Richard Coeur de Lion: An historical romance is a 1786 semi-opera with an English text by John Burgoyne set to music by Thomas Linley the Elder. It was first staged at Drury Lane Theatre in October 1786. It was a translation of Michel-Jean Sedaine's opera Richard Coeur-de-lion about the life of the English Monarch Richard I with the ending significantly changed. The work was a major success and ran for 43 performances and was revived seven times before the end of the century. By contrast a rival version staged at the Covent Garden Theatre at the same time was a failure.
Ourselves is an 1811 comedy play by the British writer Marianne Chambers. It premiered at the Lyceum Theatre in London on 2 March 1811. The Lyceum was at the time hosting the company of the Theatre Royal, Drury Lane while it was rebuilt following damage by an 1809 fire. It was Chambers' second staged work following the successful The School for Friends in 1805. The cast included William Dowton as Sir John Rainsford, Benjamin Wrench as Sir Sydney Beaufort, Charles Holland as Fitzaubin, John Henry Johnstone as O'Shanauhan, Vincent De Camp as Darlington, William Penley as Cuff, Maria Rebecca Davison as Miss Beaufort, Julia Glover as the Unknown Lady and Sarah Harlowe as Mrs O'Shanauhan. It was performed sixteen times on its original run.
The Grecian Daughter is a 1772 tragedy by the Irish writer Arthur Murphy. It was widely performed for nearly sixty years, through the 1830s. For many British actresses in the eighteenth century, playing the role of the central heroine, Euphrasia, was an important part of gaining fame.
Braganza is a 1775 tragedy by the Irish writer Robert Jephson. It portrays the overthrow of Spanish rule in Portugal during the seventeenth century, leading to the establishment of the Braganza Dynasty.
The Adventures of Five Hours is a 1663 comedy play by the English writer Sir Samuel Tuke, 1st Baronet. Based on the play Los empenos de seis horas by Antonio Coello, It is an early example of the developing Restoration comedy tradition. Its success led to a series of sentimental plays in the Spanish style about love and honour, very different to the more sophisticated and cynical comedies which the Restoration era became known for.
The Curfew is a historical tragedy by the British writer John Tobin which was first published in 1807, three years after the author's death. It was staged by Richard Brinsley Sheridan at the Theatre Royal, Drury Lane in London premiering on 19 February 1807. The cast included William Barrymore as Hugh de Tracy, John Bannister as Robert, Henry Siddons as Bertrand, William Penley as Walter, Robert William Elliston as Fitzharding, Edmund John Eyre as Philip, Jane Powell as Matilda and Maria Duncan as Florence. It appeared at the Crow Street Theatre in Dublin on 1 April the same year. It is set during the Norman era.
Three Weeks after Marriage is a comedy play by the Irish writer Arthur Murphy. An afterpiece, it premiered at the Theatre Royal, Covent Garden in London on 30 March 1776. It was a reworking of an earlier play What We Must All Come To which was staged in 1764, which had a poor reception. The cast included William Thomas Lewis as Sir Charles Racket, John Quick as Drugget, Isabella Mattocks as Lady Racket, Ann Pitt as Mrs Drugget and Jane Green as Dimity. The entire play takes place at a country house about four miles outside London.
Howard Usher was an English stage actor of the eighteenth century. He had a lengthy career in London's West End beginning at Drury Lane during the 1739–1740 season. A member of the company, he played smaller, supporting roles in a large number of productions. He also acted at the London fairs during the summer and at Richmond in Surrey and the Jacobs Well Theatre in Bristol. In 1750 he moved to Covent Garden for four years, before returning to Drury Lane for a further four years in 1758. He then moved to Ireland where he spent a number of years at the Smock Alley Theatre and Crow Street Theatre in Dublin and also appeared at the Theatre Royal, Cork. By this time he was married to the actress Maria Usher who appeared with him in Dublin. In 1774 he was recruited by David Garrick to return to Drury Lane. In 1778 he joined the company at the Theatre Royal, Haymarket and remained part of it for the next twenty one years. His final appearance was a reprise of his original role Sir Walter Manny in George Colman the Younger's The Surrender of Calais on 10 September 1799.
