The Slim Princess is a musical in three acts with music by Leslie Stuart and a book and lyrics by Henry Blossom. The musical is an adaptation of George Ade's 1907 novel The Slim Princess. [1] Blossom and Stuart's version of this story was adapted into a silent film first in 1915, and a second time in 1920.
The Slim Princess premiered on Broadway on January 2, 1911, at the Globe Theatre. It closed on April 1, 1911, after a 104 performances. The production was produced by Charles Dillingham and directed by Austen Hurgon. William E. MacQuinn served as music director, and the costumes were designed by Percy Anderson. The cast included Elizabeth Brice as Lutie Longstreet, Elsie Janis as Princess Kalora, Charles King as "Tod" Norcross, Joseph Cawthorn as Herr Louis von Schloppenhauer, Charles Judels as Count Luigi Tincagni Tomasso, Arthur J. Engel as Baluchistan, Queenie Vassar as Madame Saidis, Joseph C. Miron as Prince Selim Malagsaki, Julia Frary as Princess Jeneka, Eugene Revere as Harry Romaine, Carl Hayden as Hamdi Pasha, Kate Wingfield as Mrs. Plumston, Ralph Nairn as the Hon. Crawley Plumston, Neil Walton as Bokhara, and Sam Burbank as Tom Golding. [1]
Act 1
Act 2
Act 3
Otto Abels Harbach, born Otto Abels Hauerbach was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are "Smoke Gets in Your Eyes", "Indian Love Call" and "Cuddle up a Little Closer, Lovey Mine".
Leslie Stuart born Thomas Augustine Barrett was an English composer of Edwardian musical comedy, best known for the hit show Florodora (1899) and many popular songs.
Andrew Lippa is an American composer, lyricist, book writer, performer, and producer. He is a resident artist at the Ars Nova Theater in New York City.
Lew Fields was an American actor, comedian, vaudeville star, theatre manager, and producer. He was part of a comedy duo with Joe Weber. He also produced shows on his own and starred in comedy films.
I'm Getting My Act Together and Taking It on the Road is a musical with music by Nancy Ford and book and lyrics by Gretchen Cryer. The show premiered Off-Broadway in 1978.
Arthur Reed Ropes, better known under the pseudonym Adrian Ross, was a prolific writer of lyrics, contributing songs to more than sixty British musical comedies in the late 19th and early 20th centuries. He was the most important lyricist of the British stage during a career that spanned five decades. At a time when few shows had long runs, nineteen of his West End shows ran for over 400 performances.
Charles Joseph King was a vaudeville and Broadway actor who also starred in several movies. He starred as the leading actor in the hit MGM movie, The Broadway Melody (1929), the first all-talking film to win the Academy Award for Best Picture.
The Balkan Princess is a musical in three acts by Frederick Lonsdale and Frank Curzon, with lyrics by Paul Rubens and Arthur Wimperis, and music by Paul Rubens. It opened at London's Prince of Wales Theatre on 19 February 1910. The cast included Isabel Jay and Bertram Wallis. There was a successful Broadway run in 1911 that used a libretto by Leonard Liebling, and the show toured widely thereafter.
The Princess Pat is an operetta in three acts with music by Victor Herbert and book and lyrics by Henry Blossom. While set on Long Island, New York, the story follows the American born Princess di Montaldo, a.k.a "Princess Pat", who is married to the Italian Prince Antonio di Montaldo, a.k.a. "Prince Toto". Unhappy that her husband ignores her, she is intent on winning back his attention and affections. Herbert wrote the piece as a vehicle for the soprano Eleanor Painter.
Henry Martyn Blossom, Jr. was an American writer, playwright, novelist, opera librettist, and lyricist. He first gained wide attention for his second novel, Checkers: A Hard Luck Story (1896), which was successfully adapted by Blossom into a 1903 Broadway play, Checkers. It was Blossom's first stage work and his first critical success in the theatre. The play in turn was adapted by others creatives into two silent films, one in 1913 and the other in 1919, and the play was the basis for the 1920 Broadway musical Honey Girl. Checkers was soon followed by Blossom's first critical success as a lyricist, the comic opera The Yankee Consul (1903), on which he collaborated with fellow Saint Louis resident and composer Alfred G. Robyn. This work was also adapted into a silent film in 1921. He later collaborated with Robyn again; writing the book and lyrics for their 1912 musical All for the Ladies.
