The Sadist (film)

Last updated
The Sadist
Sadistmp.jpg
Theatrical release poster
Directed byJames Landis
Written byJames Landis
Produced byL. Steven Snyder
Starring Arch Hall, Jr.
Richard Alden
Marilyn Manning
Don Russell
Helen Hovey
Cinematography Vilmos Zsigmond
Edited byAnthony M. Lanza
Music by Paul Sawtell
Bert Shefter
Distributed byFairway International Pictures
Release date
  • April 25, 1963 (1963-04-25)(U.S.) [1]
Running time
95 minutes
CountryUnited States
LanguageEnglish
Budget$69,000

The Sadist (also known as Profile of Terror and Sweet Baby Charlie) is a 1963 American thriller film written and directed by James Landis. It stars Arch Hall, Jr. as a psychopathic spree killer, patterned after Charles Starkweather, who takes a trio of hostages at a junkyard. The low-budget, independent film is notable for being the debut of future Academy Award-winning cinematographer Vilmos Zsigmond. It was distributed by Fairway International Pictures in the United States.

Contents

Plot

The Sadist

Three high school teachers, Ed, Doris, and Carl, are driving through California's Antelope Valley on their way to a Dodgers game in Los Angeles. The group’s Chevrolet Bel Air has some trouble and they are forced to pull off to a gas station/junkyard on the side of the road. After examining the vehicle Ed concludes that the fuel pump will need to be replaced. Doris and Carl search the junkyard looking for the owner, but they cannot find him.

In the residence Carl finds a warm meal with a table set for four, but oddly enough nobody is in the house. The three realize this is very peculiar and start to seriously worry about their situation. At this point Charlie Tibbs, a young man wielding a Colt .45, and his semi-mute teenage girlfriend, Judy, show up. Charlie and Judy have spent the past several days heading west from Arizona, leaving a trail of corpses behind them. Law enforcement is on the hunt for them, but Charlie has managed to stay a step ahead by changing vehicles frequently and then killing the people who offer their help.

Charlie demands that Ed finish repairing the car and informs him that he and Judy will be stealing the Bel Air and taking off when Ed is done. Charlie threatens that if the three don't cooperate "it'll be the end of them." During the next hour, Charlie and his girlfriend verbally and physically torment Ed, Doris, and Carl; Doris calls Charlie an inhuman monster, and he rips her dress and smacks her, then forces Carl to kneel in the sand and plead for his life until Charlie finishes a soda, after which he shoots Carl in the head.

Ed begins to try to work out how many shots Charlie has left in the gun, and asks Charlie a lot of questions about the people he's killed on the way to their current location. Charlie reveals he has two reloads left, and reloads the gun while taunting Ed gleefully. Doris hears the hum of a motor and thinks the police are coming, and Charlie becomes paranoid. He makes Ed hide in the trunk of a car while Judy holds Doris at knifepoint. Two police bikes pull in. After a tense few moments, Doris screams for help while Ed bangs on the lid of the trunk, but to no avail; Charlie has shot both cops dead.

Charlie continues to try and force Ed to fix the car; Ed formulates a plan to run Charlie over with the car. Charlie switches on the radio, and he and Judy begin to kiss as the music switches to updates from the baseball game the teachers were on their way to. Doris gets in the car to try to run it, but Ed's plan to run over Charlie backfires when Doris can't muster the courage to step on the gas pedal. Charlie continues to coerce Ed into fixing the car, then orders him to put gasoline in the carburetor. Ed sprays gasoline in Charlie's eyes, then flees, and Charlie's damaged vision causes him to shoot and kill Judy. After mourning Judy's death and screaming like an animal, he vows to murder Ed and Doris.

Doris and Ed are able to evade Charlie until Doris screams when she discovers two dead bodies of the junkyard owners next to her where she is hiding. As Charlie shoots at her while she flees, Ed approaches with a heavy tool to try to knock him out. They pursue each other until Charlie corners Ed and kills him with one of the cops' guns, as his own has run out of bullets. Charlie steals the car Ed had been working on and drives after Doris as she runs. However, the car stalls repeatedly in the sand, and the baseball game begins playing on the radio again as Charlie abandons the car and runs after Doris with a knife.

