The Sicilians | |
---|---|
Directed by | Ernest Morris |
Screenplay by | Ronald Liles Reginald Hearne |
Produced by | John I. Phillips |
Starring | Robert Hutton Reginald Marsh Ursula Howells |
Cinematography | Geoffrey Faithfull |
Edited by | Henry Richardson |
Music by | Johnny Gregory |
Production company | |
Release date |
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Running time | 70 minutes |
Country | United Kingdom |
Language | English |
The Sicilians is a 1964 British second feature [1] film directed by Ernest Morris and starring Robert Hutton, Reginald Marsh and Ursula Howells. [2] The screenplay was by The Ronald Liles and Reginald Hearne.
Mafia member Angelo Di Marco betrays other mafioso in a court hearing, and in revenge his son is kidnapped. As the police investigate, Di Marco flees to Paris. It transpires that Di Marco's wife, also a mafia member, has arranged the kidnapping. Di Marco is shot dead.
Monthly Film Bulletin said: "A mundane piece of detection, flatly directed and unconvincingly scripted. Some variety is achieved by rapid shifts in locale, from New York to London and then Paris, and by the insertion of cabaret items, but there is little compensation for the weakness of the narrative." [3]
Chibnall and McFarlane in The British 'B' Film wrote that the film "tries to inject some life into its kidnapping plot by darting about between the USA (Manhattan skyline), Paris (Eiffel Tower) and London. The excellent Ursula Howells lifts the level of the film's flat dialogue exchanges, but the whole thing is padded with terrible cabaret acts, and the paper-thin characterisation includes caricatures of a chattering woman on a plane (Patricia Hayes), touchy stage doorman (Michael Balfour) and a 'gallant' Frenchman (Alex Scott)." [1]
The Radio Times Guide to Films gave the film 2/5 stars, writing: "Known for his brisk approach to shooting and his no-nonsense style, Ernest Morris was able to make even the flimsiest of crime thrillers watchable, including this one about a dancer and a diplomat who search for a mafioso's kidnapped son. Robert Hutton is the imported Hollywood has-been and, even though he was never more than a second division star, he is streets ahead of this material." [4]
The Sicilian Mafia or Cosa Nostra, also referred to as simply Mafia, is a criminal society and criminal organization originating on the island of Sicily and dates back to the mid-19th century. It is an association of gangs which sell their protection and arbitration services under a common brand. The Mafia's core activities are protection racketeering, the arbitration of disputes between criminals, and the organizing and oversight of illegal agreements and transactions.
Salvatore "Ciaschiteddu" Greco was a powerful mafioso and boss of the Sicilian Mafia in Ciaculli, an outlying suburb of Palermo famous for its citrus fruit groves, where he was born. His nickname, "Ciaschiteddu" or "Cicchiteddu", translates from the Sicilian alternatively as "little bird" or as "little wine jug".
Giuseppe Genco Russo was a Sicilian Mafia boss from Mussomeli in the province of Caltanissetta, Sicily. Genco Russo, also known as "Zi Peppi Jencu", was an uncouth, sly, semi-literate thug with excellent political connections. A vulgar man, as he used to spit on the floor no matter who was present, he was often photographed with bishops, bankers, civil servants and politicians. He was considered to be the arbiter of Mafia politics, and was regarded as the successor of Calogero Vizzini, who had died in 1954. Although by then a wealthy landowner and politician as a member of Christian Democracy (DC), Genco Russo still kept his mule in the house and the toilet outside, which was little more than a hole in the ground with a stone for a seat and no walls or door according to Mafia turncoat Tommaso Buscetta.
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