The Secret Garden is an opera by Nolan Gasser with a libretto (based on the 1911 novel by Frances Hodgson Burnett) written by Carey Harrison. Commissioned by the San Francisco Opera and presented in partnership with Cal Performances, it premiered on March 1, 2013, at Zellerbach Hall at the University of California, Berkeley.
Role | Voice type | Premiere cast, 1 March 2013 Conductor: Sara Jobin |
---|---|---|
Mary Lennox | soprano | Sarah Shafer |
Colin Craven | a boy tenor | Michael Kepler Meo |
Archibald Craven | baritone | Philippe Sly |
Dickon Sowerby | tenor | Scott Joiner |
Martha Sowerby | mezzo-soprano | Laura Krumm |
Mrs. Medlock | soprano | Erin Johnson |
Ben Weatherstaff | baritone | Ao Li |
Susan Sowerby | soprano | Marina Harris |
Orchestra | San Francisco Opera Orchestra | |
Direction | Jose Maria Condemi | |
Visual design | Naomie Kremer | |
Costume design | Kristi Johnson | |
Lighting design | Christopher Maravich | |
Musical preparation | Robert Mollicone, Sun Ha Yoon, John Churchwell, Sara Jobin |
The opera received positive reviews from Joshua Kosman in the San Francisco Chronicle , Janos Gereben in The San Francisco Examiner and San Francisco Classical Voice, Stacy Trevenon at StageandCinema.com and others, with mixed reviews from the San Jose Mercury News and elsewhere. [1] [2] [3] [4] [5]
The San Francisco Opera (SFO) is an American opera company founded in 1923 by Gaetano Merola (1881–1953) based in San Francisco, California.
Joana Carneiro, is a Portuguese conductor.
Donato Cabrera is an American conductor with an active international career. He is the Music Director of the California Symphony and the Las Vegas Philharmonic, and was the Resident Conductor of the San Francisco Symphony and Wattis Foundation Music Director of the San Francisco Symphony Youth Orchestra from 2009-2016.
Nathaniel Stookey is an American composer and musician.
Elizabeth Caballero is a Cuban-American lyric soprano.
David Gockley is an American opera company administrator. He served as general director of Houston Grand Opera from 1972 to 2005 and San Francisco Opera from 2006 to 2016. He is a student of Margaret Harshaw.
Carl Michael Alfred Steinberg was an American music critic and author who specialized in classical music. He was best known, according to San Francisco Chronicle music critic Joshua Kosman, for "the illuminating, witty and often deeply personal notes he wrote for the San Francisco Symphony's program booklets, beginning in 1979." He contributed several entries to the New Grove Dictionary of Music and Musicians, wrote articles for music journals and magazine, notes for CDs, and published a number of books on music, both collected published annotations and new writings.
The Midsummer Mozart Festival is an annual music festival that exclusively features the music of Wolfgang Amadeus Mozart. The festival was founded by George Cleve in 1974 and is held in the San Francisco Bay Area.
The San Francisco Symphony Youth Orchestra (SFSYO) is a youth orchestra organized by the San Francisco Symphony. The SFSYO performs an annual concert series and has made several recordings. The orchestra rehearses in Louise M. Davies Symphony Hall and has been directed by Daniel Stewart since the 2019-2020 season.
Lisa Scola Prosek is a San Francisco Bay Area-based composer and librettist. Among her compositions are two oratorios and seven operas.
Allen Raymond Shearer is an American composer and baritone.
Donald Pippin was an American pianist, and founder of Pocket Opera.
The Classical Style: An Opera is an American comic opera in seven scenes, with music by Steven Stucky and libretto by Jeremy Denk. The opera was a joint commission from the Aspen Music Festival, Carnegie Hall, the Ojai Music Festival, and Ojai North!, and was premiered under the conductor Robert Spano on June 13, 2014 at the Ojai Music Festival in Ojai, California. The opera is inspired by the musicologist and pianist Charles Rosen's 1971 book The Classical Style and thus follows composers Wolfgang Amadeus Mozart, Joseph Haydn, and Ludwig van Beethoven as they descend from heaven into a modern-day classical music climate. The Classical Style was Stucky's last large-scale composition before his death in 2016.
Envoi is a single-movement orchestral composition by the American composer Christopher Rouse. The work was commissioned by the Atlanta Symphony Orchestra with additional contributions from Thurmond Smithgall. It was first performed May 9, 1996 in Atlanta Symphony Hall, Atlanta by the Atlanta Symphony Orchestra under conductor Yoel Levi. The piece is dedicated to Rouse's mother, who died in the summer of 1993.
Naomie Kremer is an Israeli born American artist living and working in Berkeley, CA, and Paris, France. Kremer works in paint, video, photography, digital projection, and stage design.
Claudia Stevens is an American musician, performance artist and librettist. Initially a pianist specializing in contemporary music, she is recognized for creating and performing widely an array of interdisciplinary solo performance works, and for her collaborations with composer Allen Shearer as librettist of twelve operas.
Mary Chun is an American conductor based in the San Francisco Bay Area. She is Music Director of the Cinnabar Theater and has been the conductor of Earplay since 2000.
Sara Jobin ['JOHBIHN] is an American conductor. She is currently the principal conductor of the Center for Contemporary Opera.
Robert Paul Commanday was an American music critic who specialized in classical music. Among the leading critics of the West Coast, Commanday was a major presence in the Bay Area music scene over a five-decade career. From 1964 to 1994 he was the chief classical music critic of the San Francisco Chronicle, following which he became the founding editor of San Francisco Classical Voice in 1998.
Joshua Kosman is an American music critic who specializes in classical music. The chief classical music critic of the San Francisco Chronicle since 1988, Kosman has a particular interest in contemporary classical music, championing composers such as John Adams and Aaron Jay Kernis. Described by the music critic Jayson Greene as having a "congenial, probing tone that blends a reporter’s instincts with a critic’s acumen," he has written for a variety of other publications.