Traffic were an English rock band formed in Birmingham in April 1967 by Steve Winwood, Jim Capaldi, Chris Wood and Dave Mason. They began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music.
Stephen Lawrence Winwood is an English musician and songwriter whose genres include blue-eyed soul, rhythm and blues, blues rock, and pop rock. Though primarily a guitarist, keyboard player, and vocalist prominent for his distinctive soulful high tenor voice, Winwood plays other instruments proficiently, including drums, mandolin, bass, and saxophone.
"Gimme Some Lovin'" is a song first recorded by the Spencer Davis Group. Released as a single in 1966, it reached the Top 10 of the record charts in several countries. Later, Rolling Stone included the song on its list of the 500 Greatest Songs.
Mervyn "Muff" Winwood is a British songwriter and record producer, and the elder brother of Steve Winwood. Both were members of the Spencer Davis Group in the 1960s, in which Muff Winwood played bass guitar. Following his departure from the group he became an A&R man and record producer.
The Spencer Davis Group were a British blues and R&B influenced rock band formed in Birmingham in 1963 by Spencer Davis (guitar), brothers Steve Winwood and Muff Winwood, and Pete York (drums). Their best known songs include the UK No. 1 hits "Keep On Running" and "Somebody Help Me" and the UK and US Top 10 hits "Gimme Some Lovin'" and "I'm a Man".
Spencer Davis was a Welsh musician. He founded the Spencer Davis Group, a band that had several hits in the 1960s including "Keep On Running", "Gimme Some Lovin'", and "I'm a Man", all sung by Steve Winwood. Davis subsequently enjoyed success as an A&R executive with Island Records.
The Finer Things is a compilation album box set of recordings by Steve Winwood. It includes songs from his early days with The Spencer Davis Group through Traffic and Blind Faith and into his work during his solo career.
Shot in the Dark is the second studio album by American rock band Great White, released in 1986. It was originally released by Telegraph Records and distributed by Greenworld Entertainment. Later that same year it was picked up and re-issued by Capitol Records. The original issue featured a different intro to "She Shakes Me", a different recording entirely of the song "Run Away", and a different mix of the several tracks. Great White's music in this album shows the transition from the pure heavy metal of the first album to a more blues-influenced style of heavy metal, paying homage to the great rock bands of the 1970s, like Led Zeppelin and AC/DC. This was the first album to feature drummer Audie Desbrow.
The Mirage is a late 1960s psychedelic pop band from London, England. They released seven singles in the UK.
"Keep On Running" is a song written and first recorded by Jackie Edwards. It became a hit in the UK for The Spencer Davis Group; their version reached number one in the charts.
Wilfred Gerald Edwards, known as Jackie Edwards, was a Jamaican musician, songwriter and record producer, whose career took in ska, R&B, soul, rocksteady, reggae, and ballads.
Time Won't Let Me is the first studio album by the Outsiders. It was named after the band's early 1966 break-out single, "Time Won't Let Me".
In is the third studio album by the Outsiders. It is the first album released by the band that did not make the Billboard charts.
With Their New Face On is the fourth studio album by the Spencer Davis Group, the first to be released after the departure of Steve Winwood, and his brother Muff Winwood. The album was released in 1968 in both the UK and the U.S. on the United Artists label.
Winwood is the first compilation album of music featuring Steve Winwood. This two-record set was issued in 1971 by United Artists Records and features music which Winwood performed with The Spencer Davis Group, Powerhouse, Traffic and Blind Faith. UA Records issued this album after Winwood's band Traffic left UA when their home label Island Records set up their own American operation. Issued without Winwood's authorization as catalogue number UAS-9950, it was taken off the market after legal action by Winwood and Island Records. It was then reissued with minor changes as catalogue number UAS-9964. Currently out of print, it was issued on CD by Universal Music of Japan for the Japanese market.
Autumn' 66 is the third studio album by the British rock group the Spencer Davis Group released in 1966. Although the album was not released in the US, the single "Somebody Help Me" was on the US Billboard Hot 100 charts for seven weeks and peaked at number 47 in July, 1967.
Revolutions – The Very Best of Steve Winwood is the sixth compilation album by Steve Winwood. The album includes music from Winwood's solo career, as well as groups with which he has performed, including the Spencer Davis Group, Traffic, and Blind Faith. The CD was released as a box set and a single disc. As of October 2014, the box set is out of print, while the single disc is still available. The songs "The Finer Things" and "Roll With It" are exclusive to the single disc version and cannot be found on the box set.
"When I Come Home" is a song written by Steve Winwood and Jackie Edwards, first recorded by Winwood's band the Spencer Davis Group in 1966. Released as a single that summer, it reached number 12 in the UK Singles Chart. The single received mixed reviews upon release, with Penny Valentine deeming it inferior to their previous singles. The band was featured in the movie The Ghost Goes Gear (1966), miming to the track.
You Put the Hurt On Me is an EP released by the Spencer Davis Group in 1965 as Fontana Records, TE 17444, with liner notes by Chris Blackwell. The disc peaked on the British EP charts at # 4 in October 1965.
Their First LP is the debut studio album by the Spencer Davis Group, released in the UK and Europe in June 1965. It peaked at number 6 on the UK Albums Chart. Although never released in its original incarnation in the US, a majority of the tracks from this album were later released in various compilations of the band marketed to US audiences.
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