The London Hermit, Or, Rambles in Dorsetshire is a 1793 comedy play by the Irish writer John O'Keeffe. It was staged at the Theatre Royal, Haymarket on 29 June 1793. The original cast included Richard Suett as Whimmy, James Aickin as Old Pranks, John Bannister as Young Pranks, Howard Usher as Barleycorn, Ralph Wewitzer as Barebones, John Henry Johnstone as Tully, William Parsons as Toby Thatch, Lydia Webb as Mrs. Maggs, Elizabeth Kemble as Kitty Barleycorn and Jane Powell as Fishwoman. The prologue was written by George Colman the Younger and spoken by William Barrymore. It was staged at the Crow Street Theatre in Dublin in 1795.
Ways and Means; Or, a Trip to Dover is a 1788 comedy play by the British writer and theatre manager George Colman the Younger. It premiered at the Theatre Royal, Haymarket in London with a cast that included John Bannister as Sir David Dunder, John Palmer as Random, James Brown Williamson as Scruple, James Aickin as Old Random, Howard Usher as Paul Peery, Lydia Webb as Lady Dunder and Elizabeth Kemble as Harriet. Its Irish premiere was at the Crow Street Theatre in Dublin on 24 April 1793.
Zorinski is a 1795 historical tragedy by the British writer Thomas Morton. It first appeared at the Theatre Royal, Haymarket in London with a cast that included William Barrymore as Zorinski, James Aickin as Casimir, King of Poland, Robert Bensley as Rodomsko, Charles Kemble as Radanzo, John Bannister as Zarno, John Henry Johnstone as O'Curragh, Richard Suett as Amalekite, John Fawcett as Witski, Thomas Caulfield as Naclo, Elizabeth Kemble as Rosolia and Maria Bland as Winifred. It included music composed by Samuel Arnold. The Irish premiere was at the Crow Street Theatre in Dublin on 28 November 1795. It is also known by the alternative title Casimir, King of Poland
The World in a Village is a 1793 comedy play by the Irish writer John O'Keeffe. It was staged at the Theatre Royal, Covent Garden in London on 23 November 1793. The original cast included John Powell as Sir Henry Check, John Henry Johnstone as Captain Mullinahack, James Middleton as William Bellevue, Joseph George Holman as Charles, Thomas Hull as Willows, William Cubitt as Captain Vanslueisen, William Macready as Briers, John Fawcett as Master Jack, William Thomas Lewis as Grigsby, Joseph Shepherd Munden as Jollyboy, Harriet Pye Esten as Louisa, Isabella Mattocks as Mrs Allbut and Susan Fawcett as Mrs. Bellevue. It's Irish premiere took place at the Crow Street Theatre on 25 November 1794.
The Surrender of Calais is a 1791 historical play by the British playwright George Colman the Younger with elements of tragedy and comedy. It premiered at the Theatre Royal, Haymarket in London on 30 July 1791. The original cast included James Brown Williamson as King Edward, George Bland as Harcourt, Howard Usher as Sir William Manny, John Bannister as La Gloire, John Powell as Arundel, James Aickin as John de Vienne, John Palmer as Ribaumont, Robert Bensley as St. Pierre, John Henry Johnstone as O'Carroll, Henry Erskine Johnston as Old Man, Elizabeth Kemble as Julia, Maria Bland as Madelon and Charlotte Goodall as the Queen. It is set against the backdrop of the Siege of Calais (1346-47) by Edward III during the Hundred Years War.
Life's Vagaries is a 1795 comedy play by the Irish writer John O'Keeffe. It was first performed at the Theatre Royal, Covent Garden in London on 19 March 1795. The original cast included John Bernard as Lord Torrendel, William Thomas Lewis as Lord Arthur D'Aumerle, Joseph Shepherd Munden as Sir Hans Burgess, John Quick as Dickins, John Fawcett as George Burgess, John Henry Johnstone as Timolin, Edward Townsend as Robin, Charles Farley as Leillet, Tryphosa Jane Wallis as Augusta and Jane Pope as Lady Torrendel. Its first Dublin performance was at the Crow Street Theatre on 7 January 1796.
