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In ancient Greek religion and mythology, Pluto was the ruler of the Greek underworld. The earlier name for the god was Hades, which became more common as the name of the underworld itself. Pluto represents a more positive concept of the god who presides over the afterlife. Ploutōn was frequently conflated with Ploûtos, the Greek god of wealth, because mineral wealth was found underground, and because as a chthonic god Pluto ruled the deep earth that contained the seeds necessary for a bountiful harvest. The name Ploutōn came into widespread usage with the Eleusinian Mysteries, in which Pluto was venerated as both a stern ruler and a loving husband to Persephone. The couple received souls in the afterlife and are invoked together in religious inscriptions, being referred to as Plouton and as Kore respectively. Hades, by contrast, had few temples and religious practices associated with him, and he is portrayed as the dark and violent abductor of Persephone.
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The central episode of the Merchant's Tale is like a fabliau, though of a very unusual sort: It is cast in the high style, and some of the scenes are among Chaucer's most elaborate displays of rhetorical art.
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The loathly lady, is a tale type commonly used in medieval literature, most famously in Geoffrey Chaucer's The Wife of Bath's Tale. The motif is that of a woman who appears unattractive but undergoes a transformation upon being approached by a man in spite of her unattractiveness, becoming extremely desirable. It is then revealed that her ugliness was the result of a curse which was broken by the hero's action.
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The Rape of Proserpina, more accurately translated as the Abduction of Proserpina, is a large Baroque marble group sculpture by Italian artist Gian Lorenzo Bernini, executed between 1621 and 1622, when Bernini's career was in its early stage. The group, finished when Bernini was just 23 years old, depicts the abduction of Proserpina, who is seized and taken to the underworld by the god Pluto. It features Pluto holding Proserpina aloft, and a Cerberus to symbolize the border into the underworld that Pluto carries Proserpina into.
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Stephen Plaice is a UK-based dramatist and scriptwriter who has written extensively for theatre, opera and television. In 2014 he was appointed Writer in Residence at the Guildhall School of Music and Drama. He became Professor of Dramatic Writing at the school in 2018.
The Italian composer Claudio Monteverdi (1567–1643), in addition to a large output of church music and madrigals, wrote prolifically for the stage. His theatrical works were written between 1604 and 1643 and included operas, of which three—L'Orfeo (1607), Il ritorno d'Ulisse in patria (1640) and L'incoronazione di Poppea (1643)—have survived with their music and librettos intact. In the case of the other seven operas, the music has disappeared almost entirely, although some of the librettos exist. The loss of these works, written during a critical period of early opera history, has been much regretted by commentators and musicologists.
Julian Philips is a British composer. Philips' works have been performed at major music festivals, including The Proms, Tanglewood, Three Choirs Festival, at the Wigmore Hall, South Bank Centre and Berlin Philharmonic Chamber Music Hall and by international artists such as Gerald Finley, Dawn Upshaw, Sir Thomas Allen, the Vertavo String Quartet, the Tanglewood Festival Orchestra, the BBC orchestras and the Aurora Orchestra.
Proserpin is a Swedish-language opera by Joseph Martin Kraus to a libretto by the poet Johan Henrik Kellgren following a plot drafted by Gustav III himself from Philippe Quinault's Proserpine. The opera was premiered at Ulriksdal Palace on 6 June 1781 for one performance. The opera was revived at the Drottningholm Theatre in 1980 under Arnold Östman. The opera was performed with a new German libretto at the Schwetzingen Festival in 2006.
References
- ↑ Stephen Plaice & Julian Philips discuss The Tale of Januarie, Front Row, BBC Radio 4, 27 February 2017. Retrieved 5 September 2018.
- ↑ Plaice, Stephen (23 February 2017). "Chaucer, the opera; how to make Middle English sing". The Guardian. Retrieved 5 September 2018.
- ↑ "Work - Edition Peters UK". www.editionpeters.com. Retrieved 24 November 2018.
- ↑ The Tale of Januarie, Peters Edition score.
- ↑ Seymour, Claire (May 2017). "The Tale of Januarie". Opera Magazine.
- ↑ "The Tale of Januarie: Translingualism and Anxietie, Sexuality and Time". 14 March 2017. Retrieved 24 November 2018.
- ↑ "David Wallace - Department of English". www.english.upenn.edu. Retrieved 24 November 2018.
