The Stream | |
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Directed by | Felix Basch |
Written by | |
Based on | Der Strom (play) by Max Halbe |
Starring | |
Cinematography | |
Production company | Basch-Freund |
Distributed by | UFA |
Release date |
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Country | Germany |
Languages |
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The Stream (German : Der Strom) is a 1922 German silent film directed by Felix Basch and starring Hermann Thimig and Eduard von Winterstein. [1]
The film's sets were designed by the art director Robert Neppach.
A Prussian Love Story is a 1938 German historical romance film directed by Paul Martin and starring Karl Günther, Hans Nielsen, and Willy Fritsch. The film depicts the love affair between William I and Elisa Radziwill. In the Third Reich the film was banned right after completion because the love affair of Joseph Goebbels and the actress Lída Baarová had become public. It was finally released in 1950 in West Germany.
Felix Basch (1885–1944) was an American-Austrian actor, screenwriter and film director.
Napoleon at Saint Helena is a 1929 German silent historical film directed by Lupu Pick and starring Werner Krauss, Hanna Ralph, and Albert Bassermann. It was shot at the EFA Studios in Berlin with location shooting in Marseille and St. Helena. The film's sets were designed by the art directors Erich Zander and Karl Weber.
Man Without a Name is a 1932 German drama film directed by Gustav Ucicky and starring Werner Krauss, Helene Thimig and Mathias Wieman. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Robert Herlth and Walter Röhrig. It was produced and distributed by UFA and premiered on 1 July 1932. It is inspired by the 1832 novel Colonel Chabert by Honoré de Balzac, updated to the modern era with the setting shifted from Restoration France to Weimar Germany. A separate French-language version Un homme sans nom was also produced.
The Catwalk is a 1927 German silent drama film directed by Gerhard Lamprecht and starring Lissy Arna, Jack Trevor, and Andreas Behrens-Klausen. It was based on the 1890 novel of the same title by Hermann Sudermann. The film premiered at the Capital am Zoo in Berlin. Art direction was by Otto Moldenhauer.
The Higher Command is a 1935 German historical film directed by Gerhard Lamprecht and starring Lil Dagover, Karl Ludwig Diehl and Heli Finkenzeller. Produced and distributed by UFA, it was shot at the company's Babelsberg Studios in Potsdam. The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle.
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All for Money is a 1923 German silent film directed by Reinhold Schünzel and starring Emil Jannings, Hermann Thimig, and Dagny Servaes. In 1928, a sound version was prepared for American audiences by Gotham Productions. While the sound version has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
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The Roberts Case is a 1933 German drama film directed by Erich Engels and starring Hermann Speelmans, Camilla Spira and Eduard von Winterstein. It was shot at the Johannisthal Studios in Berlin.
Hannerl and Her Lovers is a 1921 German silent comedy film directed by Felix Basch. It was remade as a 1936 Austrian sound film of the same title.
The Office Manager is a 1931 German comedy film directed by Hans Behrendt and starring Felix Bressart, Hermann Thimig and Maria Meissner.
Napoleon Is to Blame for Everything is a 1938 German comedy film directed by Curt Goetz and starring Goetz, Valerie von Martens and Paul Henckels. It marked the German debut of the Norwegian-born star Kirsten Heiberg.
Madeleine is a 1919 German silent film directed by Siegfried Philippi and starring Ria Jende, Eduard von Winterstein and Hermann Vallentin.
Intrigue or The Martyrium is a 1920 German silent drama film directed by Paul L. Stein and starring Pola Negri and Eduard von Winterstein.
The Giant's Fist is a 1917 German silent drama film directed by Rudolf Biebrach and starring Henny Porten and Johannes Riemann.
The Curse of Silence is a 1922 German silent drama film directed by Felix Basch and starring Hermann Thimig and Arnold Korff. The film's sets were designed by the art director Hans Sohnle.