William LeBaron was an American film producer, lyricist, librettist, playwright, and screenwriter.
The Five O'Clock Girl is a musical with a book by Guy Bolton and Fred Thompson, music by Harry Ruby, and lyrics by Bert Kalmar. Set in New York City and South Hampton, Long Island, it focuses on wealthy Beekman Place playboy Gerald Brooks and impoverished shopgirl Patricia Brown, who become acquainted with each other via a series of anonymous five o'clock phone conversations.
Edward Ray Goetz was an American composer, lyricist, playwright, theatre director, and theatrical producer. A Tin Pan Alley songwriter, he published more than 500 songs during his career, many of them originally written for the New York stage. His songs were recorded by several artists, including Judy Garland, Al Jolson, and Blossom Seeley. He was active as both a lyricist and composer for Broadway musicals from 1906 through to 1930, collaborating with artists like George Gershwin, Cole Porter, Sigmund Romberg, and A. Baldwin Sloane to create material for the theatre.
Dorothy Agnes Donnelly was an actress, playwright, librettist, producer, and director. After a decade-long acting career that included several notable roles on Broadway, she turned to writing plays, musicals and operettas, including more than a dozen on Broadway including several long-running successes. Her most famous libretto was The Student Prince (1924), in collaboration with composer Sigmund Romberg.
Little Nellie Kelly was a two-act musical comedy of the Jazz Age, written, produced and directed by George M. Cohan. After opening in Boston in July 1922, it had long runs on Broadway in 1922–1923, in the West End of London in 1923–1924, and on tours.
Stop! Look! Listen! is a musical in three acts with music and lyrics by Irving Berlin and book by Harry B. Smith. The piece had additional music by Henry Kailimai and Jack Alau and additional lyrics by G. H. Stover and Sylvester Kalama.
Oh, My Dear! was a Broadway musical comedy in two acts with book and lyrics by Guy Bolton and P. G. Wodehouse, and music by Louis A. Hirsch. The play was produced by William Elliott and F. Ray Comstock and opened under the direction of Robert Milton and Edward Royce at the Princess Theatre on West 39th Street in New York City on November 27, 1918. Oh, My Dear! had a run of 189 performances, with the final curtain falling on May 10, 1919. The musical takes place at Dr. Rockett's Health Farm in the state of New York.
The Slim Princess is a 1920 American silent comedy-drama film starring Mabel Normand, directed by Victor Schertzinger, produced by Samuel Goldwyn, and written by Gerald C. Duffy based on a musical play of the same name by Henry Blossom and Leslie Stuart, which was from a story by George Ade. The picture is a Goldwyn Pictures Corporation production with a supporting cast featuring Hugh Thompson, Tully Marshall, Russ Powell, Lillian Sylvester, and Harry Lorraine.
Jesse C. Huffman (1869–1935) was an American theatrical director. Between 1906 and 1932 he directed or staged over 200 shows, mostly for the Shubert Brothers. Many of them were musical revues, musicals or operettas. He is known for The Passing Show series of revues that he staged from 1914 to 1924 at the Winter Garden Theatre on Broadway, daring alternatives to the Ziegfeld Follies.
Baron Trenck is a comic opera in three acts loosely based on the life of Baron Franz von der Trenck. The original German-language work was composed by Felix Albini to a libretto by Alfred Maria Willner and Robert Bodanzky and premiered at the Stadttheater in Leipzig in 1908. The English version, adapted by Frederick Franklin Schrader and Henry Blossom, ran for just 43 performances at the Strand Theatre in London in 1911. It starred Walter Passmore, Walter Hyde and Caroline Hatchard.