The Shamrock is a 1777 Irish play or pasticcio opera by John O'Keeffe. It was first staged on 15 April 1777 at Crow Street Theatre in Dublin. According to White (1983), [1] it is unsure whether the work was performed as a straight play or as a pasticcio opera to music by William Shield, as in its altered version as an afterpiece for the London stage, The Poor Soldier (1783). [2]
Charles Bannister (1738–1804) was an English actor, comedian and singer.
The Palace Theatre is a West End theatre in the City of Westminster in London. Its red-brick facade dominates the west side of Cambridge Circus behind a small plaza near the intersection of Shaftesbury Avenue and Charing Cross Road. The Palace Theatre seats 1,400.
The history of opera in the English language commences in the 17th century.
Sadler's Wells Theatre is a London performing arts venue, located in Rosebery Avenue, Islington. The present-day theatre is the sixth on the site. Sadler's Wells grew out of a late 17th-century pleasure garden and was opened as a theatre building in the 1680s.
Luigi Marchesi was an Italian castrato singer, one of the most prominent and charismatic to appear in Europe during the second half of the eighteenth century. His singing was praised by the likes of Mozart and Napoleon.
John O'Keeffe was an Irish actor and dramatist. He wrote a number of farces, amusing dramatic pieces and librettos for pasticcio operas, many of which had great success. Among these are Tony Lumpkin in Town (1778), Love in a Camp (1786), and Omai (1785), an account of the voyages of the Tahitian explorer Omai, and Wild Oats (1791).
The Loves of Mars and Venus by John Weaver was arguably the first modern ballet, the first dance work to tell a story through dance, gesture and music alone. Its first performance was at London's Drury Lane Theatre on Saturday 2 March 1717.
Oreste is an opera by George Frideric Handel in three acts. The libretto was anonymously adapted from Giangualberto Barlocci’s L’Oreste, which was in turn adapted from Euripides' Iphigeneia in Tauris.
Russian opera is the art of opera in Russia. Operas by composers of Russian origin, written or staged outside of Russia, also belong to this category, as well as the operas of foreign composers written or intended for the Russian scene. These are not only Russian-language operas. There are examples of Russian operas written in French, English, Italian, Latin, Ancient Greek, Japanese, or the multitude of languages of the nationalities that were part of the Empire and the Soviet Union.
W. H. Denny was an English singer and actor in comic operas, operettas and musical theatre. He is best remembered for his portrayal of baritone roles in the Savoy operas.
Valentino Urbani was an Italian mezzo-soprano or alto castrato who sang for the composer George Frideric Handel in the 18th century. He was known by the stage name Valentini. He sang the role of Eustazio at the première of Handel’s Rinaldo, the role of Silvio at the premiere of Il pastor fido, and the role of Egeo at the first performance of Teseo. His powers of singing seem to have been limited and by the time of his Handel roles his voice was declining but he is reputed to have been a fine actor.
"Oh, whistle and I'll come to you, my lad" is the title and refrain of a poem and song by Robert Burns, first written in 1787, and then expanded in 1793.
Argippo is an opera libretto by Domenico Lalli, which in Giovanni Porta's setting premiered in Venice in 1717. Claudio Nicola Stampa's reworked version of the libretto was set as L'Argippo by Andrea Stefano Fiorè. This opera was performed in Milan in 1722.
The Poor Soldier is a 1783 British pasticcio opera with music by William Shield and a text by John O'Keeffe. It was a comedy set around Irish soldiers returning home after fighting in the British army in the American War of Independence, which formally ended that year with the Peace of Paris. One of the redcoats must fight for the love of Norah with the urbane Captain Fitzroy. The events are set entirely in a small Irish village called Carton, a few miles from Dublin, although several versions refer to it only as "a country village".
Patrick in Prussia, or Love in a Camp is a 1786 comic opera with music by William Shield and a libretto by John O'Keeffe. An afterpiece, it was a sequel to the 1783 hit The Poor Soldier with the characters now serving in the Prussian army.
La villanella rapita is an opera giocosa in two acts by Francesco Bianchi with additional arias by Wolfgang Amadeus Mozart for its later performances in Vienna. The libretto was by Giovanni Bertati.
António Leal Moreira was a Portuguese Classical composer and organist. He composed a large number of operas, most of which were premiered in Lisbon; much of the rest of his output is sacred, though he composed a handful of symphonies as well. One of his works, Sinfonia para a Real Basílica de Mafra, is an organ symphony composed specifically for the 6 organs of Mafra National Palace's Basilica.
William Thomas Lewis (1748?–1811), known as "Gentleman" Lewis, due to his refined acting style, was an English actor. He was said to be "the most complete fop on the stage". In later life he went into theatrical management.
John Henry Johnstone (1749–1828), also known as 'Jack' Johnstone or 'Irish' Johnstone, was an Irish actor, comedian and singer. He was a notable performer of Stage Irishman roles.
Margaret Kennedy was a contralto singer and actress. She was best known for her performances in male roles, especially in the operas of Thomas Arne.