Susan Hayward was an American actress best known for her film portrayals of women that were based on true stories.
Smash-Up, the Story of a Woman, also called A Woman Destroyed, is a 1947 American drama film with elements of film noir that tells the story of a rising nightclub singer who marries another singer and becomes an alcoholic after sacrificing her career for him.
Shock is a 1946 American film noir directed by Alfred L. Werker and starring Vincent Price, Lynn Bari and Frank Latimore. It was produced and distributed by 20th Century Fox.
The Spiral Staircase is a 1946 American psychological horror film directed by Robert Siodmak and starring Dorothy McGuire, George Brent, and Ethel Barrymore. Set over the course of one evening, the film follows a mute young woman in an early-20th century Vermont town who is stalked and terrorized in a rural mansion by a serial killer targeting women with disabilities. Gordon Oliver, Rhonda Fleming, and Elsa Lanchester appear in supporting roles. It was adapted for the screen by Mel Dinelli from the novel Some Must Watch (1933) by Ethel Lina White.
Scared Stiff is a 1953 American supernatural fiction-themed comedy horror semi-musical film, directed by George Marshall and starring Dean Martin and Jerry Lewis. One of the 17 films made by the Martin and Lewis team, it was released on April 27, 1953 by Paramount Pictures. It is the fourth screen adaptation of the 1909 play The Ghost Breaker by Paul Dickey and Charles W. Goddard, previously filmed under that title in 1914 and 1922 and as The Ghost Breakers in 1940.
Lizabeth Virginia Scott was an American actress, singer and model for the Walter Thornton Model Agency, known for her "smoky voice" and being "the most beautiful face of film noir during the 1940s and 1950s". After understudying the role of Sabina in the original Broadway and Boston stage productions of The Skin of Our Teeth, she emerged in such films as The Strange Love of Martha Ivers (1946), Dead Reckoning (1947), Desert Fury (1947), and Too Late for Tears (1949). Of her 22 films, she was the leading lady in all but three. In addition to stage and radio, she appeared on television from the late 1940s to early 1970s.
The Naked City is a 1948 American crime procedural produced by Mark Hellinger, directed by Jules Dassin, written by Albert Maltz and Malvin Wald. Starring Barry Fitzgerald, with Howard Duff, Dorothy Hart and Don Taylor in support, the film depicts the police investigation that follows the murder of a young model. It was shot almost entirely on location in New York City.
Whistle Stop is a 1946 American film noir crime film directed by Léonide Moguy and starring George Raft, Ava Gardner, Victor McLaglen, and Tom Conway. It was produced by Seymour Nebenzal's Nero Films and distributed by United Artists. The screenplay was written by Philip Yordan, based on a 1941 novel of the title by Maritta M. Wolff.
The Killer That Stalked New York is a 1950 American film noir directed by Earl McEvoy and starring Evelyn Keyes, Charles Korvin and William Bishop. The film, shot on location and in a semi-documentary style, is about diamond smugglers who unknowingly start a smallpox outbreak in the New York City of 1947. It is based on the real threat of a smallpox epidemic in the city, as described in a story taken from a 1948 Cosmopolitan magazine article.
Christmas Holiday is a 1944 American film noir crime film directed by Robert Siodmak and starring Deanna Durbin and Gene Kelly. Based on the 1939 novel of the same name by W. Somerset Maugham, the film is about a woman who marries a Southern aristocrat who inherited his family's streak of violence and instability and soon drags the woman into a life of misery. After he is arrested, the woman runs away from her husband's family, changes her name, and finds work as a singer in a New Orleans dive. The film received an Academy Award nomination for Best Musical Score for Hans J. Salter.
The Underworld Story is a 1950 American film noir crime film directed by Cy Endfield and starring Dan Duryea, Herbert Marshall, Gale Storm, Howard Da Silva and Michael O'Shea. Da Silva plays the loud-mouthed gangster Carl Durham, one of his last roles before becoming blacklisted.
Clarence Greene was an American screenwriter and film producer who is noted for the "offbeat creativity and originality of his screenplays and for films noir and television episodes produced in the 1950s.
The Lost Moment is a 1947 American melodramatic psychological thriller film with elements of horror directed by Martin Gabel and starring Robert Cummings, Susan Hayward and Agnes Moorehead.
Russell Rouse was an American screenwriter, director, and producer who is noted for the "offbeat creativity and originality" of his screenplays and for film noir movies and television episodes produced in the 1950s.
The Fan is a 1949 American drama film directed by Otto Preminger, starring Jeanne Crain, Madeleine Carroll, George Sanders, and Richard Greene. The screenplay by Dorothy Parker, Walter Reisch, and Ross Evans is based on the 1892 play Lady Windermere's Fan by Oscar Wilde. The play had been filmed several times before, with a 1916 silent film, a later adaptation by Ernst Lubitsch in 1925 as well as versions in Spanish and Chinese.
Five is a 1951 American independent horror science fiction film that was produced, written, and directed by Arch Oboler. The film stars William Phipps, Susan Douglas Rubeš, James Anderson, Charles Lampkin, and Earl Lee. Five was distributed by Columbia Pictures.
My Life with Caroline is a 1941 American comedy film directed by Lewis Milestone and starring Ronald Colman and Anna Lee, in her second Hollywood film and her first in a starring role. The supporting cast featured Charles Winninger, Reginald Gardiner and Gilbert Roland. The screenplay was written by John Van Druten and Arnold Belgard.
Make Haste to Live is a 1954 American film noir thriller film directed by William A. Seiter and starring Dorothy McGuire, Stephen McNally and Mary Murphy. Seiter's last feature directorial effort, the film is an adaptation of the Gordons’ novel of the same name. It was produced and distributed by Republic Pictures.
Chicago Deadline is a 1949 American film noir crime film directed by Lewis Allen and starring Alan Ladd and Donna Reed.
Take One False Step is a 1949 American film noir crime film directed by Chester Erskine and starring William Powell, Shelley Winters and Marsha Hunt. It was produced and distributed by Universal Pictures.
