10 to Yuma (2007).
X-Men: First Class is the soundtrack album to the 2011 film X-Men: First Class. The film, directed by Matthew Vaughn, is based on the X-Men characters appearing in Marvel Comics, and is the fourth mainline installment in the X-Men film series and the fifth installment overall. Henry Jackman, who had worked with Vaughn in Kick-Ass (2010) composed the score, becoming the fourth composer to score for the series. The score consisted of pop and rock infused music, which is reminiscent of John Barry's themes from the 1960s.
The Iron Giant is the 1999 animated science fiction film directed by Brad Bird for Warner Bros. Feature Animation. The film featured original score composed by Michael Kamen, in his first and only collaboration with Bird, as all his future films were scored by Michael Giacchino beginning with The Incredibles (2004). The score featured additional performance from the Czech Philharmonic symphony orchestra at Prague, conducted by Kamen himself and recording of the score happened within one week.