Doris spots a stone cottage in the distance and runs inside to hide. However, she soon sees Charlie approach, and runs out again. She ducks behind the walls of an unfinished house nearby, where she is discovered again by Charlie, but as she flees once more, Charlie falls into a pit of rattlesnakes, where he is killed. The film concludes with a traumatized Doris listening to a portion of the baseball game before turning and wandering up the trail into the desert.

Production

ActorRole
Arch Hall Jr.     Charlie A. Tibbs
Marilyn ManningJudy Bradshaw
Richard AldenEd Stiles
Helen HoveyDoris Page
Don RussellCarl Oliver

The film is loosely based on the killing spree of Charles Starkweather and his girlfriend Caril Ann Fugate, as are the later films Badlands (1973) and Natural Born Killers (1994). [2] Starkweather and Fugate killed 11 people in Nebraska and Wyoming between November 1957 and January 1958, when Starkweather was 19 and Fugate was 14. The two were eventually apprehended in Douglas, Wyoming, and convicted of first-degree murder. Starkweather was executed by electric chair and Fugate was sentenced to life imprisonment, before being paroled in 1976.

Shot by famed cinematographer Vilmos Zsigmond (credited as "William Zsigmond" [2] ) over a period of two weeks for $33,000, it was his first full-length film as a director of photography. [3] Zsigmond had previously shot student films and documentaries while attending the University of Theatre and Film Arts in Budapest, but had fled his native Hungary as a refugee during the 1956 revolution. He was hired at the behest of star Arch Hall Jr., after the actor was impressed by his work as a second unit cinematographer on his previous film Wild Guitar. The success of The Sadist allowed Zsigmond to quit his day job at a photo lab and move full time into motion picture photography. Producer Samuel M. Sherman, who produced many of Zsigmond’s collaborations with B-movie director Al Adamson, noted The Sadist’s use of handheld photography, which was unusual for a 35mm film at the time. [3]

Cast member Don Russell doubled as the film's production manager. [2]

Richard Alden recalled that the ammunition used in the film was real, in order to save money. [4]

The snakes used in the final scene in the pit were live and venomous. Their mouths were temporarily sewn shut for filming. One day, the snake handler was late, and the film crew started without him. They put the snakes, which had been left on the set overnight, in the pit with Hall, and began shooting. The handler arrived soon after, and informed the crew that they had put the wrong crate of snakes, which did not have their mouths sewn, in the pit with their lead actor. The serpents were becoming agitated by this point, but the crew managed to pull Hall out of the pit before he was bitten. [5]

The musical score consisted of library music by Paul Sawtell and Bert Shefter, neither of whom were credited in the final film.

Reception

On Rotten Tomatoes, the film holds an approval rating of 100% based on 5 reviews, with a weighted average rating of 7.1/10. [6]

In a 2008 retrospective article on Badlands in The Guardian , Ryan Gilbey mentioned that the story of Starkweather and Fugate had been dramatized previously in The Sadist, "though hardly anyone remembers that one now." [7]

Legacy

The film is a favorite of director Joe Dante, who owns the 35mm print that has been the source for many of the DVD releases of this film. [2]

Home media

In 2007, [8] Apprehensive Films released The Sadist onto DVD. [9]

Related Research Articles

<span class="mw-page-title-main">Charles Starkweather</span> American spree killer

Charles Raymond Starkweather was an American spree killer who murdered eleven people in Nebraska and Wyoming between November 1957 and January 1958, when he was nineteen years old. He killed ten of his victims between January 21 and January 29, 1958, the date of his arrest. During his spree in 1958, Starkweather was accompanied by his fourteen-year-old girlfriend, Caril Ann Fugate.

