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War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subject is the Second World War. The stories told may be fiction, historical drama, or biographical. Critics have noted similarities between the Western and the war film.
The Battle of the Somme, also known as the Somme offensive, was a battle of the First World War fought by the armies of the British Empire and French Third Republic against the German Empire. It took place between 1 July and 18 November 1916 on both sides of the upper reaches of the Somme, a river in France. The battle was intended to hasten a victory for the Allies. More than three million men fought in the battle and one million men were wounded or killed, making it one of the deadliest battles in human history.
The Battle of the Somme, is a 1916 British documentary and propaganda war film, shot by two official cinematographers, Geoffrey Malins and John McDowell. The film depicts the British Expeditionary Force in the preliminaries and early days of the Battle of the Somme. The film premièred in London on 10 August 1916 and was released generally on 21 August. The film depicts trench warfare, marching infantry, artillery firing on German positions, British troops waiting to attack on 1 July, treatment of wounded British and German soldiers, British and German dead and captured German equipment and positions. A scene during which British troops crouch in a ditch then "go over the top" was staged for the camera behind the lines.
Operation Bertram was a Second World War deception operation practised by the Allied forces in Egypt led by Bernard Montgomery, in the months before the Second Battle of El Alamein in 1942. Bertram was devised by Dudley Clarke to deceive Erwin Rommel about the timing and location of the Allied attack. The operation consisted of physical deceptions using dummies and camouflage, designed and made by the British Middle East Command Camouflage Directorate led by Geoffrey Barkas. These were accompanied by electromagnetic deceptions codenamed Operation Canwell, using false radio traffic. All of these were planned to make the Axis believe that the attack would take place to the south, far from the coast road and railway, about two days later than the real attack.
Frederick Jeremiah Edwards was an Irish recipient of the Victoria Cross, the highest and most prestigious award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces.
A movie palace is any of the large, elaborately decorated movie theaters built between the 1910s and the 1940s. The late 1920s saw the peak of the movie palace, with hundreds opened every year between 1925 and 1930. With the advent of television, movie attendance dropped, while the rising popularity of large multiplex chains signaled the obsolescence of single-screen theaters. Many movie palaces were razed or converted into multiple screen venues or performing arts centers, though some have undergone restoration and reopened to the public as historic buildings.
Somme or The Somme may refer to:
Ernest Brooks was a British photographer, best known for his war photography from the First World War. He was the first official photographer to be appointed by the British military, and produced several thousand images between 1915 and 1918, more than a tenth of all British official photographs taken during the war. His work was often posed and formal, but several of his less conventional images are marked by a distinctive use of silhouette. Before and immediately after the war he worked as an official photographer to the Royal Family, but was dismissed from this appointment and stripped of his official honours in 1925, for reasons that were not officially made public.
Marmaduke Arundel "Duke" Wetherell was a British–South African actor, screenwriter, producer, film director and big-game hunter.
Geoffrey Barkas was an English film maker active between the world wars.
The British Middle East Command Camouflage Directorate organised major deception operations for Middle East Command in the Western Desert Campaign of the Second World War. It provided camouflage during the siege of Tobruk; a dummy railhead at Misheifa, and the largest of all, Operation Bertram, the army-scale deception for the decisive battle of El Alamein in October 1942. The successful deception was praised publicly by Winston Churchill.
British Instructional Films was a British film production company which operated between 1919 and 1932. The company's name is often abbreviated to BIF.
The Battles of Coronel and Falkland Islands is a 1927 British docudrama film directed by Walter Summers. The film focuses on the naval warfare around the Battle of Coronel and Battle of the Falkland Islands during the First World War. It was the last in a successful series of documentary reconstructions of First World War battles by British Instructional Films made between 1921 and 1927. The film was produced at Cricklewood Studios and on location off Malta and the Isles of Scilly. The film is an entirely fictional recreation with a strong documentary feel.
The Tivoli Theatre of Varieties was a popular English theatre based in the Strand, West London. It was designed by Charles Phipps and was built during 1889–90 at a cost of £300,000. It was constructed on the former site of the Tivoli Beer Garden and Restaurant. In the consortium that financed the project was the actor Edward O'Connor Terry. The hall opened on 24 May 1890 and was located opposite the Adelphi Theatre.
Filmmaking in Colonial Nigeria generally refers to an era in Nigerian cinema, usually spanning the 1900s through to the 1950s, when film production and exhibition or distribution were controlled by the British colonial Government. The history of cinema in Nigeria dates back to as early as the history of film itself; notably in the late 19th century, with the use of peephole viewing of motion picture devices. These were soon replaced in the early 20th century with improved motion picture exhibition devices, with the first set of films screened at the Glover Memorial Hall in Lagos from 12 to 22 August 1903.
Bombing the Nazis is a 10-minute 1943 Canadian documentary film, made by the National Film Board of Canada (NFB) as part of the World War II newsreels shown at theatres in Canada and abroad. The film describes the Allied air war over Europe during the Second World War, concentrating on attacks in 1942 and 1943 on an automobile factory in Vichy France.
Policing the Plains was a Canadian silent feature film produced in the years 1924-1927 by Vancouver filmmaker Arthur David "Cowboy" Kean (1882-1961). It was an historical docudrama about the Royal North-West Mounted Police, based on the 1921 book of the same name by Rev. R. G. MacBeth, a Vancouver minister and well-known popular historian.
Arthur David Kean (1882–1961), often known as "Cowboy" Kean, was a Canadian filmmaker, journalist, broadcaster, photographer, and horseman. He was the first British Columbia resident to earn his living as a filmmaker, and the first to produce a feature film, the ill-fated Policing the Plains (1927).
William Frederick Jury was an influential film businessman in Britain. He led Jury Imperial Pictures, a British film production company during the silent film era. It was a leading renter of films and contracted to distribute official British films. It was also distributor of American films and was active in British colonies. Jury was also involved in distributing propaganda films for the British government.
War As It Really Is is a 1916 American documentary war film shot, edited and distributed by Donald C. Thompson. The seven-reel film exposed American audiences to some of the most authentic sights and first-hand accounts of World War I before the United States entered the war. The film was first shown in installments at the Rialto Theatre in New York City in October 1916.