The Bank Note: Or Lessons for Ladies is a 1795 comedy play by the Irish writer and actor William Macready the Elder. It premiered at the Theatre Royal, Covent Garden in London on 1 May 1795. The original cast included Macready as Lieutenant Selby, Joseph George Holman as Sir Charles Leslie, James Middleton as Bloomfield, Thomas Hull as Father, John Fawcett as Ned Dash, John Quick as Hale, John Henry Johnstone as Killeavy, Edward Townsend as Tim, Isabella Mattocks as Mrs Bloomfield, Mary Ann Davenport as Lady Supple and Tryphosa Jane Wallis as Miss Russel. The Irish premiere took at the Crow Street Theatre in Dublin on 22 April 1796 Its plot draws inspiration from William Taverner's The Artful Husband as well as other earlier plays.
The Mouth of the Nile; Or, The Glorious First of August is a 1798 patriotic musical written by the British author Thomas John Dibdin with music composed by Thomas Attwood. It celebrated the recent naval victory of Horatio Nelson over the French at the Battle of the Nile. It premiered at the Theatre Royal, Covent Garden on 25 October 1798 as an afterpiece. The original cast included Edward Townsend as Jack Junk, John Fawcett as William, Dibdin as Pat, Charles Incledon as Michael and Sarah Sims as Susan. The prologue was written by Richard Cumberland. The Irish premiere took place at the Crow Street Theatre in Dublin on 18 December 1799.
The Birth Day or The Birth-day is a 1799 comedy play by the British author Thomas John Dibdin. It was based on the work Die Versöhnung by the German author August von Kotzebue, which Dibdin translated and rewrote for the English stage. It premiered at the Theatre Royal, Covent Garden on 8 April 1799. The Covent Garden cast included Joseph Shepherd Munden as Captain Bertram, John Fawcett as Jack Junk, John Henry Johnstone as Harry Bertram, Charles Murray as Mr. Bertram, John Waddy as Lawyer Circuit, Jane Pope as Emma and Mary Ann Davenport as Mrs Moral. Fawcett's character Jack Junk, a sailor, was a reprisal from the popular 1798 musical The Mouth of the Nile by Dibdin. The Irish premiere took place at the Crow Street Theatre in Dublin on 25 November 1799.
Fashionable Levities is a 1785 comedy play by the Irish writer Leonard MacNally. It premiered at the Theatre Royal, Covent Garden in London on 7 April 1785. The original cast included William Thomas Lewis as Welford, John Quick as Sir Buzzard Savage, Richard Wroughton as Captain Douglas, Ralph Wewitzer as Colonel Staff, John Edwin as Nicholas, John Henderson as Mr Ordeal, Margaret Martyr as Clara, Sarah Maria Wilson as Grace and Mrs Webb as Honour. MacNally dedicated the play to the Anglo-Irish aristocrat the Countess of Salisbury. The Dublin premiere took place at the Crow Street Theatre on 5 April 1786.
Know Your Own Mind is a 1777 comedy play by the Irish writer Arthur Murphy. It premiered at the Theatre Royal, Covent Garden on 22 February 1777. The original Covent Garden cast included William Thomas Lewis as Millamour, Charles Lee Lewes as Dashwould, Richard Wroughton as Malvil, Francis Aickin as Bygrove, Cockran Joseph Booth as Captain Bygrave, James Fearon as Sir John Millamour, John Whitfield as Sir Harry Lovewith, Ralph Wewitzer as Charles, Servant of Millamour, Isabella Mattocks as Lady Bell, Mary Dayes as Lady Jane and Elizabeth Hartley as Miss Neville. The Irish premiere was at the Crow Street Theatre in Dublin on 13 August 1778. It was acted nineteen times at Covent Garden and in 1789 was revived at Drury Lane, with Dorothea Jordan in the cast, and remained a standard work well into the nineteenth century.
Alzuma is a 1773 historical tragedy by the Irish writer Arthur Murphy. It premiered in London at the Theatre Royal, Covent Garden on 23 February 1773. The original cast included William 'Gentleman' Smith as Alzuma, Thomas Hull as Pizarro, Robert Bensley as Don Carlos and Elizabeth Hartley as Orellana. The music was composed for the production by Thomas Arne. It is based on the Conquest of Peru by Francisco Pizarro in the sixteenth century. Murphy suggested that the British victory at Havana in 1762 influenced his sympathetic depiction of the Peruvians and hostility to Spain. Richard Brinsley Sheridan's later play Pizarro dealt with the same subject and themes.