<i>Distant Drums</i> 1951 film by Raoul Walsh

Distant Drums is a 1951 American Florida Western film directed by Raoul Walsh and starring Gary Cooper. It is set during the Second Seminole War in the 1840s, with Cooper playing an Army captain who successfully destroys a fort held by Spanish gunrunners and is pursued into the Everglades by a large group of Seminoles. The fort used in the film was the historic Castillo de San Marcos in St. Augustine, Florida, and most of the principal photography was shot on location in Florida.

<span class="mw-page-title-main">Caril Ann Fugate</span> American convicted of 1958 murder spree at age 14

Caril Ann Fugate is the youngest female in United States history to have been tried and convicted of first-degree murder. She was the adolescent girlfriend of spree killer Charles Starkweather, being just 14 years old when his murders took place in 1958. She was convicted as his accomplice and sentenced to life imprisonment. In 1976, she was paroled after serving 18 years.

<span class="mw-page-title-main">László Kovács (cinematographer)</span> Hungarian-American cinematographer

László KovácsASC was a Hungarian-American cinematographer who was influential in the development of American New Wave films in the 1970s, collaborating with directors including Peter Bogdanovich, Richard Rush, Dennis Hopper, Norman Jewison, and Martin Scorsese. Known for his work on Easy Rider (1969) and Five Easy Pieces (1970), Kovács was the recipient of numerous awards, including three Lifetime Achievement Awards. He was an active member of the American Society of Cinematographers and was a member of the organization's board of directors.

<i>Blow Out</i> 1981 film by Brian De Palma

Blow Out is a 1981 American neo-noir mystery thriller film written and directed by Brian De Palma. The film stars John Travolta as Jack Terry, a movie sound effects technician from Philadelphia who, while recording sounds for a low-budget slasher film, unintentionally captures audio evidence of an assassination involving a presidential hopeful. Nancy Allen stars as Sally Bedina, a young woman involved in the crime. The supporting cast includes John Lithgow and Dennis Franz. The film's tagline in advertisements was, "Murder has a sound all of its own".

<span class="mw-page-title-main">Al Adamson</span> American filmmaker and actor (1929–1995)

Albert Victor Adamson Jr. was an American filmmaker and actor known as a prolific director of B-grade horror and exploitation films throughout the 1960s and 1970s.

<i>Inside Moves</i> 1980 film by Richard Donner

Inside Moves is a 1980 American drama film directed by Richard Donner from a screenplay by Valerie Curtin and Barry Levinson, based on the novel of the same name by Todd Walton. The film stars John Savage, David Morse, Diana Scarwid, and Amy Wright. At the 53rd Academy Awards, Scarwid was nominated for Best Supporting Actress for her performance.

<span class="mw-page-title-main">Vilmos Zsigmond</span> Hungarian-American cinematographer

Vilmos ZsigmondASC was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement.

"Nebraska" is the title song of Bruce Springsteen's 1982 solo album. The stark, moody composition sets the tone for the LP, the content of which consists mostly of songs about criminals and desperate people, accompanied only by acoustic guitar and harmonica. The song has been covered by other artists, including Steve Earle, Chrissie Hynde, and Aoife O'Donovan.

<i>The Hired Hand</i> 1971 film by Peter Fonda

The Hired Hand is a 1971 American Western film directed by Peter Fonda, with a screenplay by Alan Sharp. The film stars Fonda, Warren Oates, and Verna Bloom. The cinematography was by Vilmos Zsigmond. Bruce Langhorne provided the moody film score. The story is about a man returning to his abandoned wife after seven years of drifting from job to job throughout the Southwestern United States. The embittered woman will only let him stay if he agrees to move in as a hired hand.

<i>Mans Best Friend</i> (1993 film) 1993 film by John Lafia

Man's Best Friend is a 1993 American science fiction horror film, directed and written by John Lafia. It stars Ally Sheedy, Lance Henriksen, Robert Costanzo, Frederic Lehne, John Cassini, and J. D. Daniels.

