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Rustlers or The Rustlers is a 1919 American short silent Western film produced by John Ford and directed by Reginald Barker under the working title of Even Money. The film was shot between February 28 and March 8, 1919 for April release that same year. Ford himself chose to bring Pete Morrison into this project, and during the time of the film's shooting, he and Baker co-chaired a committee created by William Beaudine, then-president of the Motion Pictures Director's Association.
Galloping Hoofs is a 1924 American silent Western film serial directed by George B. Seitz and starring Allene Ray and Johnnie Walker. The film is now considered to be lost.
Bradley Barker was an American actor and film director of the silent era. He also created sound effects for film and radio.
Erstwhile Susan is a 1919 American silent drama film directed by John S. Robertson, produced and distributed by Realart Pictures. It is based on a 1914 novel Barnabetta by Helen Reimensnyder Martin and later Broadway play Erstwhile Susan by Marian De Forest. Minnie Maddern Fiske starred in the Broadway play in 1916. This film version stars Mary Alden and Constance Binney, then an up-and-coming young actress. This film version, once thought to be lost, survives at the Museum of Modern Art.
Rubber Heels is a 1927 American silent comedy film produced by Famous Players–Lasky and distributed through Paramount Pictures. It stars stage comedian Ed Wynn in his first motion picture.
Marian Swayne was an American stage and film actress.
The Tie That Binds is a lost 1923 American silent drama film directed by Joseph Levering and starring Walter Miller, Barbara Bedford, Raymond Hatton, William P. Carleton, and Robert Edeson. It is based on a novel of the same name by Frank R. Adams. The film was released by Warner Bros. on March 15, 1923.
Stop That Man! is a 1928 American silent comedy film directed by Nat Ross and starring Arthur Lake, Barbara Kent and Eddie Gribbon. The screenplay concerns a man who accidentally assists a group of criminals.
Today is a 1930 American pre-Code drama film directed by William Nigh and starring Conrad Nagel, Catherine Dale Owen, and Sarah Padden. It was co-written by Seton I. Miller and was based on a 1913 play by George Howells Broadhurst, which had previously been made into a silent film of the same title. The film's sets were designed by the art director Albert S. D'Agostino.
Rustling for Cupid is a 1926 American silent Western film directed by Irving Cummings and starring George O'Brien, Anita Stewart, and Russell Simpson.
The Marriage Market is a lost 1917 American silent drama film directed by Arthur Ashley and starring Carlyle Blackwell, June Elvidge and Arthur Ashley.
Tom's Gang is a 1927 American silent Western film directed by Robert De Lacey and starring Tom Tyler, Sharon Lynn and Frankie Darro.
Armand Cortes, sometimes credited as Armand Cortez, was an American actor in theater and film in the United States. He had various theatrical roles in the late 1920s and early 1930s.
The Sleeping Lion is a 1919 American silent Western film directed by Rupert Julian and starring Monroe Salisbury, Pat Moore and Rhea Mitchell.
The Iced Bullet is a 1917 American silent mystery film directed by Reginald Barker and starring William Desmond, Robert McKim and J. Barney Sherry. The film's sets were designed by the art director Robert Brunton.
Wild Sumac is a 1917 American silent Western drama film directed by William V. Mong and starring Margery Wilson, Ed Brady and Frank Brownlee.
Little Miss Fortune is a 1917 American silent comedy drama film directed by Joseph Levering and starring Marian Swayne, Lucile Dorrington and Hugh Thompson.
The Little Samaritan is a 1917 American silent drama film directed by Joseph Levering and starring Marian Swayne, Carl Gerard and Lucile Dorrington.
Counterfeit Love is a 1923 American silent drama film directed by Ralph Ince and starring Joe King, Marian Swayne and Jack Richardson.
The Line-Up is a 1934 American crime film directed by Howard Higgin and starring William Gargan, Marian Nixon and Paul Hurst.
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- ↑ Langman p.144
