Author | Ntozake Shange |
---|---|
Illustrator | Kamoinge Inc (photography) |
Cover artist | Kamoinge Inc. |
Genre | Poetry |
Published | 2004, Atria Books |
Media type | Print, ebook |
Pages | 192 pages |
ISBN | 978-0743478977 |
The Sweet Breath of Life: A Poetic Narrative of the African-American Family is a 2004 photographic poetic narrative by Ntozake Shange and the photography collective Kamoinge Inc. The Kamoinge Workshop was founded in New York in 1963 to support the work of black photographers in a field then dominated by white photographers. The book was first published on October 26, 2004, through Atria Books and was edited by Frank Steward, the president of Kamoinge Inc. [1]
The book depicts the various aspects of everyday urban African-American life through poetic narrative. Through poetic narrative and accompanying photographs, the book deals with various themes such as religion, identity, and representation. [ citation needed ]
Critical reception for The Sweet Breath of Life has been positive and reviewers have compared the work to that of Langston Hughes and Roy DeCarava. [2] [3] [4]
Black Issues Book Review judges some of the photos to be outdated and that some of the poems felt more like journalism than poetry, [ clarification needed ] but also that when the poems and photography worked together they were "powerfully made" and "breathtaking". [5] Curve rated the book highly, citing the photography as one of the book's highlights. [6] The Tri-State Defender praised the project as "a wonderful blend of words and images that give definition to the beauty and wonder of contemporary African-American culture." [7]
Ntozake Shange was an American playwright and poet. As a Black feminist, she addressed issues relating to race and Black power in much of her work. She is best known for her Obie Award-winning play, for colored girls who have considered suicide / when the rainbow is enuf (1975). She also penned novels including Sassafrass, Cypress & Indigo (1982), Liliane (1994), and Betsey Brown (1985), about an African-American girl run away from home.
Betsey Brown is an African-American literature novel by Ntozake Shange, published in 1985.
for colored girls who have considered suicide / when the rainbow is enuf is a 1976 work by Ntozake Shange. It consists of a series of poetic monologues to be accompanied by dance movements and music, a form which Shange coined the word choreopoem to describe. It tells the stories of seven women who have suffered oppression in a racist and sexist society.
Annie Finch is an American poet, critic, editor, translator, playwright, and performer and the editor of the first major anthology of literature about abortion. Her poetry is known for its often incantatory use of rhythm, meter, and poetic form and for its themes of feminism, witchcraft, goddesses, and earth-based spirituality. Her books include The Poetry Witch Little Book of Spells, Spells: New and Selected Poems, The Body of Poetry: Essays on Women, Form, and the Poetic Self, A Poet's Craft, Calendars, and Among the Goddesses.
Anthony Barboza is a photographer, historian, artist and writer. With roots originating from Cape Verde, and work that began in commercial art more than forty years ago, Barboza's artistic talents and successful career helped him to cross over and pursue his passions in the fine arts where he continues to contribute to the American art scene.
A choreopoem is a form of dramatic expression that combines poetry, dance, music, and song. The term was first coined in 1975 by American writer Ntozake Shange in a description of her work, For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf. Shange's attempt to depart from traditional western poetry and storytelling resulted in a new art form that doesn't contain specific plot elements or characters, but instead focuses on creating an emotional response from the audience. In Shange's work, nontraditional spelling and African American Vernacular English are aspects of this genre that differ from traditional American literature. She emphasizes the importance of movement and nonverbal communication throughout the choreopoem so that it is able to function as a theatrical piece rather than being limited to poetry or dance.
Thulani Davis is an American playwright, journalist, librettist, novelist, poet, and screenwriter. She is a graduate of Barnard College and attended graduate school at both the University of Pennsylvania and Columbia University.
spell #7, or spell #7: geechee jibara quik magic trance manual for technologically stressed third world people, is a choreopoem written for the stage by Ntozake Shange and first performed in 1979.
nappy edges is a collection of poetry and prose poetry written by Ntozake Shange and first published by St. Martin's Press in 1978. The poems, which vary in voice and style, explore themes of love, racism, sexism, and loneliness. Shange's third book of poetry, nappy edges, was met with positive reviews and praise from critics, like Holly Prado of the Los Angeles Times who said of it that "this collection of poems, prose poems and poetic essays merges personal passion and heightened language."