<span class="mw-page-title-main">John Bailey (cinematographer)</span> American cinematographer and film director (1942–2023)

John Ira BaileyASC was an American cinematographer and film director known for his collaborations with directors Paul Schrader, Lawrence Kasdan, Michael Apted, and Ken Kwapis. In August 2017, Bailey was elected president of the Academy of Motion Picture Arts and Sciences. He was succeeded by casting director David Rubin in August 2019.

<i>Night Screams</i> 1987 American film directed by Allen Plone

Night Screams is a 1987 American slasher film directed by Allen Plone.

<i>Cult of the Cobra</i> 1955 film by Francis D. Lyon

Cult of the Cobra is a 1955 American black-and-white horror film from Universal-International Pictures, produced by Howard Pine, directed by Francis D. Lyon, that stars Faith Domergue, Richard Long, Kathleen Hughes, Marshall Thompson, Jack Kelly, William Reynolds, and David Janssen. The film was released as a double feature with Revenge of the Creature.

József S. Mikó Joseph Miko was a cinematographer in Hungary when the 1956 revolution against the Russian occupation broke out. Miko grabbed the opportunity to film the revolution in hopes of getting the films out of Hungary so the rest of the world could see the brutality of the Soviet Union. The Soviet government found out about his activities and they wanted him and the films he shot. Joseph Miko with wife Eva and Joe jr. fled the country to avoid capture, imprisonment and possible execution.

In cinematography and photography, flashing is the exposure of the film or digital sensors to uniform light prior to exposing them to the scene. It is used as a method of contrast control to bring out detail in darker areas. This adds a bias to the overall light input recorded by the sensor. When used for artistic effects, it can be used to add a colour cast to shadows without significantly affecting highlights. Flashing is usually described as a percentage of exposure increase to the film's base fog level. While the flash itself is often a neutral color temperature, the flash exposure could be any color: the color of the flash will be imbued disproportionately into the shadows of the image.

<i>No Subtitles Necessary: Laszlo & Vilmos</i> 2008 American film

No Subtitles Necessary: Laszlo & Vilmos is a 2008 American documentary film written and directed by James Chressanthis.

Gyula Pados is a Hungarian cinematographer. He is best known for his collaborations with director Wes Ball on the films Maze Runner: The Scorch Trials, Maze Runner: The Death Cure, and Kingdom of the Planet of the Apes.

<span class="mw-page-title-main">Global Cinematography Institute</span>

Global Cinematography Institute (GCI) is a film school that teaches new emerging technologies and concepts in the field of cinematography. Founded by Yuri Neyman, ASC and Vilmos Zsigmond, ASC, the Global Cinematography Institute aims to prepare filmmakers to take advantage of on-going advances in digital and virtual cinematography technologies through a curriculum known as Expanded Cinematography.

References

  1. Stevens, Dale (April 26, 1963). "Brando Fine As 'The Ugly American'". The Cincinnati Post. p. 41.
  2. 1 2 3 4 "The Sadist". Trailers from Hell. January 6, 2016. Retrieved August 16, 2019.
  3. 1 2 Kenny, Glenn. ""Al and I called him 'Ziggy'": Producer Sam Sherman Remembers The Early Days Of Vilmos Zsigmond". rogerebert.com. Retrieved April 19, 2024.
  4. Weaver, Tom (2009). I Talked with a Zombie: Interviews with 23 Veterans of Horror and Sci-fi Films and Television. McFarland. p. 5.
  5. "The Sadist (1963) | Classic-Horror.com". classic-horror.com. Retrieved April 6, 2021.
  6. "The Sadist". Rotten Tomatoes . Fandango Media . Retrieved October 7, 2021.
  7. Gilbey, Ryan (August 22, 2008). "The start of something beautiful". The Guardian . Archived from the original on November 13, 2013. Retrieved November 13, 2013.
  8. "Apprehensive Films [us]". IMDb. Retrieved July 20, 2010.
  9. "The Sadist DVD". The GrindHouse. Archived from the original on September 8, 2010. Retrieved July 20, 2010.