The Shadows' Madame | ||||
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Studio album by | ||||
Released | March, 2002 | |||
Recorded | September–November 2001, Captain Woofer Studios | |||
Genre | Black metal | |||
Length | 38:20 | |||
Label | Scarlet Records | |||
Producer | Cadaveria | |||
Cadaveria chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Shadows' Madame was the debut album for Cadaveria.
No. | Title | Lyrics | Music | Length |
---|---|---|---|---|
1. | "Spell" | Cadaveria, Baudelaire | Cadaveria, Verdi | 5:53 |
2. | "Declaration of Spiritual Independence" | 5:10 | ||
3. | "In Memory of Shadows' Madame" | 4:12 | ||
4. | "Circle of Eternal Becoming" | Cadaveria, Yeats | 4:57 | |
5. | "The Magic Rebirth" | 6:50 | ||
6. | "Black Glory" | 4:11 | ||
7. | "Absolute Vacuum" | 7:10 |
Giuseppe Fortunino Francesco Verdi was an Italian opera composer. He was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Vincenzo Bellini, Gaetano Donizetti, and Gioachino Rossini, whose works significantly influenced him.
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is one of the highest of the male voice types. The tenor's vocal range extends up to C5. The low extreme for tenors is roughly A♭2 (two A♭s below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the leggero tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or spieltenor.
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Nino Martini was an Italian operatic tenor and actor. He began his career as an opera singer in Italy before moving to the United States to pursue an acting career in films. He appeared in several Hollywood movies during the 1930s and 1940s while simultaneously working as a leading tenor at the Metropolitan Opera in New York City.
A bass ( BAYSS) is a type of classical male singing voice and has the lowest vocal range of all voice types. According to The New Grove Dictionary of Opera, a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system.
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