The Sondheim Review was a quarterly magazine published in Chicago, United States, by Ray Birks starting in 1994. Per its tagline, it was "Dedicated to the work of the musical theatre's foremost composer and lyricist," Stephen Sondheim. It was originally edited by Paul Salsini; starting in 2004, Cincinnati theatre critic Rick Pender became its managing editor; its editorial board included Chicago theatre columnist John Olson, drama critic and university professor Eric Grode, university professor Paul M. Puccio, and theater journalist Russell M. Dembin. Sondheim wrote occasional short items for the magazine, although he was not formally connected with the magazine.
The Sondheim Review ceased publication in early in 2016; the Website is defunct and many subscribers did not receive refunds from the publisher for their 2016-2017 subscription season. At present, www.sondheimreview.com uses an invalid security certificate that expired on December 19, 2016 6:59PM
The Sondheim Review maintained a low-activity web site that included one free article from each issue and a list of upcoming Sondheim productions primarily in the United States and Canada. The magazine had subscribers in more 25 countries, as Sondheim's work is widely acclaimed and respected, even in non-English speaking countries.
Rick Pender, former Managing Editor of the Review, established the website Everything Sondheim in 2016, envisioned as a "go-to source of news, information, commentary and analysis for musical theater enthusiasts who admire the works and career of composer and lyricist Stephen Sondheim". [1] Operation of Everything Sondheim ceased on December 31, 2017 as the "anticipated financial model did not succeed". [1]
On January 4, 2018 it was announced that Signature Theatre in Arlington, Virginia, had acquired EverythingSondheim.org. [2] Signature's Artistic Director Eric Schaeffer plans to "continue to publish new and original content, including articles, videos, production listings, puzzles, quizzes and more starting in Winter 2018”. [3]
Stephen Joshua Sondheim was an American composer and lyricist. Regarded as one of the most important figures in 20th-century musical theater, he is credited with reinventing the American musical. With his frequent collaborators Harold Prince and James Lapine, Sondheim's Broadway musicals tackled unexpected themes that ranged beyond the genre's traditional subjects, while addressing darker elements of the human experience. His music and lyrics are tinged with complexity, sophistication, and ambivalence about various aspects of life.
Adam Guettel is an American composer-lyricist of musical theater and opera. The grandson of musical theatre composer Richard Rodgers, he is best known for his musicals Floyd CollinsThe Light in the Piazza,, and Days of Wine and Roses.
Nathan Lane is an American actor. Since 1975, he has been on stage and screen in both comedic and dramatic roles. His awards include three Tony Awards, seven Drama Desk Awards, a Laurence Olivier Award, three Emmy Awards, and a Screen Actors Guild Award. Lane received a star on the Hollywood Walk of Fame in 2006 and was inducted into the American Theater Hall of Fame in 2008. In 2010, The New York Times hailed Lane as being "the greatest stage entertainer of the decade".
Dorothy Fields was an American librettist and lyricist. She wrote more than 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), "Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and "Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters.
William Alan Finn is an American composer and lyricist. He is best known for his musicals, which include Falsettos, for which he won the 1992 Tony Awards for Best Original Score and Best Book of a Musical, A New Brain (1998), and The 25th Annual Putnam County Spelling Bee (2005).
James Elliot Lapine is an American stage director, playwright, screenwriter, and librettist. He has won the Tony Award for Best Book of a Musical three times, for Into the Woods, Falsettos, and Passion. He has frequently collaborated with Stephen Sondheim and William Finn.
Judy Kuhn is an American actress, singer and activist, known for her work in musical theatre. A four-time Tony Award nominee, she has released four studio albums and sang the title role in the 1995 film Pocahontas, including her rendition of the song "Colors of the Wind", which won its composers the Academy Award for Best Original Song.
Walter Francis Kerr was an American writer and Broadway theatre critic. He also was the writer, lyricist, and/or director of several Broadway plays and musicals as well as the author of several books, generally on the subject of theater and cinema.
Richard Eldridge Maltby Jr. is an American theatre director and producer, lyricist, and screenwriter. He conceived and directed the only two musical revues to win the Tony Award for Best Musical: Ain't Misbehavin' and Fosse.
John Doyle is a Scottish stage director of musicals and plays, as well as operas. He served as artistic director at several regional theatres in the United Kingdom, where he staged more than 200 professional productions during his career spanning over 40 years.
Merrily We Roll Along is a musical with music and lyrics by Stephen Sondheim and a book by George Furth. It is based on the 1934 play of the same name by George S. Kaufman and Moss Hart.
Lonny Price is an American director, actor, and writer, primarily in theatre. He is best known for his New York directing work, including Sunset Boulevard, Sweeney Todd, Company, and Sondheim! The Birthday Concert. As an actor, he is perhaps best known for his creation of the role of Charley Kringas in the Broadway musical Merrily We Roll Along, Neil Kellerman in Dirty Dancing, and Ronnie Crawford in The Muppets Take Manhattan.
Signature Theatre is a Tony Award-winning regional theater company based in Arlington, Virginia.
Finishing the Hat: Collected Lyrics (1954–1981) with Attendant Comments, Principles, Heresies, Grudges, Whines, and Anecdotes is a memoir by American musical theatre composer and lyricist Stephen Sondheim. It was published on October 29, 2010 by Alfred A. Knopf, and is 444 pages. The second volume, Look, I Made a Hat: Collected Lyrics (1981–2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Wafflings, Diversions and Anecdotes, was published on November 22, 2011, by Alfred A. Knopf and is 480 pages. These two volumes were sold together in late 2011 as a box set titled Hat Box, The Collected Lyrics of Stephen Sondheim. Together, these books include the collected lyrics from Sondheim's entire musical theater, film, and television careers, as well as details about the process of making these works and Sondheim's opinion and critique of his own work.
Eric D. Schaeffer is an American theater director and producer based in Arlington, Virginia.
Brian Hill is a Canadian/American director and playwright living in New York City.
Dave Malloy is an American composer, playwright, lyricist, singer, orchestrator, and actor. He has written several theatrical works, often based on classic works of literature. His most well known work is the Tony Award winning Natasha, Pierre & The Great Comet of 1812, an electropop opera based on War and Peace. His other works include Moby-Dick, an adaptation of Herman Melville's classic novel; Octet, a chamber choir musical about internet addiction; Preludes, a musical fantasia set in the mind of romantic composer Sergei Rachmaninoff; and Ghost Quartet, a song cycle about "love, death, and whiskey".
"No One Is Alone" is a song by Stephen Sondheim from the musical Into the Woods, performed toward the end of Act II as the piece's penultimate number.
Adam Gwon is an American composer and lyricist living in New York City.
Fiddler: A Miracle of Miracles is a 2019 American documentary film about the creation and significance of the 1964 musical Fiddler on the Roof. Directed by Max Lewkowicz, it features interviews with Fiddler creators such as Jerry Bock, Sheldon Harnick, Joseph Stein, and Harold Prince, as well as scholars, actors, and other musical theatre figures such as Stephen Sondheim and Lin-Manuel Miranda. The documentary includes rarely-seen footage of the original Broadway cast as well as interviews with creators, actors, theatrical figures, and scholars.