 Title page of the first edition. | |
| Authors | Thomas Dixon Jr. |
|---|---|
| Language | English |
| Publisher | D. Appleton and Co. |
Publication date | 1912 |
| Pages | 462 |
The Sins of the Father: A Romance of the South is a 1912 novel by Thomas Dixon Jr.
| Title page of the first edition. | |
| Authors | Thomas Dixon Jr. |
|---|---|
| Language | English |
| Publisher | D. Appleton and Co. |
Publication date | 1912 |
| Pages | 462 |
The Sins of the Father: A Romance of the South is a 1912 novel by Thomas Dixon Jr.
Dan Norton, a Confederate veteran, Ku Klux Klan leader and newspaper publisher, hires a quadroon called Cleo Peeler as a caretaker for his son and his ailing wife, Jean Norton, a descendant of Southern planters. [1] [2] They sleep together and have a daughter, whom he sends to an orphanage. [1] [2] Shortly after, Cleo attempts to blackmail him to regain her position as caretaker. [1] [2]
Norton runs for office as a pro-segregation politician. [1] Meanwhile, his son has a relationship with the octoroon daughter Norton had with Cleo. [1] [2] His wife Jean commits suicide. [2] As he kills his son to put an end to the relationship, he also commits suicide. [1] [2]
The main theme is miscegenation, [3] [4] or in Dixon's words, it was a "study of race mixing". [5] A second theme is the white male's sexual desire for the black woman. [2] A consubstantial theme is "the need for complete racial separation." [2]
The novel portrays the Wilmington insurrection of 1898.
Academic Joseph B. Keener has argued that Dixon "reverses the stereotyped figure of the tragic mulatto, making her the tyrannical aggressor and the cause of the South's degradation." [1] Instead of being a "victim of white sexual exploitation," she becomes "the sexual aggressor." [1]
According to Sandra Gunning, an Assistant Professor of English at the University of Michigan, the book may have been less successful than The Clansman or The Leopard's Spots because it was too fatalistic. [2] She went on to characterize the plot as the "repetition of antebellum white traditions of breaking sexual and familial taboos." [2] She added that Dixon was "forced to kill his hero to cleanze the novel's idealized white world." [2] In contrast, she added that the other two aforementioned novels had provided "a more palatable fantasy of a white male rescue based on disciplining of unruly body." [2]
Dixon had first written a three-act play in 1909, which he turned into a novel published in 1912. [6] The play was first performed on September 21, 1910 at the Academy of Music in Norfolk, Virginia. [6] According to Dixon, after the lead actor was killed by a shark at Wrightsville Beach, off the coast of Wilmington, North Carolina, Dixon took over the role and acted in the play for a year. [3] [5] However, biographer Anthony Slide disagrees with this story, suggesting the lead actor was dismissed at the end of that month. [6]
The Birth of a Nation, originally called The Clansman, is a 1915 American silent epic drama film directed by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from Thomas Dixon Jr.'s 1905 novel and play The Clansman. Griffith co-wrote the screenplay with Frank E. Woods and produced the film with Harry Aitken.
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The Clansman: A Historical Romance of the Ku Klux Klan is a novel published in 1905, the second work in the Ku Klux Klan trilogy by Thomas Dixon Jr.. Chronicling the American Civil War and Reconstruction era from a pro-Confederate perspective, it presents the Ku Klux Klan heroically. The novel was adapted first by the author as a highly successful play entitled The Clansman (1905), and a decade later by D. W. Griffith in the 1915 movie The Birth of a Nation.
Passing (1929) is a novel by American author Nella Larsen. Set primarily in the Harlem neighborhood of New York City in the 1920s, the story centers on the reunion of two childhood friends—Clare Kendry and Irene Redfield—and their increasing fascination with each other's lives. The title refers to the practice of "racial passing", which is a key element of the novel. Clare Kendry's attempt to pass as white for her husband, John (Jack) Bellew, is significant and is a catalyst for the tragic events.
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