Dianne McIntyre is an American dancer, choreographer, and teacher. Her notable works include Their Eyes Were Watching God: A Dance Adventure in Southern Blues , an adaptation of Zora Neal Hurston's novel Their Eyes Were Watching God, as well as productions of why i had to dance,spell #7, and for colored girls who have considered suicide when the rainbow is enuf, with text by Ntozake Shange. She has won numerous honors for her work including an Emmy nomination, three Bessie Awards, and a Helen Hayes Award. She is a member of the Stage Directors and Choreographers Society, the American Society of Composers, Authors and Publishers, and the Dramatists Guild of America.
lost in language & sound: or how i found my way to the arts: essays (2011) is a collection of 25 personal essays written by Ntozake Shange. Explored in the collection are topics such as racism, sexism, jazz, dance, and writing. The essays function as autobiography, music and literary criticism, and social critique. While some pieces were written specifically for the collection, many were written over the span of over 30 years.
Liliane: Resurrection of The Daughter is a novel by Ntozake Shange. It was originally published by St. Martin's Press in 1994. The novel tells the coming-of-age story of a young Black woman, Liliane Parnell, through the numerous voices of childhood friends, family, lovers, acquaintances, conversations between Liliane and her psychoanalyst, and Liliane herself. Liliane is the daughter of a wealthy and prominent African-American judge, Lincoln Parnell, and his beautiful wife Sunday Bliss Parnell who is working towards reconciling her life as an artist in the present with both the secrets and the expectations of class ascendance from her family's past.
Sassafrass, Cypress & Indigo is a 1982 novel written by Ntozake Shange and first published by St. Martin's Press. The novel, which took eight years to complete, is a story of three Black sisters, whose names give the book its title, and their mother. The family is based in Charleston, South Carolina, and their trade is to spin, weave, and dye cloth; unsurprisingly, this tactile creativity informs the lives of the main characters as well as the style of the writing. Sassafrass, Cypress & Indigo integrates the whole of an earlier work by Shange called simply Sassafrass, published in 1977 by Shameless Hussy Press. As is common in Shange's work, the narrative is peppered with interludes that come in the form of letters, recipes, dream stories and journal entries, which provide a more intimate approach to each woman's journey toward self-realization and fulfillment. The book deals with several major themes, including Gullah/Geechee culture, women in the arts, the Black Arts Movement, and spirituality, among many others.
The Dark Room Collective was an influential African-American poetry collective. Established in 1988, the collective hosted a reading series that featured leading figures in Black literature.
Ifa Bayeza is a playwright, producer, and conceptual theater artist. She wrote the play The Ballad of Emmett Till, which earned her the Edgar Award for Best Play in 2009. She is the sister of Ntozake Shange, and directed Shange's A Photograph: Lovers in Motion, which was a part of the Negro Ensemble Company's 2015 Year of the Woman Play Reading Series in New York City.
Ming Smith is an American photographer. She was the first African-American female photographer whose work was acquired by the Museum of Modern Art in New York City.
Major poetry-related events that took place worldwide during 2018 are outlined below, in various different sections. This includes poetry books released during the year in different languages, major literary awards, poetry festivals and events, besides anniversaries and deaths of renowned poets, etc. Nationality words link to articles with information on the nation's poetry or literature.
Vanessa K. Valdés is an author, educator, writer, editor, historian, and associate professor of Spanish and Portuguese at the City College of New York. She is a Puerto Rican of African descent. She is the author of Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg. Schomburg was one of the founding fathers of Black History in North America, and the father of the Global African Diaspora. She has also written Oshun's Daughters: The Search for Womanhood in the Americas. In Oshun's Daughters she examines African Diasporic sense of womanhood, examining novels, poems, etc., written by Diaspora women from the United States, the Caribbean, and Brazil. Writings that show how these women use traditional Yoruba religion as alternative models for their womanhood differing from western concepts of being a woman.
The Kamoinge Workshop is a photography collective that was founded in 1963. In 2013, the group stood as “the longest continuously running non-profit group in the history of photography.” The collective was born when two groups of African-American photographers came together in collaboration. The first group, named Group 35, consisted of photographers James Ray Francis, Earl James, Louis Draper, Herman Howard, Calvin Wilson, and Calvin Mercer. Louis Draper was especially crucial to its founding. The other group did not yet have a name, but included African-American photographers Albert Fennar, James Mannas, Herbert Randall, and Shawn Walker. The first director of the group was Roy DeCarava, who led the collective from 1963 to 1965.
Frank Stewart is an African-American photographer based in New York. He is best known for photographing prominent Jazz musicians.