Related Research Articles
Macunaíma is a 1969 Brazilian comedy film directed by Joaquim Pedro de Andrade, based on Mário de Andrade's novel of the same name. It was released in a dubbed version for American audiences in 1972 by New Line Cinema. On June 13 and July 12, 2005, European and Latin American syndicates of the TV5 network aired the film in its original Portuguese with French subtitles. It was rereleased internationally in 2009.
Grande Otelo was the stage name of Brazilian actor, comedian, singer, and composer Sebastião Bernardes de Souza Prata. Otelo was born in Uberlândia, and was orphaned as a child. He kept running away from the families that adopted him; only when he took up art did his life become settled.
Oscarito, stage name of Oscar Lorenzo Jacinto de la Inmaculada Concepción Teresa Diaz was a Spanish-Brazilian actor, considered to be one of the most popular comedians of Brazil.
Noites Cariocas is a 1936 Brazilian-Argentine comedy film directed and written by Enrique Cadícamo. It is based on a story by F. Gianetti. The film was released in both Portuguese and Spanish.
Cándida is a 1939 Argentine musical film drama directed by Luis Bayon Herrera. The tango film premiered in Buenos Aires, and starred Juan Carlos Thorry.
Amácio Mazzaropi was a Brazilian actor and filmmaker.
The Grande Prêmio do Cinema Brasileiro, more popularly known as the Grande Otelo, is a Brazilian film award given annually by the Brazilian Academy of Cinema. It was established in 2000 as the Grande Prêmio Cinema Brasil by the Ministry of Culture of Brazil that presented it in 2000 and 2001. In 2002, the newly established Academia Brasileira de Cinema took on the role of delivering the award which was then renamed to Grande Prêmio do Cinema Brasileiro.
Samba in Berlin is a 1943 Brazilian musical comedy film directed by Luiz de Barros and starring Mesquitinha, Laura Suarez and Dercy Gonçalves. It is a World War II film part of the popular tradition of chanchadas, aiming to poke fun at Nazi Germany with whom Brazil was now at war.
Berlin to the Samba Beat is a 1944 Brazilian musical comedy film directed by Luiz de Barros. The film was in the popular tradition of chanchadas, featuring stars of the musical stage. It was made by the Rio de Janeiro-based Cinédia studio. It was a follow-up to the hit Samba in Berlin (1944) which made fun of Brazil's World War II enemy Nazi Germany.
Banana da Terra is a 1939 Brazilian musical film directed by Ruy Costa and written by Braguinha and Mário Lago. The film stars Carmen Miranda, Dircinha Batista, and Aloysio de Oliveira. It was Miranda's last film in Brazil, before she moved to Hollywood.
Catita was a stock character played by Niní Marshall in many Argentine comedy films of the 1940s and 1950s from the character's first appearance as a cook in Mujeres que trabajan (1938) up to Catita es una dama (1956) directed by Julio Saraceni. Catita was a stereotypical foul-mouthed and disruptive daughter of Italian immigrants in Argentina.
Atlântida Cinematográfica was a Brazilian film studio, founded 18 September 1941 in Rio de Janeiro by Moacir Fenelon and José Carlos Burle. It produced a total of 66 films before 1962, when it ceased operations, having become the most successful film production company in Brazil.
Cinédia was a Brazilian film studio established on 15 March 1930 in Rio de Janeiro, and remained in continual operation until 1951.
Mandala is a Brazilian telenovela produced and broadcast by TV Globo. It premiered on 12 October 1987 and ended on 14 May 1988, with a total of 185 episodes. It's the thirty eighth "novela das oito" to be aired on the timeslot. It is created by Dias Gomes and directed by Ricardo Waddington.
Bonequinha de Seda is a 1936 Brazilian comedy film directed by Oduvaldo Vianna and starring Gilda de Abreu.
Jayme Cortez was a Portuguese-born Brazilian comics artist. He is considered one of the most important artists of Brazilian comics. Born as Jaime Cortez Martins, he began his career in the Portuguese magazine O Mosquito. Cortez emigrated to Brazil in 1947, where he continued his artistic journey, making significant contributions to both horror and children's comics.
Manoel Messias de Mello, better known as Messias de Mello, was a Brazilian illustrator and painter. Born in Alagoas, he moved to São Paulo in the 1930s. He started working as designer of posters and shop windows, until he got a job as an illustrator at Gazeta Juvenil, a children's supplement for the newspaper A Gazeta.
João Batista Queiroz is a Brazilian comics artist and illustrator. He started his career working as an illustrator in the magazines of the La Selva group. In the 1950s, he was responsible for the comic books of popular personalities at the time, such as the clown duos Arrelia & Pimentinha and Fuzarca & Torresmo and the actors Grande Otelo and Oscarito. In the 1970s, he created the children's character Zuzuca for the publication Álbum Infantil. In the 1980s, he worked with the comic book of the comedy group Os Trapalhões. In 1988, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
Aylton Thomaz was a Brazilian comics artist and painter. He began his career at EBAL publishing house in 1953 drawing comics literary adaptations. He also worked at La Selva publishing house, with horror stories and actors Oscarito and Grande Otelo's comic books. From the 1970s onwards, he began to devote himself mainly to painting, having held several exhibitions over the years. In 1991, he was awarded with the Prêmio Angelo Agostini for Master of National Comics, an award that aims to honor artists who have dedicated themselves to Brazilian comics for at least 25 years.
References
- ↑ Dennison & Shaw p.99
